This thesis examines the middle ground between dual strands of sexuality/gender and race/ethnicity, which I refer to metaphorically as a fluid space of possibility between the rainbows of the pride flag, which celebrates sexual diversity, and the image of the rainbow nation, which celebrates multiculturalism. I discuss ways in which lesbian, gay, bisexual and transgender issues and rights have been discursively treated in the West as well as Africa, most particularly South Africa. I note that a substantial number of novels which appeared after 1994 and have a South African setting or were authored by South Africans, employ the trope of bisexuality. This new preoccupation with bisexuality is parallel to attitudes towards change, the future, and progressive politics, including gender politics. Representations of bisexuality in each of the texts I examine vary; however, together they form a crucial cartography of a liberalization of the imagination in post-apartheid South Africa: a space of anxiety and hope, a space particularly revealing the ongoing evolution of a national identity, and newly part of a global community. Reading bisexuality accurately contributes to the disruption of binaries and illumination of the interstitial associated with the post-apartheid moment in general, and contemporary South African literature and literary criticism in particular. This method of reading, which I call "biopia," allows for a fresh understanding of sexuality, gender, race, citizenship and authority. / Thesis (Ph.D.)-University of KwaZulu-Natal, 2005.

Thesis (DLitt (English))-University of Pretoria, 2008. / E-thesis record : Krueger, Anton Robert . Includes bibliographical references.

Thesis (D.Phil.(Geskiedenis))--Universiteit van Pretoria, 2007. / Abstract in English and Afrikaans. Includes bibliographical references (leaves 368-378).

Thesis (MPhil)--University of Stellenbosch, 2006. / Includes bibliographical references. Also available via the Internet.

Thesis (MA)--Stellenbosch University. 2015 / ENGLISH ABSTRACT: Seeking to explore modes of self-representation in women’s life writing and the ways in which these subjects manipulate the autobiographical ‘I’ to write about gender, the body, race and ethnic related issues, this thesis interrogates the autobiographies of three renegade women whose works were birthed out of the de/colonial South African context between 1854-1948. The chosen texts are: Marina King’s Sunrise to Evening Star: My Seventy Years in South Africa (1935), Melina Rorke’s Melina Rorke: Her Amazing Experiences in the Stormy Nineties of South-African History (1938), and two memoirs by Petronella van Heerden, Kerssnuitsels (1962) and Die 16de Koppie (1965). My analysis is underpinned by relevant life writing and feminist criticism, such as the notion of female autobiographical “embodiment” (239) and the ‘I’s reliance on “relationality” (248) as discussed in the work of Sidonie Smith and Julia Watson (Reading Autobiography). I further draw on Judith Butler’s concept of “performativity” (Bodies that Matter 234) in my analysis in order to suggest that there is a performative aspect to the female ‘I’ in these texts. The aim of this thesis is to illustrate how these self-representations of women can be read as counter-conventional, speaking out against stereotypical perceptions and conventions of their time and in literatures (fiction and criticism) which cast women as tractable, compliant pertaining to patriarchal oversight, as narrow-minded and apathetic regarding achieving notoriety and prominence beyond their ascribed position in their separate societies. I argue that these works are representative of alternative female subjectivities and are examples of South African women’s life writing which lie ‘dusty’ and forgotten in archives; voices that are worthy of further scholarly research which would draw the stories of women’s lives back into the literary consciousness. / AFRIKAANSE OPSOMMING: In ‘n poging om metodes van self-uitbeelding te bespreek en die manier waarop die ‘ek’ van vroulike ego-tekste manipuleer om sodoende te skryf oor geslagsrolle, die liggaam, ras en ander etniese kwessies, ondersoek hierdie verhandeling die outbiografieë van drie onkonvensionele vrouens se werk, gebore vanuit die de/koloniale konteks in Suid-Afrika tussen 1854-1948. Die ego-tekste wat in hierdie navorsingstuk ondersoek word, sluit in: Marina King se Sunrise to Evening Star: My Seventy Years in South Africa (1935), Melina Rorke se Melina Rorke: Her Amazing Experiences in the Stormy Nineties of South-African History (1938), en twee memoirs geskryf deur Petronella van Heerden, Kerssnuitsels (1962) en Die 16de Koppie (1965). My analise word ondersteun deur relevante kritici van feministiese en outobiografiese velde. Ek bespreek onder andere die idee dat die vroulike ‘ek’ liggaamlik “vergestalt” (239) is in outobiografie, asook die ‘ek’ se afhanklikheid van “relasionaliteit” (248) soos uiteengesit in die werk van Sidonie Smith en Julia Watson (Reading Autobiography). Verder stel ek voor, met verwysing na Judith Butler, dat daar ‘n “performative” (Bodies that Matter 234) aspek na vore kom in die vroulike ‘ek’ van Suid- Afrikaanse outobiografie. Die doel van hierdie tesis is om uit te lig dat hierdie selfvoorstellings van vroue gelees kan word as kontra-konvensioneel; dat die stereotipiese uitbeelding van vroue as skroomhartig, nougeset, gedweë ten opsigte van patriargale oorsig, en willoos om meer te vermag as wat hul onderskeie gemeenskappe vir hul voorskryf, weerspreek word deur hierdie ego-tekste. Die doel is om sodanige outobiografiese vertellings en -uitbeeldings te vergelyk en sodoende uiteenlopende vroulike subjektiwiteite gedurende die periode 1854-1948 te belig. Ek verwys deurlopend na voorbeelde van ander gemarginaliseerde Suid-Afrikaanse vroulike ego-tekse om aan te dui dat daar weliswaar ‘n magdom ‘vergete’ en ‘stof-bedekte’ vrouetekste geskryf is in die afgebakende periode. Ek voor aan dat die ‘stem’ van die vroulike ‘ek’ allermins stagneer het, en dat verdere bestudering waarskynlik nodig is.

From Preface: This is not a history of the Boer War; nor is it an exclusively literary study of the poetry of that war. If the work that follows has to be defined generically at all, it may be called an exercise in cultural history. It attempts to assess the impact of a particular war on the literary culture, especially the poetry, of both the participants and the observers, whether in South Africa, in Britain and the rest of the English-speaking world, or in Europe. An assumption made throughout this study is that war poetry is not only verse written by men who are or have been under fire. Just as 'War poetry is not to be confused with political, polemical, or patriotic verse, although it can contain elements of all of these, so it is also the work of observers at home as much as that of soldiers at the front. It follows that I have not allowed myself the academic luxury of selecting, on the basis of literary merit only, a handful of outstanding war poems for rigorous analysis and discussion. "Doggerel can express the heart" wrote one of these late-Victorian soldierly versifiers, and I have roamed widely in the attempt to assemble the material which, I believe, records the full range of the impact that the Boer War made not only on Briton and Boer, but on the worId at large. A major thesis of this study is that the Boer War marked the clear emergence of the kind of war poetry which we have come to associate almost exclusively with the First World War. Poems in the style and spirit of "The Charge of the Light Brigade" were written in profusion, but the work which serves as this study's masthead, Hardy's "Drummer Hodge," clearly has --like many of its contemporaries-- more in common with Owen's verse than with Tennyson's. The reasons for the appearance of such poetry are discussed in Chapter 1; the rest of the book provides the evidence of it.

From Introduction: Thus for the black South African, the act of creative writing is inescapably a form of political action, and unless he turns his back on the reality which confronts him and retreats into a private imaginary world, it is also a form of social action, Yet Ezekiel Mphahlele has rightly cautioned that "creating an imaginary world" can never be an effective substitute for social act ion . Composing fictions about social and political problems is an indubitably oblique way of seeking a solution to them, and even the tendentious recreation of reality is only a metaphor for its actual transformation. Protest writing in South Africa is paradoxically a form of social action which is also only a parasitical imitation of social action, and therefore its avoidance . The freedom of literary creation described above is ambiguously not only a freedom to express reality, but also a freedom from the constraints of reality. And this suggests why the outlaw was such an important symbol to an earlier generation of rather more self-conscious writers.

Thesis (MTech (Marketing))--Cape Peninsula University of Technology, 2008 / The opening ceremony of the 29th Olympic Games displayed a historical tapestry of Chinese culture to the world. At the same time, the 2008 Games presented new opportunities for Chinese people to experience aspects of the outside world, which may have previously been closed to them. Aquatic sport is one such example, especially recreational sailing and yachting, which are novel concepts within Chinese society. Given China’s rapid economic growth, this burgeoning market has potential for South African exporters, including the recreational marine sector. However, South African manufacturers have not promoted their products, many of which are of a high standard, in this market. Are there barriers, which may prevent successful exports of marine products to China? Would a deeper understanding of China’s unique business culture assist the local boatbuilding industry to successfully present their products in China? The purpose of this study is to assist South African boat builders to expand their business operations in China by developing guidelines for marketing strategy formulation. The entire research study shows that there are indeed opportunities to market boats in China, while the market is mainly located in coastal cities. The research reviewed South African trade with China, successful entry of South African companies into the Chinese market, and shows that potential does exist for penetration of the Chinese market by South African marine industries. Based on a further review of the internal marketing environment in China, it is established that a unique feature of Chinese business culture, termed Guanxi, might be a major barrier for penetration of the Chinese boat market by the South African marine industry.

M.A. / The following dissertation examines the political and economic policy approaches of the South African Communist Party for, in main, the period 1993 to 1996. The study is an exploratory one and relies largely upon the policy expressions that have emanated from the SACP, in official or related documents, during the period 1993 to 1996. Although interviewees are acknowledged in the appended source list, these have not been explicitly referred to in the text. The dissertation opens with the submission of an hypothesis, towards the tentative substantiation of which it works throughout. The hypothesis should none the less be subject to further consideration and critique. The central argument made in the dissertation is that: It is a product of the revisionism within the SACP that followed the upheavals in the Soviet bloc and the Apartheid state in the period 1989 to 1993, that the Party should no longer be understood according to older Marxist-Leninist orthodoxy or the two-stage revolutionary theory that sustained it during the exile period of 1950 to 1990. Moreover, the Party's fusion with the ANC by means of common programmatic platforms, in 1955 and again in 1993/1994, has allowed it to neglect the development of its vision of a post-apartheid socialist transformation. These factors resulted in the elimination of tangible benchmarks according to which the Party could have measured progress towards socialism in the period after the South African democratic election of 1994, and have exacerbated the Party's inability, by itself, or as part of a Left vanguard, to engage effectively with the Rightward shift that the post-apartheid democracy has taken since 1996. The study concludes, however, that there is some scope for the Party to engage with the global 'neo-liberal' order and South Africa's essentially liberal democracy. This engagement might be based upon the Party's now secular political agenda and should be aimed at deepening South Africa's democracy.

One of the latest trends in the market for food products is the desire amongst consumers to know the origin of the products they purchase and to feel physically or emotionally connected to the farm and the producer. However, given the many efforts by producers and retailers to mislead consumers about the origin of products, for consumers to have faith in the origin of food products, they need to have some guarantee about the true origin of products. Thus, to be able to successfully guarantee the origin of food products, traceability systems need to be in place and they need to comply with the necessary legislation. This consumer need for origin-based food is now playing out in a variety of ways as food processors and retailers are labelling their products according to the origin of the product. Quite often, regional names are used for that identification. One iconic South African example of a product with regional identity is Karoo Lamb. In July this year producers from the Karoo region launched Karoo Lamb, a certification scheme, with a chain-wide traceability system in place to guarantee the Karoo origin of sheep meat in South African retail stores. The question, though, is whether all abattoirs and meat processors in South Africa are able to deliver origin-guaranteed products. The key factor here is the traceability system they have in place. The general objective of this study is therefore to assess current traceability systems in the sheep meat industry and to establish their ability to guarantee the origin of a carcass. This traceability system should be able to protect, manage and govern the food of origin attributes of a product in the sheep meat industry. The specific objectives of the study are: i) to create a high level process map to indicate the flow of Karoo Lamb products; ii) to share information by developing a detailed description of current and potential traceability systems in the Karoo Lamb supply chain; iii) to identify critical control points for maintaining product information and to test if these systems are in line with best practices; iv) to investigate the decision-making factors impacting on the implementation of a traceability system; and v) to develop recommendations for effectively implementing a traceability system that protects, manages and governs food of origin attributes. In response to these objectives, five hypotheses were developed and tested. The five hypotheses basically aimed to identify the tipping factor in the traceability implementation decision-making process. The population of South African sheep slaughtering abattoirs was used to draw a random sample of 55 abattoirs selected to participate in the research survey by means of interview administrated, structured questionnaires. The data was then processed and analysed to include a combination of quantitative and qualitative analysis. The results obtained by the research indicate that 92 % of the abattoirs in South Africa have proper traceability systems in place that enable them to market and deliver origin-guaranteed products. The 3 (8 %) abattoirs that do not have traceability systems are in the Northern Cape and Eastern Cape. This might become problematic, since sheep from these regions are often marketed as Karoo lamb. Without proper traceability systems, this credence attribute cannot be guaranteed. According to the hypothesis test, the fact that an abattoir delivers to a retailer is the single most significant factor, compared to the other factors tested, for abattoirs to implement a traceability system. Research showed that 95 % of retail delivering abattoirs have traceability systems in place, and the other 5 % of abattoirs are those situated in remote rural areas and their retail customers have little other choice than to buy from these abattoirs. However, the study identified poor knowledge on the costs and benefits of a traceability system as a potential drawback in doing a proper cost benefit analysis and therefore proper research on the economics of traceability systems was almost impossible. At the abattoir level, traceability systems are quite easily implemented because it is much easier to trace a single carcass in an abattoir than to trace different pieces of one carcass in the processing plant. Since this study did not include detail pertaining to the downstream tiers; meat processors, packers, wholesalers and retailers, it is not possible to conclude that the entire sheep supply chain can guarantee a product’s origin in the case of Karoo Lamb. The integrity of these role players will play a vital role in their ability to guarantee the origin of a sheep meat product especially when sheep carcasses are moved outside the Karoo boundaries for processing and packaging. It is therefore clear that the downstream tiers play a vital part in the South African sheep meat industry in terms of chain-wide traceability and transparency in order to guarantee the origin of a sheep meat product such as Karoo Lamb. Further research is therefore required to evaluate the other role players in the sheep meat industry for chain-wide traceabiltiy systems, in order to test the readiness of this chain and industry to guarantee the origin of a product like Karoo Lamb. / Dissertation (MSc(Agric))--University of Pretoria, 2013. / Agricultural Economics, Extension and Rural Development / unrestricted