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Grand Duke Constantine Pavlovich a study in early nineteenth century Russo-Polish relations, 1815-1831.Pienkos, Angela T. January 1900 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1971. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.
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Heroes and patriots the ethnic integration of youth in the Soviet Union during the Brezhnev era, 1965-1982 /Collias, Karen A. January 1987 (has links)
Thesis (Ph. D.)--Columbia University, 1987. / Typescript (photocopy). on microfilm. Cover title. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 355-373).
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The American image of Soviet education, 1917-1935Beeman, Alan Ellsworth, January 1965 (has links)
Thesis (Ph. D.)--University of Wisconsin, 1965. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.
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Retrospective revolution : a history of time and memory in urban Russia, 1903-1923 /Stroud, Gregory. January 2006 (has links)
Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2006. / Source: Dissertation Abstracts International, Volume: 67-07, Section: A, page: 2707. Adviser: Mark D. Steinberg. Includes bibliographical references (leaves 176-193) Available on microfilm from Pro Quest Information and Learning.
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Youth employment in the USSR, 1946-58Matthews, William H. M. January 1961 (has links)
No description available.
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A study of the administration of Soviet education in the perspective of American patterns of control of educationCherry, Gilbert Maurice January 1961 (has links)
Thesis (Ed.M.)--Boston University
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Objectives, methods and possible results of social education in RussiaO'Donnell, Eugene Guilford January 1952 (has links)
Thesis (Ed.M.)--Boston University
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The political and psychological indoctrination of school children in the U.S.S.R.Sudhalter, David L. January 1962 (has links)
Thesis (Ph.D.)--Boston University. / This dissertation is concerned with an examination of the indoctrinational aspects of elementary public education in the U.S.S.R.
The meaning of the term "indoctrination" is examined both from a historical and a contemporary point of view. Ancient cultures, in order to assure their social and cultural survival, have practiced policies of indoctrination of the young. Modern propaganda techniques utilizing the new mass media of communications have been much more effective in the indoctrination of national groups than had previously been possible. Totalitarian systems in the twentieth century have been characterized by strong efforts to indoctrine the young, thus imbuing them with the goals and ideals of the state [TRUNCATED].
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Performing Work: Internationalism and Theatre of Fact Between the U.S.A. and the U.S.S.R.Tougas, Ramona 27 October 2016 (has links)
Title: Performing Work: Internationalism and Theatre of Fact between the U.S.A. and the U.S.S.R.
Theatre’s public, and yet intimate emotional ability to demarcate extraordinary occurrences and provoke communal escalation make it useful for internationalist organizing. “Performing Work: Internationalism and Theatre of Fact between the U.S. and the U.S.S.R.,” traces 1920s and 1930s leftist theatre through transnational circuits of political and aesthetic dialogue. I argue that these plays form a shared lexicon in response to regional economic and political challenges. Sergei Tretiakov’s Rychi, Kitai/Roar, China! (1926); Hallie Flanagan and Margaret Ellen Clifford’s Can You Hear Their Voices? (1931); Langston Hughes’s Scottsboro Limited (1931); and Hughes, Ella Winter, and Ann Hawkins’s Harvest (1933-34) constitute the dissertation’s primary texts. “Performing Work” begins by reading the Soviet play Roar, China! as a work of theatre of fact which performs conflicted internationalisms in plot, and in its politicized production history. The middle chapters track revisions to Soviet factography and internationalism by three American plays in light of the Depression, racism, feminism, and labor disputes. The study considers the reception of Russian and English translations, as well as figurative translations across cultural contexts. Performance theory and literary history support this analysis of dramatic forms—embodied, temporal, and textual. I narrow my study to four plays from the United States and Soviet Union to argue for the tangible impact of ephemeral contact and performance in order to resist polarizing simplification of relationships between these two countries. The three central figures of this study, Sergei Mikhailovich Tretiakov (1892-1937), Hallie Flanagan (1890-1969), and Langston Hughes (1909-1967) each had either direct or indirect contact with one another and with each other’s theatrical work. This study is primarily concerned with the transnational circulation of politically significant dramatic form and only secondarily occupied with verifying direct influence from one author to another. The four plays participate in transnational dialogue on working conditions, cultural imperialism, racist legal systems, and gender inequality.
This dissertation includes previously published material. / 10000-01-01
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Theologische Ausbildung - eine Verpflichtende Mission : Faktoren zur Bestimmung von Leitlinien für theologische Ausbildung in der GUSPenner, Peter 11 1900 (has links)
Text in German / Christian Spirituality, Church History and Missiology / D. Th. (Missiology)
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