<p>In this thesis I try to examine the consumtion among people that are retired and therefore can be considered as being in the third age. This studie is carried out in Norrköping, with interviews of people living in or close to Norrköping. I have used theories about the third age, consumtion and the space of the city. I have examined the importance of the city space as a meeting place and where the elderly buy the things they need for there everyday life. I also try to examine if the things they buy has an importance that goes beyond the immediate use, such as communicating a persons status to others. Morever I discuss if the older people feel at that the city is a place for them, or if they consider it as being a place for younger people.</p> / <p>I denna uppsats analyserar jag hur musikkritiker skriver recensioner om jazzmusik. Med hjälp av kritisk diskursanalys och Pierre Bourdieus begrepp om kapital, fält och habitus analyseras att antal jazzrecensioner. Med hjälp av denna analys försöker jag se hur recensenterna uttrycker sin kunskap kring jazz, och om de med hjälp av denna kunskap anser sig ha tolkningsföreträde att definiera vad som anses vara god musiksmak. Jag tittar även på vilka delar av musiken som lyfts fram i recensionerna och hur de olika delarna beskrivs.</p>

In this thesis I try to examine the consumtion among people that are retired and therefore can be considered as being in the third age. This studie is carried out in Norrköping, with interviews of people living in or close to Norrköping. I have used theories about the third age, consumtion and the space of the city. I have examined the importance of the city space as a meeting place and where the elderly buy the things they need for there everyday life. I also try to examine if the things they buy has an importance that goes beyond the immediate use, such as communicating a persons status to others. Morever I discuss if the older people feel at that the city is a place for them, or if they consider it as being a place for younger people. / I denna uppsats analyserar jag hur musikkritiker skriver recensioner om jazzmusik. Med hjälp av kritisk diskursanalys och Pierre Bourdieus begrepp om kapital, fält och habitus analyseras att antal jazzrecensioner. Med hjälp av denna analys försöker jag se hur recensenterna uttrycker sin kunskap kring jazz, och om de med hjälp av denna kunskap anser sig ha tolkningsföreträde att definiera vad som anses vara god musiksmak. Jag tittar även på vilka delar av musiken som lyfts fram i recensionerna och hur de olika delarna beskrivs.