Předložená diplomová práce se zabývá subkulturou krajní pravice ve Svobodném státě - pojednáno v multidisciplinárním kontextu, práce vysvětluje důvod také využívá politologické roviny, vymezuje pojem pravicového extremismu a ukazuje jeho rávní úrovni je rozvedena reakce státu ve formě legislativních a represivních opatření. V kontextu občanského vzdělávání jsou prezentovány instituce a aktéři, kteří v Sasku na tomto poli působí s cílem eliminovat pravicový extremismus ve společnosti. Text rovněž definuje, jak velké nebezpečí subkultura ve společnosti představuje. Vláda se snaží s pravicovým extremismem vypořádat, i když se žádná politická strana nedostává přímo do parlamentu. Jde především o hrozbu společenskou spočívající v páchání trestné činnosti, schopnosti mobilizace a tvoření chybných ideologických přesvědčení. Stát chce primárně svoje občany chránit před kriminální činností, vzdělávat je a rozvíjet demokratické uvědomění, přičemž systém občanského vzdělávání Spolkové republiky Německo je celosvětově považován za vzor, jelikož se obor po druhé světové válce stal díky specifickému vnímání pravicového extremismu součástí německé identity

This research seeks to address the topic of the influence of the YouTube advertising on society as seen by the members of hipster subculture. This work aims to explore the attitude of hipsters towards the YouTube thanks to an analysis of the interviews and also with the help of a theoretical framework of core concepts such as subculture, hipster, lifestyle or advertising practices. The reason I address hipster attitudes is the fact, that hipster phenomenon has become widespread nowadays. Moreover, those individuals are associated with skeptical stance towards the mainstream trends. Therefore, I have decided to confront the ostensibly distrustful view of hipsters towards YouTube as a representative of modern mainstream and then analyze self-proclaimed attitudes of hipsters as such.

The aim of my thesis is to discover what is the status of women in czech Association of anti- fascist groups (AAFG). I am interested in how gender affects and limits the participation of women within the movement. This thesis also aims to describe the inner workings of selected anti-fascist organisation. The theoretical part is devoted to show the concept of subcultural and social movement, which is the Association of anti-fascist groups (AAFG) part. I will also offer a gender perspective of the researches of subcultures and women's participation in them to the readers. The main part of the thesis describes selected methods of the research - especially semi-structured interview and semiotic content analysis - and their use in practice. This part of the thesis is at the same time devoted to the theme of ethical discussion of the research and research's self-reference of the researcher. Then this part analyzes the data and presents the findings resulted from the research. In this thesis I focus on the "revival" of the Association of anti-fascist groups (AAFG) and its possible impact of larger involvement of women.

Revolver Revue is a cultural periodical magazine founded in 1985. Initially, as a product of Czech underground subculture, of the former communist Czechoslovakia, Revolver Revue was deemed to be illegal samizdat material. After the transformation of the social and political environment in Czechoslovakia, Revolver Revue became a legal publication, and continues to be published today, in the Czech Republic. The following work is a study of Revolver Revue as a social phenomenon in which the author works towards capturing its main defining features and its developments over time, including it's noteworthy changes as well as the continuity which the organization has seen. Also focused upon are the specific social groups related to Revolver Revue, the specific institutions and the interaction of important actors involved, all perceived through a political and historical context. This work is centred around qualitative empirical research based on analyses of interviews and on the study of related documents. The approach taken to this study was heavily influenced by Grounded Theory.

The theses named Subculture of a tattoo, Content analysis of a magazine Inked is primary focused on the nowadays phenomenon of a tattoo, there then the whole development of this social subculture. The aim of this thesis is to sum up and analyse the term of subculture, to see in detail the historical beginnings and development of tattooing, to describe functions, motivations and the reasons of an actual act of a tattoo. The main focus will be set on the American lifestyle magazine Inked. I will try to analyse this printed media, which targets on the tattoo subculture, culture itself, style and art. This thesis will characterise the magazine and will basically follow the Inked in two year time period. Which are the years 2009 and 2010, my interest is focused in this theme agenda and its development during this period of time. The researching method will then be a quantitative content analysis. Key words: Tattoo, tattouage, subculture, history, phenomenon, skin, motif, colour, development, function, analysis, research, Inked, magazine.

This work deals with the phenomenon of tattoo in hardcore subculture. In the theoretical part it reflects the transformation of the concept of subcultures in his historical progress, with an emphasis on the concept of style in the connection of the Center of contemporary culture Studies and post subcultural theory, especially the writing of David Muggleton. The diachronic perspective, this work also deals with the phenomenon of tattoo and its functions and meanings to it in today's society ascribed. An integral part of the theoretical part is to describe hardcore only in terms of its progress in the USA and in Czechoslovakia or Czech Republic, but also in terms of the side of music and shared ideology, which is the main key featuring to this subculture. Concepts described in the theoretical part are then used in actual research, which is conducted by using qualitative methodology. Exploration aims to describe the meanings and functions of the hardcore subculture and determine whether they are content and motivation ascribed to tattoo influenced subcultural ideologies, or whether it is primarily an expression of the contemporary individualistic discourse. In this work tattooing is examined in terms of its individual nature with regard to the subcultural, or wider, societal context, which together...

The master thesis titled Ideologization and fragmentation of Skinhead subculture deals with historical background of Skinhead subculture genesis and with cleavages, that determinated its ideologization and fragmentation. Simultaneously it pays close attention to analysis of various branches of the Skinhead subculture. The first chapter of the thesis builds theoretical foundations of the research. In this chapter the terms culture, subculture and counterculture are explained. Accentutation is placed on common denominators as well as on differences in the definition of these terms. The second chapter of the master thesis deals equally with historical background of Skinhead subculture genesis and with subcultures with a significant impact on the formation of the Skinhead subculture. In this chapter the attention is focused on historical facts of political development in Great Britain after The Second World War, on subcultures popular at that time and on foundation of the Skinhead subculture. The third chapter of this thesis analyzes infiltration of the political ideologies inside the subculture and the following fragmentation of Skinheads. Research in this chapter is focused on the spread of extreme right-wing elements, foundation of the racist branch of the subculture and sequentially on the reaction...

Dissertation Abstract Paper Agora: The Samizdat Periodical Vokno and the Provincial Czech Underground in Historical and Social Perspective Martin Tharp, Department of Historical Sociology. The present work takes as its central subject a Czech samizdat publication, the magazine Vokno, primarily during its years of illegal operation, i.e. from 1979 until 1990, considered within the wider context of civil and cultural resistance to the oppressive social order of European state socialism. It treats Vokno as an instance of social action amid state forces inimical towards it, discussing the interplay and interaction of oppositional practice and the forces it opposes, both of state authority and more subtle ones of state cultural hegemony. It is argued that Vokno formed an attempt at a "counterculture" in the late 20th-century sense of an impulsive critique of a regimented modernity, yet within its immediate conditions was necessitated to assume three specific forms: as an aesthetic sub/counterculture, as a social network with differing levels of involvement and connections (whether to established intellectual dissent or to other social strata), and finally as a conscious oppositional social movement.

This dissertation examines the role of material in six selected zines from subcultural, artistic and activist circles. The work deals with printed micro media with a small reach and is based on the concepts of alternative media, gives a brief overview of theoretical perspectives on zines from subcultural studies, through fan studies and participatory culture. The thesis is critical of the concepts and calls for the enrichment of existing perspectives, mostly consolidated in old (post- marxist) materialism: specifically, for a reflection on post-digital culture and new materialism, which allows us to reconsider the role of material in the production and distribution of zines. The case study combines personal interviews and content analysis with an emphasis on material and ethnography of the spaces where zines are formed and transmitted. Based on Bourdieu's field theory, the study conceptualises the zine scene as a field of zine production and seeks to radically contextualise the traffic between bodies, spaces, paper and other materials, machines, and finally capital (economic and subcultural). The theoretical apparatus allows to examine the changing role of zines in the post-digital age when information shifts from sowers to platforms of emotion and touch. The main argument of the thesis is that...

The topic of computer/video games and their translation has only recently attracted attention of translation scholars. The thesis aims at introducing the phenomenon as a legitimate topic of translation studies, presenting it as a specific and influential medium with an extensive user subculture. A description of the overall process of game localization, and specifically its practice in the Czech Republic are included. Lexical analysis of selected computer game reviews and online discussions is complemented with a questionnaire survey to reveal if and how computer games and game- focused articles influence the constitution of a characteristic sociolect and its usage outside the gamer subculture. Concepts used in intercultural and interlingual transfer of computer games are defined and compared with established terms in translation studies. A comparative analysis of original and Czech versions of two computer games is carried out to identify translation methods used in the transfer of culture- and language-specific elements in order to determine whether the process of computer game translation exhibits any specific features that may justify the introduction of new terms into translation studies. Specific features of computer games in translation are described and an analysis of several games...