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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
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Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 1 to 2 of 2 (0.044 seconds)Spelling suggestions: "subject:"supervillains"" "subject:"supervillin""
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The Joker Returns: A new perspective on the violent Clown Prince of CrimeEfthymiadou, Panagiota, Koukouvinou, Panagiota January 2020 (has links)
The new “Joker” movie, directed by Todd Phillips, was released in 2019 and brought a range of fervent and controversial discussion both in critics and audiences. Nevertheless, the “Joker” persona is tightly associated with comics and the superhero movie genre, and usually depicted in a particular way. However, the new movie differs in vital points. This study aims to explore the differences that lie between the “Joker”, and his depiction in the superhero genre. In order to investigate this inquiry, we conducted an exploratory research, and used latent content analysis. From our results, we extrapolate that the new movie constructs a more humane and approachable image of the “Joker”, as opposed to the “nameless” and “cold-blooded” villain. Simultaneously, we concluded that the movie adopts a more realistic and less entertaining approach towards violence, a prominent characteristic in superhero movies
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"Power To the People" : le déclin de la figure du superhéros dans les films américains après 2001 / « Power to the People » : The decline of the Superhero Icon in American Films since 9/11Ducreux, Jean-Guy 26 October 2013 (has links)
L'objectif de cette thèse est de montrer le déclin de la figure du superhéros dans les films américains après le 11 Septembre. Les films de superhéros n?ont jamais été si nombreux. Jamais le moral du superhéros n'a été si bas. Ce paradoxe trouve sa meilleure illustration dans l'image double de Batman relégué au ras du sol, alors que le symbole commercial de la chauve-souris brille au firmament de Gotham City. La marchandise culturelle transcenderait donc un superhéros considérablement amoindri. Ce travail se concentre sur trois domaines en particulier : la perte de masculinité du superhéros à la fin du siècle dernier, qui amène à une confrontation symbolique entre le quarterback et la majorette, ou entre Superman et un hypothétique Everyman, et la réémergence d'un monomythe réactionnaire après 2005 ; les errances d'un Surmoi freudien affaibli, et sa relation fluctuante avec un Ça très séduisant, incarné par le superméchant du vingt-et-unième siècle ; la toile de fond sociopolitique contemporaine hostile aux exploits du superhéros, pour qui l'isothymie fukuyamienne omniprésente constitue une injuste condamnation de son action salvatrice. Icône d'une démocratie libérale qui règne désormais sur notre planète, le superhéros postmoderne semble singulièrement désadapté à la culture qui l'a vu naître. / The main topic of this doctoral thesis is the study of the decline of the superhero icon in American films after 9/11. Superhero productions are at an all-time high, and yet, the superhero's morale is at an all-time low. This paradox is best illustrated with the dual image of Batman stuck at Ground Zero, staring up at the projection of his chevron looming large in the sky of Gotham City. The glowing merchandise transcends an otherwise sullied character. This dissertation focuses on three main realms: the superhero's loss of masculinity at the end of the twentieth century, leading to the formal opposition between the figures of the quarterback and the cheerleader, or between Superman and Everyman, and the reactionary, warpath revival which started in 2005; the travails of the flailing Superego and its shifting relationship to the almighty Id, represented by the twenty-first century glorified supervillain; and, finally, the inimical sociopolitical backdrop for the superhero's prowess, in which Fukuyama's prevalent isothymia eventually denies the superhero his just laurels. The postmodern superhero thus appears as a national misfit, also because this cultural commodity now reaches far beyond the traditional boundaries of the « American Way », to embrace an increasingly globalized market.
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