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IMPETUSKennaugh, Adam Kord, Kennaugh 17 April 2018 (has links)
No description available.
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Symphony No. 1 “The Galilean Satellites”Cortes, Michael 30 July 2010 (has links)
No description available.
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Art Nouveau and the Symphony during the Fin-de-Si¿¿¿¿cle: The Intersection of the Arts in Paris and ViennaHill, Christopher 02 October 2012 (has links)
No description available.
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AN OVERVIEW OF THREE AMERICAN CHORAL SYMPHONIESDavis, Derek M. January 2008 (has links)
No description available.
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Part I The Seven Days of Creation For Narrator and String Orchestra Part II Shostakovich's Symphony No. 5, Movement 4: A Parametric AnalysisRosen, Nevin Brian 18 September 2009 (has links)
No description available.
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Chamber SymphonyPoston, Paul W. 03 June 2016 (has links)
No description available.
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The Symphonies of Pietro Maria Crispi (1737-1797): Style and AuthenticityKang, Yongsik January 2016 (has links)
No description available.
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A Biography and Survey of the Musical Career of Grover SchiltzCosta, Robyn Dixon 03 September 2009 (has links)
No description available.
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The role of the contrabassoon : An examination of the development of the contrabassoon through orchestra excerptsLassen, Kirstine January 2022 (has links)
An examination of the role and musical development of the contrabassoon throughout the different periods. The study is being made through analyzing various common orchestra excerpts, both in themselves and in relation to the scores. Furthermore, the thesis contains my own ideas of and reflections on the excerpts. In the end I will briefly touch the subject of how the contrabassoon is being used in contemporary pieces and how it is constantly being developed. / <p>Francois Devienne (1759-1803): Quartet in G minor op. 73 No. 3</p><p>1. Allegro con espressione</p><p>2. Adagio, non troppo</p><p>3. Rondo. Allegretto poco moderato</p><p>Medverkande:Adam Høier, violin. Therese Magnusson, viola. Samuel Lazar, cello.</p><p>Camille Saint-Saens (1835-1921): Sonata pour bassoon et piano in G major, op. 168</p><p>1. Allegro moderato</p><p>2. Allegro scherzando</p><p>3. Molto adagio–allegro moderato</p><p>Medverkande: Johan Ullén, piano</p><p>Francis Poulenc (1899-1963): Trio pour hautbois, bassoon et piano, FP 43</p><p>1. Presto 2. Andante 3. Rondo</p><p>Medverkande:Anna Randelin, oboe. Johan Ullén, piano.</p><p>In addition to</p><p>a recording of the excerpt Salome</p><p>The recordings have been archived.</p><p>CD-recording: Mulberry Street Symphony by Anders Koppel, Benjamin Koppel, Scott Colley, Brian Blade, Martin Yates & Odense Symphony Orchestra. Unit Records. UTR5028</p><p></p>
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The music criticism of Philip Hale : The Boston Symphony Orchestra concerts, 1889-1933Markow, Robert. January 1981 (has links)
No description available.
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