The overarching theme of the thesis concerns the terminology aspect of searchability in digitalised archival data. The aim of the work is to analyse material from two archives (The Institute for Language and Folklore (ISOF) and The Nordic Museum) on the subject of sprang and the names of that technique during the 20th century in a Swedish rural setting. The questions posed to the material concern geographic occurrence, descriptions, confusions due to homonyms, and the origins of names. The theoretical foundation is based in relationships like ideology, gender, and power. The idea of nationalism through symbols like names is used to analyse the material. The method is archival research, based in the two archives and a small case-study of the names used for sprang objects in the database digitaltmuseum.se (containing several Swedish museum collections). Key words are used in the search and in total twenty-six hits are examined. The material is categorised in geographic position, names used, and whether it is sprang or not.  The study finds an occurrence of sprang in a rural context later in time, and further north in geography than the literature on the subject would suggest. The case study shows that some confusion in terminology exists between museums, and sometimes within the collection of a single museum. The study suggests that technical terms should be preferred by institutions rather than rural, folkloric, names.