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The contemporary world landscape is epitomised by a highly globalised world economy, where neo-liberal agendas push for ultimate competitiveness and much of the manufacturing and production processes have been relocated from core to semi-peripheral countries. To be able to compete in the global arena, many developing nations and newly emerging economies have sacrificed an approach to sustainable development by neglecting social and ecological aspects. A showcase of such unsustainable growth in recent years can be observed in Tirupur, South India. Tirupur’s heavy export orientation of ready-knitted garments transformed it into a major textiles cluster for fashion retailers and buyer groups worldwide. However, the substantial pollution of water resources due to the discharge of raw effluents by processing units into the Noyyal river and the overexploitation of groundwater cast a shadow on the city’s economic expansion. In order to tackle these challenges, a number of regulatory directives were issued from the mid 1990’s onwards, leading to the enforcement of strict Zero Liquid Discharge norms in the cluster. This study investigates whether intervention efforts directed at Tirupur’s textiles sector have been able to address inherent challenges impacting the local environment and population. The findings gathered from an extensive literature review and a field study to Tirupur suggest that while some problems of the past have been attended to, major sustainability issues remain. Serious concerns such as a shift in pollution and economical uncertainty in the cluster have been identified as consequences from the policy interventions.

THE DRESSMAKERS, a feature-length documentary, contrasts the slow pace of artisanal clothes-making with the fast pace of the competitive textiles industry in Morocco, inviting a re-examination of the values represented by the clothing that people wear. / https://dc.etsu.edu/etsu_books/1204/thumbnail.jpg

A continuing interest in the relationship between the 'decorative' and the 'technological' is a key area that underpins the author's artistic practice. This paper surveys the historical links between the production of applied and decorative art and the emergence of associated technologies as it relates to the author's Art practice. The focus is on Asia's influence on European applied and decorative arts as resulting from the trade relationship evolved over many centuries. Particular emphasis is placed on the period between 17th-19th centuries and with specific reference to textiles. This trade relationship affected European taste, the supply and demand of luxury goods, and introduced technological developments, which in turn had a marked effect on the European social and cultural environment. A brief comparison is made with contemporary trade and production relationships between the West and developng nations, particularly in the East-looking at parallels in trade patterns and systems, which were laid down during 17th-19th century period and are still present today. / Master of Arts (Hons) Contemporary Art

The fashion industry is ranked as the fourth most environmentally harmful industries in the world. A main cause being the overruling destructive model of take-make-dispose that maintains our reliance on virgin materials. Academia and European Union policymakers believe the Circular Economy is a more sustainable alternative to this linear model. The transition to a Circular Economy requires collaboration between organisations across the value chain to close the loop. These organisations come together to share their capabilities forming circular ecosystems. However, key authors in the field warn that collaboration is difficult and should only be entered with an intention to actively manage it. In this study we therefore set out to understand collaboration in these ecosystems of organisations in the fashion and textiles industry. To fulfil the aim of our research, we conducted a qualitative study following an interpretative approach, focusing in on a pioneering case study from the industry. The New Cotton Project is a 3-year EU-funded project forming a circular model for commercial garment production. Using the Theory of Collaborative Advantage as a theoretical lens, we came to understand that collaboration in these ecosystems in the fashion and textiles industry is complex and challenging, yet it is optimistic and hopeful as partners try to overcome issues stemming from the pre-existing linear model. We also argue that collaboration that leads to collaborative advantage in these ecosystems is not a result of serendipity but of innovators, organisations and policymakers coming together to transition the industry.