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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
61

Le rêve américain dans l'oeuvre de Romain Gary / The american dream in the works of Romain Gary

Perreur, Carine 12 April 2010 (has links)
Le rêve américain est une source d’espoir pour les personnages garyens qui, en localisant leurs rêves et en leur offrant des modèles idéaux, leur insuffle une force nouvelle. Cette Amérique, faite de clichés que Gary détourne ou s’approprie, peut prendre appui dans la réalité mais il en amplifie les traits, jusqu’à réinventer un pays plus grand que nature, mythique et miraculeux. Le Nouveau Monde, libérateur de la Seconde Guerre mondiale, a gardé, pour les personnages européens, une image plus intacte que l’Europe meurtrie. Vu comme neuf et différent, il est la destination rêvée, mais difficile d’accès, pour ceux qui veulent changer de vie et « devenir quelqu’un ». Il pourrait peut-être même laisser apparaître cet homme nouveau qu’espère Gary. Mais les États-Unis sont loin d’être parfaits et Gary nuance avec lucidité ces images, évoquant un pays affecté par des problèmes et remises en questions qui sont souvent l’écho de ses propres interrogations et déceptions. La terre promise imaginée par les personnages n’est qu’un pays, presque comme les autres, de même que les Noirs américains, que certains auraient voulu croire différents et supérieurs aux autres hommes, ne sont qu’humains : tous sont capables du pire comme du meilleur. Les textes garyens sont ancrés dans la culture américaine, nourris par l’histoire contemporaine, parfois l’actualité brûlante, et par des citations, références ou parodies puisées dans un vaste fonds littéraire et populaire américain. Gary connaît l’Amérique et refuse d’en donner une image trop simple ; il utilise son omniprésente ironie pour s’en distancier, mais il conserve toujours son intérêt pour ce pays qui trace un chemin vers le futur. / The American Dream is a source of hope for Romain Gary’s characters which, by locating their dreams and offering them ideal models, inspires them with a new strength. This America, made of clichés that Gary diverts or appropriates, can be based on reality but Gary amplifies its features, up to reinventing a country larger than life, mythical and miraculous. The New World, liberator of World War II, kept a more intact image for European characters than the wounded Europe. Seen as new and different, it’s the dream but hard to reach destination for those who want to change their life and « become someone ». Maybe there could even appear what Gary longs for, a new humanity. The United States are nevertheless far from being perfect and Gary lucidly qualifies those images when he describes a country affected by problems and reappraisals which often echo his owns queries and disillusions. The promised land characters had imagined is just a country after all, almost like the others, as Black Americans, who some characters wanted to believe could be different and superior, are only humans : they’re all as capable of giving their worse or best. Gary’s works are anchored in American culture, making use of contemporary history and of many quotations, references or parodies drawn from a large collection of American literature and popular culture. Gary knows America and refuses to portray it in too simplistic a way ; he uses his omnipresent irony to distance himself from it but never ceases to show his interest for this country which leads the way towards the future.
62

Vystěhovalectví z Uherska do Spojených států amerických v období 1867-1880 / Hungarian Emigration to the United States of America from 1867 to 1880

Beňačková, Miroslava January 2017 (has links)
This diploma thesis will be dealing with the process of emigration from the former Hungarian Kingdom to the USA (specifically via the ports of the state of New York) in the period from 1867 to 1880. Its aim will be to capture the economic and social situation of the immigrants after their arrival to the USA, their association with each other in the early organizations and ethnic determination. Based on primary sources, it will produce statistics. It will deal with their perception by the local inhabitants as well and it will attempt to answer the question, to what extent did they manage to fulfill "the American dream". The characteristics of the observed period will be the outcome, together with the attempt to confirm the hypothesis that this period was the preparation stage for the economic migration beginning in the 1880s. Key words: emigration, Hungary, United States of America, american dream, economic migration, immigration, ethnicity
63

Stroj na americký sen: Protisystémová fikce Coovera, Thompsona, Burroughse, a Acker / The American Dream Machine: Anti-Systemic Fictions of Coover, Thompson, Burroughs, and Acker

Novická, Tereza January 2017 (has links)
Thesis Abstract The thesis examines manifestations of transgression in Robert Coover's The Public Burning (1977), Hunter S. Thompson's Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream (1971), William S. Burroughs' Naked Lunch (1959) and The Nova Trilogy (1961-1967), and Kathy Acker's Empire of the Senseless (1988) on a structural and thematic level. Georges Bataille's theory of escalated excess and Michel Foucault's theory of the transgression-limit power dynamics, outlined in Chapter One, provide the theoretical framework through which the texts are analyzed, as through concepts of the spectacle, the carnival, taboo, and the Situationist détournement practice. The nature of the American Dream Machine is explored in regards to its chief components of control; the American war on abstractions, American exceptionalism, and the American Dream, examined through their contradictory connotations and historical relevance. The thesis proposes that despite their anti- systemic drive, the selected texts are complicit with and dependent on the American Dream Machine in perpetuating their power play. In Chapter Two, the hyperbolization of American Cold War propaganda rhetoric is analyzed in Coover's The Public Burning. Chapter Three details Thompson's gonzo writing against the...
64

An Illusion of the American Dream : The Great Gatsby from a Feminist Perspective

Lotun, Martina January 2021 (has links)
The Great Gatsby by F. Scott Fitzgerald encapsulates the Roaring Twenties, a period of social and political change. The economy is thriving, and the American Dream, with its promise of monetary wealth, happiness and upward mobility, is seemingly within reach. Females gain suffrage, and a New Woman emerges, the flapper, who can be seen challenging stereotypical gender roles with her short skirts and bobbed hair. Ostensibly enjoying increased freedom, she dances the night away at speakeasies, a cigarette in one hand and a drink in the other, defying Prohibition. This essay aims to evidence that the American Dream as constructed in the novel is a dream available only to the male gender, as the women remain shackled by a patriarchal society. By looking at The Great Gatsby through a feminist lens and with the help of well-established concepts within feminist critical theory and feminist narratology, this essay analyzes how the female characters are portrayed, along with their language, and their actions. The result reveals that in Gatsby’s world women orbit around the men, maneuvering for their attention, affection, and material wealth. Any transgressions of stereotypical gender roles result in punishment: loss of status, withheld affections, dismissal, or death. Consequently, instead of following their own American Dream, women are limited to pursuing the man who most successfully embodies it. Thus, for the females in The Great Gatsby, the American Dream stays an elusive idea as they remain reliant on the men to manifest it.
65

"Proč se pořád pachtím za něčím, co nechci bejt?" Zkorumpovaný americký sen ve vybraných dramatech Arthura Millera a Tennesseeho Williamse / "Why am I trying to become what I don't want to be?" The Corrupted American Dream in the Selected Arthur Miller's and Tennessee Williams's Dramas

Hájková, Hana January 2021 (has links)
In my thesis, I focused on the challenges of the American Dream and its damaging demands. I compared these aspects to The Glass Menagerie, All My Sons, and Death of the Salesman, plays by Tennessee Williams and Arthur Miller, two playwrights concerned with similar issues in the 1940s and 1950s. Each chapter was introduced by Robert Frost's poem related to its topic. This element was added as a chapters' introduction to express the universality of the depicted issues and to tight the sections together under one pattern. In the theoretical part of the thesis, I concentrated on the 40s and 50s America and its features and the historical development of the American Dream. This section's main influences were works by Rodney P. Carlisle, Richard A. Schwartz, Stephanie Coontz, and Jim Cullen. With their books about America and its historical background, Carlisle, Schwartz, and Coontz provided a base for the factual context of this thesis. Cullen's work on the American Dream was used as the primary source for understanding the reasons behind the Dream and its historical development. The whole thesis was supported by arguments from Lauren Berlant, John W. Thoburn and Thomas L. Sexton, and Piotr Sztompka. Berlant's work on cruel optimism provided a possible explanation of particular behavior that accompanied...
66

Malagasy Immigrant Experiences: How Perceptions of the American Dream Influence Acculturation to the United States

Mayne, Dorothy 30 July 2013 (has links)
No description available.
67

Living Impaired and Other Stories of the Underemployed

Hoffman, Dustin M. 29 June 2009 (has links)
No description available.
68

A Postmodern Picaresque: The Limits of the Sovereign Self in Fear and Loathing in Las Vegas

Chiarelott, Clayton J. 17 July 2012 (has links)
No description available.
69

Born (Again) This Way: Popular Music, GLBTQ Identity, and Religion

Spatz, Garrett M. 09 November 2012 (has links)
No description available.
70

Film Comedy and the American Dream

Sands, Zachary Adam 20 March 2017 (has links)
No description available.

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