Este estudo teve como objetivo investigar se o Teste Wartegg é um instrumento capaz de avaliar a criatividade em seleção de pessoal. Foi realizada uma validade de construto através de estudos correlacionais entre indicadores de criatividade nos protocolos do Wartegg e do Torrance – Forma Figural. Participaram desta pesquisa 68 candidatos de processos seletivos, 47% homens e 52,7% mulheres, com idades entre 18 e 41 anos. Foram observadas evidências de fidedignidade no Wartegg correlacionando-se os itens que compõem as categorias que se acredita estarem relacionadas com a função básica imaginação – criatividade, flexibilidade, visão convencional e rigidez – com seus totais. O melhor indicador no Wartegg para investigar a criatividade foi o somatório da criatividade com a flexibilidade. Além disso, verificou-se uma correlação direta entre o campo 5 do Wartegg e os índices criativos figurais do Torrance (ICF 1 e ICF 2). Ainda que o estudo em questão apresente alguma evidência de validade, novos estudos são necessários. Por fim, constata-se que o objetivo do Wartegg, tanto pelo rapport como pela construção teórica, está muito mais direcionado para o entendimento de questões mais amplas da personalidade do que para a investigação de uma função básica específica. Entretanto, a correlação das funções básicas com testes que investiguem o mesmo construto talvez seja uma das únicas formas de validar o instrumento, tendo em vista a dificuldade de encontrar um teste que avalie as condições de personalidade de maneira tão ampla. / This study it had as objective to investigate if the Wartegg Test is an instrument capable to assess the creativity in personnel selection. A construct validity has been verified through correlation studies between creativity indicators in the protocols of the Wartegg Test and those of the Figural Form of the Torrance Test. Sixty eight candidates for selective processes, 47.0% men and 52.7% women, were involved in this research, ranging from 18 to 41 years of age. Evidences of trustworthiness in the Wartegg Test had been observed correlating items of categories which were assumed to be related with the basic function imagination - creativity, flexibility, conventional vision and rigidity - with its totals. The best Wartegg indicator found to investigate creativity is the sum of creativity plus flexibility. Moreover, a direct correlation was verified between field 5 of the Wartegg and the figural creativity index of the Torrance (ICF 1 e ICF 2). Despite the study presents some evidence of validity, new studies are required. Finally, it is evident the objective of the Wartegg, as much for rapport as for the theoretical construction, is more directed to understanding of ampler questions of personality than to investigation of a specific basic function. However, the correlation between basic functions and tests which investigate the same construct may be the only way to validate the instrument, due the difficulty in finding a test that evaluates conditions of personality in so ampler way.

Este estudo teve como objetivo investigar se o Teste Wartegg é um instrumento capaz de avaliar a criatividade em seleção de pessoal. Foi realizada uma validade de construto através de estudos correlacionais entre indicadores de criatividade nos protocolos do Wartegg e do Torrance – Forma Figural. Participaram desta pesquisa 68 candidatos de processos seletivos, 47% homens e 52,7% mulheres, com idades entre 18 e 41 anos. Foram observadas evidências de fidedignidade no Wartegg correlacionando-se os itens que compõem as categorias que se acredita estarem relacionadas com a função básica imaginação – criatividade, flexibilidade, visão convencional e rigidez – com seus totais. O melhor indicador no Wartegg para investigar a criatividade foi o somatório da criatividade com a flexibilidade. Além disso, verificou-se uma correlação direta entre o campo 5 do Wartegg e os índices criativos figurais do Torrance (ICF 1 e ICF 2). Ainda que o estudo em questão apresente alguma evidência de validade, novos estudos são necessários. Por fim, constata-se que o objetivo do Wartegg, tanto pelo rapport como pela construção teórica, está muito mais direcionado para o entendimento de questões mais amplas da personalidade do que para a investigação de uma função básica específica. Entretanto, a correlação das funções básicas com testes que investiguem o mesmo construto talvez seja uma das únicas formas de validar o instrumento, tendo em vista a dificuldade de encontrar um teste que avalie as condições de personalidade de maneira tão ampla. / This study it had as objective to investigate if the Wartegg Test is an instrument capable to assess the creativity in personnel selection. A construct validity has been verified through correlation studies between creativity indicators in the protocols of the Wartegg Test and those of the Figural Form of the Torrance Test. Sixty eight candidates for selective processes, 47.0% men and 52.7% women, were involved in this research, ranging from 18 to 41 years of age. Evidences of trustworthiness in the Wartegg Test had been observed correlating items of categories which were assumed to be related with the basic function imagination - creativity, flexibility, conventional vision and rigidity - with its totals. The best Wartegg indicator found to investigate creativity is the sum of creativity plus flexibility. Moreover, a direct correlation was verified between field 5 of the Wartegg and the figural creativity index of the Torrance (ICF 1 e ICF 2). Despite the study presents some evidence of validity, new studies are required. Finally, it is evident the objective of the Wartegg, as much for rapport as for the theoretical construction, is more directed to understanding of ampler questions of personality than to investigation of a specific basic function. However, the correlation between basic functions and tests which investigate the same construct may be the only way to validate the instrument, due the difficulty in finding a test that evaluates conditions of personality in so ampler way.

Este estudo teve como objetivo investigar se o Teste Wartegg é um instrumento capaz de avaliar a criatividade em seleção de pessoal. Foi realizada uma validade de construto através de estudos correlacionais entre indicadores de criatividade nos protocolos do Wartegg e do Torrance – Forma Figural. Participaram desta pesquisa 68 candidatos de processos seletivos, 47% homens e 52,7% mulheres, com idades entre 18 e 41 anos. Foram observadas evidências de fidedignidade no Wartegg correlacionando-se os itens que compõem as categorias que se acredita estarem relacionadas com a função básica imaginação – criatividade, flexibilidade, visão convencional e rigidez – com seus totais. O melhor indicador no Wartegg para investigar a criatividade foi o somatório da criatividade com a flexibilidade. Além disso, verificou-se uma correlação direta entre o campo 5 do Wartegg e os índices criativos figurais do Torrance (ICF 1 e ICF 2). Ainda que o estudo em questão apresente alguma evidência de validade, novos estudos são necessários. Por fim, constata-se que o objetivo do Wartegg, tanto pelo rapport como pela construção teórica, está muito mais direcionado para o entendimento de questões mais amplas da personalidade do que para a investigação de uma função básica específica. Entretanto, a correlação das funções básicas com testes que investiguem o mesmo construto talvez seja uma das únicas formas de validar o instrumento, tendo em vista a dificuldade de encontrar um teste que avalie as condições de personalidade de maneira tão ampla. / This study it had as objective to investigate if the Wartegg Test is an instrument capable to assess the creativity in personnel selection. A construct validity has been verified through correlation studies between creativity indicators in the protocols of the Wartegg Test and those of the Figural Form of the Torrance Test. Sixty eight candidates for selective processes, 47.0% men and 52.7% women, were involved in this research, ranging from 18 to 41 years of age. Evidences of trustworthiness in the Wartegg Test had been observed correlating items of categories which were assumed to be related with the basic function imagination - creativity, flexibility, conventional vision and rigidity - with its totals. The best Wartegg indicator found to investigate creativity is the sum of creativity plus flexibility. Moreover, a direct correlation was verified between field 5 of the Wartegg and the figural creativity index of the Torrance (ICF 1 e ICF 2). Despite the study presents some evidence of validity, new studies are required. Finally, it is evident the objective of the Wartegg, as much for rapport as for the theoretical construction, is more directed to understanding of ampler questions of personality than to investigation of a specific basic function. However, the correlation between basic functions and tests which investigate the same construct may be the only way to validate the instrument, due the difficulty in finding a test that evaluates conditions of personality in so ampler way.

No description available.

The Christian tradition, both East and West, has developed various models and theories of the atonement as explanations of what it means to speak of the reconciling activity of God in Christ. Central to these has been the claim that God has reconciled the world to himself in Christ. One way of testifying to the reconciling love of God has been the adoption of the metaphor theosis (�divinization�, �deification�) as an explanation of salvation. While central to Eastern Orthodoxy, a doctrine of theosis also has a rich tradition within Western, especially Reformed theology. The Reformed theologian, Thomas Forsyth Torrance, represents an attempt to construct a soteriology that incorporates both Eastern and Western models of the atonement around the controlling metaphor of theosis. A close reading of his theology presents a robust and clearly articulated doctrine of theosis as a key way of expressing God�s reconciling activity in Christ. As the true Man and the last Adam, Christ represents the arche and telos of human existence, the one in whose image all humanity has been created and into whose likeness all humanity is destined to be transformed from glory to glory. Through the Incarnation the Son becomes human without ceasing to be divine, to unite humanity and divinity together and effect a �deification� of human nature, mediated to men and women who are said to be �in Christ� by the work of the Holy Spirit. By means of a �wonderful exchange� Christ takes what is ours and gives us what is his. For Torrance, this is the heart of atonement. The goal of humanity is worship, something Torrance defines as the gift of participating through the Spirit in the incarnate Son�s communion with the Father. The locus of worship, and thus of theosis, is the church, the communion of saints created by the fellowship of the Holy Spirit. Throughout Torrance�s doctrines of creation, anthropology, incarnation, reconciliation, and pneumato-ecclesiology, the concept of theosis plays a central and constitutive role in explaining a Christian theology of salvation. Theosis is thus foundational to Torrance�s theology and is one way in which he holds together in systematic fashion his diverse theological oeuvre.

The aim of this field study is to investigate the relationship between creative thinking abilities and an Industrial Design course. The report contains an analysis of the background to current teaching methods in Industrial Arts within the Australian Capital Territory. A link between design education and creativity is investigated, as well as the nature of creativity and its relationship to the learning process and teaching strategies employed in design education. The Torrance Test of Creative Thinking was used in this study and the subjects were grade nine students in selected high schools in the Australian Capital Territory.

Cette thèse présente quelques avancées sur la représentation efficace de l'apparence matérielle dans une simulation de l'éclairage. Nous présentons deux contributions : un algorithme pratique de simulation interactive pour rendre la réflectance mesurée avec une géométrie dynamique en utilisant une analyse fréquentielle du transport de l'énergie lumineuse et le shading hiérarchique et sur-échantillonnage dans un contexte deferred shading, et une nouvelle fonction de distribution pour le modèle de BRDF de Cook-Torrance. Dans la première partie, nous présentons une analyse fréquentielle de transport de l'éclairage en temps réel. La bande passante et la variance sont fonction de l'éclairage incident, de la distance parcourue par la lumière, de la BRDF et de la texture, et de la configuration de la géométrie (la courbure). Nous utilisons ces informations pour sous-échantillonner l'image en utilisant un nombre adaptatif d'échantillons. Nous calculons l'éclairage de façon hiérarchique, en un seul passage. Notre algorithme est implémenté dans un cadre de deferred shading, et fonctionne avec des fonctions de réflectance quelconques, y compris mesurées. Nous proposons deux extensions : pré-convolution de l'éclairage incident pour plus d'efficacité, et anti-aliasing utilisant l'information de fréquence. Dans la deuxième partie, nous nous intéressons aux fonctions de réflectance à base de micro-facette, comme le modèle de Cook-Torrance. En nous basant sur les réflectances mesurées, nous proposons une nouvelle distribution des micro-facettes. Cette distribution, Shifted Gamma Distribution, s'adapte aux données avec plus de précision. Nous montrons également comment calculer la fonction d'ombrage et de masquage pour cette distribution. Dans un deuxième temps, nous observons que pour certains matériaux, le coefficient de Fresnel ne suit pas l'approximation de Schlick. Nous proposons une généralisation de cette approximation qui correspond mieux aux données mesurées. Nous proposons par ailleurs une nouvelle technique d'optimisation, canal par canal, en deux étapes. Notre modèle est plus précis que les modèles existants, du diffus au spéculaire.

Thomas F. Torrance (1913- 2007) is recognised as one of the foremost theologians of the twentieth century. Eschatology occupies a very significant place in his theology, although scholars interested in his work have paid little attention to this fact, focusing instead on his methodology. This thesis not only brings Torrance's eschatology to light through an exploration of his sermons, correspondence, lectures and short writings, it shows that it is a central component of his early theology, uncovering an eschatological orientation in his treatment of various Christian doctrines. It also takes cognizance of the fact that this eschatology is shaped by such events as WWII, the spread Clf communism, the modern eschatological debate and the world- wide ecumenical movement. Torrance's eschatology seeks to recapture, on the basis of a high Christology, the New Testament tension between the present realization of the Kingdom of God and the future consummation of it. In contrast to many contemporary eschatologies, Torrance's eschatology is apocalyptic, ecclesial and ecumenical. It is unique too in its attempt to do justice to the humanity of Christ and to the interrelation of the doctrines of creation and redemption. / Thomas F. Torrance (1913 - 2007) est reconnu comille l'un des principaux theologiens du XXe siecle. L'eschatologie occupe une place importante dans sa theologie, bien que les chercheurs interesses par ses travaux ont porte peu d'attention a ce fait, se concentrant plutot sur sa methodologie. Cette these apporte non seulement l'eschatologie de Torrance a la lumiere a travers une exploration de ses sermons, sa correspondance, ses conferences et de courts ecrits, elle demontre aussi qu'elle est un element central des debuts de sa theologie, devoilant une orientation eschatologique dans son traitement des differente doctrines chretiennes. Elle prend egalement connaissance du fait que cette eschatologie est faconnee par des evenements comme la Seconde Guerre mondiale, la propagation du communisme, Ie debat eschatologique mod erne et Ie mouvement recumenique mondial. L'eschatologie de Torrance cherche a retrouver, sur la base d'une haute christologie, la tension neotestamentaire entre la realisation actuelle du Royaume de Dieu et son accomplissement futur. Contrairement a de nombreuses eschatologies, on decouvre chez Torrance une eschatologie qui est apocalyptique, ecclesiale et recumenique. Elle est aussi remarquable pour sa tentative de rendre justice a l'humanite du Christ et de l'interdependance des doctrines de la creation et de la redemption. fr

The Christian tradition, both East and West, has developed various models and theories of the atonement as explanations of what it means to speak of the reconciling activity of God in Christ. Central to these has been the claim that God has reconciled the world to himself in Christ. One way of testifying to the reconciling love of God has been the adoption of the metaphor theosis (�divinization�, �deification�) as an explanation of salvation. While central to Eastern Orthodoxy, a doctrine of theosis also has a rich tradition within Western, especially Reformed theology. The Reformed theologian, Thomas Forsyth Torrance, represents an attempt to construct a soteriology that incorporates both Eastern and Western models of the atonement around the controlling metaphor of theosis. A close reading of his theology presents a robust and clearly articulated doctrine of theosis as a key way of expressing God�s reconciling activity in Christ. As the true Man and the last Adam, Christ represents the arche and telos of human existence, the one in whose image all humanity has been created and into whose likeness all humanity is destined to be transformed from glory to glory. Through the Incarnation the Son becomes human without ceasing to be divine, to unite humanity and divinity together and effect a �deification� of human nature, mediated to men and women who are said to be �in Christ� by the work of the Holy Spirit. By means of a �wonderful exchange� Christ takes what is ours and gives us what is his. For Torrance, this is the heart of atonement. The goal of humanity is worship, something Torrance defines as the gift of participating through the Spirit in the incarnate Son�s communion with the Father. The locus of worship, and thus of theosis, is the church, the communion of saints created by the fellowship of the Holy Spirit. Throughout Torrance�s doctrines of creation, anthropology, incarnation, reconciliation, and pneumato-ecclesiology, the concept of theosis plays a central and constitutive role in explaining a Christian theology of salvation. Theosis is thus foundational to Torrance�s theology and is one way in which he holds together in systematic fashion his diverse theological oeuvre.

Thesis (M.A.)--Trinity International University, 2006. / Abstract. Includes bibliographical references (leaves 168-175).