Thesis (M.A.)--Trinity International University, 2006. / Abstract. Includes bibliographical references (leaves 168-175).

The aim of the diploma thesis is to diagnostic levels of particular creative abilities in a selected group of population {--} pupils in the fifth grade. Theoretical knowledge is analyzed and compared in the first part. Particular creativity problems are briefly specified using specialized literature, e.g. Creativity barriers, Factors effecting creativity, Methods used for creativity development. Empiric part presents research description of individual levels in creative abilities. Torrance Tests of Creative Thinking were used as a main method of research. Effect of sex, class, school and its size on individual creativity parts was considered within the testing. A relative level of these parts was compared as well.

No description available.

Cette thèse présente quelques avancées sur la représentation efficace de l'apparence matérielle dans une simulation de l'éclairage. Nous présentons deux contributions : un algorithme pratique de simulation interactive pour rendre la réflectance mesurée avec une géométrie dynamique en utilisant une analyse fréquentielle du transport de l'énergie lumineuse et le shading hiérarchique et sur-échantillonnage dans un contexte deferred shading, et une nouvelle fonction de distribution pour le modèle de BRDF de Cook-Torrance. Dans la première partie, nous présentons une analyse fréquentielle de transport de l'éclairage en temps réel. La bande passante et la variance sont fonction de l'éclairage incident, de la distance parcourue par la lumière, de la BRDF et de la texture, et de la configuration de la géométrie (la courbure). Nous utilisons ces informations pour sous-échantillonner l'image en utilisant un nombre adaptatif d'échantillons. Nous calculons l'éclairage de façon hiérarchique, en un seul passage. Notre algorithme est implémenté dans un cadre de deferred shading, et fonctionne avec des fonctions de réflectance quelconques, y compris mesurées. Nous proposons deux extensions : pré-convolution de l'éclairage incident pour plus d'efficacité, et anti-aliasing utilisant l'information de fréquence. Dans la deuxième partie, nous nous intéressons aux fonction de réflectance a base de micro-facette, comme le modèle de Cook-Torrance. En nous basant sur les réflectances mesurées, nous proposons une nouvelle distribution des micro-facettes. Cette distribution, Shifted Gamma Distribution, s'adapte aux donnée avec plus de précision. Nous montrons également comment calculer la fonction d'ombrage et de masquage pour cette distribution. Dans un deuxième temps, nous observons que pour certains matériaux, le coefficient de Fresnel ne suit pas l'approximation de Schlick. Nous proposons une généralisation de cette approximation qui correspond mieux aux données mesurées. Nous proposons par ailleurs une nouvelle technique d'optimisation, canal par canal, en deux étapes. Notre modèle est plus précis que les modèles existants, du diffus au spéculaire.

The aim of the current study is threefold: to develop a creativity questionnaire based on the main criteria for creativity as determined by means of a comprehensive literature survey; to administer this questionnaire, in combination with the Abbreviated Torrance Test for Adults (ATTA) and the 16PF for the purpose of determining respondents’ level of creativity in relation to their personality constellation; to determine whether a typical 16PF profile can be obtained for the purpose of identifying a creative individual. The sample consisted of fourth-year Psychology students at the University of Pretoria. Identified problems that motivated the research include, amongst others, a lack of research in this domain, and therefore a need for a reliable and valid measuring instrument for creativity. Creative individuals are often misinterpreted or misunderstood by the community as the result of a lack of knowledge. The purpose of the research will also be to reduce misconceptions such as these, by informing the reader about creativity as well as the individuals who possess this unique characteristic. Creativity is, however, an extremely broad concept which is very difficult to define, and only the main criteria for creativity were applied in the development of the Creativity Questionnaire. According to Ryhammar&Brolin (1999), creative individuals can be described as being motivated, persevering, intellectually inquisitive, having a need for self-actualisation, independent in thought and deed, confident, self-aware, and open to external and internal stimulation. Operationalisation of such criteria formed the basis of the Creativity Questionnaire. The dissertation reports on the development of a Creativity Questionnaire which can be used in a variety of areas, but will need further revision and refinement in terms of items included, validity and reliability. Therefore the current study should be considered as a pilot study for the testing and development of this questionnaire. The results of this investigation confirm and extend previous research in demonstrating a close association between creativity and specific personality traits. Creative subjects (as measured by the ATTA) indicated that they perceive themselves to be significantly more independent in thought, open to experience, dominant, individualistic and competent, than less creative subjects. Both subjects with average and high creativity levels indicated that they tend to be more resourceful, self-sufficient, and prefer to make their own decisions. These subjects tend to be more abstract thinking and bright. Both subjects with low creativity levels and subjects with high creativity levels indicated that they tend to be more spontaneous, socially bold, uninhibited and venturesome than subjects with average creativity levels. The latter subjects tend to be more restrained, sensitive to threats, timid and shy. Subjects with low creativity levels on the other hand, indicated that they tend to be more outgoing, participating, warm-hearted and easy-going than subjects with an average creativity level. The latter subject group tends to be more critical, detached and reserved. Subjects with low creativity levels also seem to be joiners, sound followers and group-dependent. These subjects also indicated that they tend to be more concrete thinking and less intelligent, than subjects with average and high creativity levels. / Dissertation (MA (Research Psychology))--University of Pretoria, 2007. / Psychology / unrestricted

This thesis argues that any historiography that would contribute to theological knowledge must take into consideration, at a methodological level, the reality of God. This theological claim, in turn, has significant implications for historical knowledge and thus, historiography. The thesis moves ahead in five chapters. The first is an overview and description of N. T. Wright's historical and theological method as they both are grounded in his critical realist epistemology. The second chapter argues for a particular theological epistemology that goes beyond Wright's and corrects it, drawing primarily on the work of T. F. Torrance and Søren Kierkegaard. In the third and fourth chapters an ‘apocalyptic' theological approach is defined and articulated according to a progression from soteriology to Christology to creation. The final chapter builds upon this constructive theological work by articulating an ‘apocalyptic' theology of history which is then used to articulate some key considerations for a theological approach to historiography in critical dialogue with Wright's historical and theological method.

This thesis deals with the so called "positive aspects" of dyslexia, specifically enhanced creativity in dyslexics. It has recently become common to associate dyslexia not only with its symptoms and deficits, but also to emphasize its possible gains. Anecdotal evidence refers to enhanced creativity and more specific abilities of individuals with dyslexia. Based on the results of foreign studies that suggest a relationship between dyslexia and increased creativity, this research study was carried out in the environment of Czech secondary schools. The research group consisted of 67 adolescents with dyslexia and 67 intact counterparts at the age range from 17 to 20 years (including 108 boys and 26 girls). The data were obtained via figural Torrance Test of Creative Thinking. We then compared levels obtained within experimental and comparison groups in three specific fields - originality, elaboration and provision of non-standard and unusual responses. This was to lead to confirmation (or refusal) of a presumption that dyslexics show significantly higher scores in all three areas. Although the overall results of the research did not demonstrate a significant difference between the groups, we observed a trend indicating a higher score in dyslexics in all the defined areas. Results of our research study...

Dans la continuité des ouvrages publiés durant les dernières années sur l'art moderne et sur les femmes artistes, le présent mémoire s'attarde sur la participation de Prudence Heward, de Lilias Torrance Newton et de Jori Smith au développement de la modernité picturale canadienne. C'est plus précisément l'étude des portraits de femmes et d'enfants peints de 1920 à 1948 qui nous intéresse puisque la figure humaine, en plus de caractériser les productions de ces trois peintres, est l'un des thèmes privilégiés de la modernité canadienne naissante. C'est ainsi que nous tentons de démontrer que ces artistes, en plus d'intégrer les principes esthétiques modernes tels que les définit notamment l'historienne de l'art Esther Trépanier, expriment une vision à la fois intime et personnelle de la femme et de l'enfant. En premier lieu, il importe de définir ce qu'est la modernité picturale au Canada durant la période de l'entre-deux-guerres. En nous appuyant sur les recherches de Trépanier, nous différencions, tout comme la chercheuse, les modernités européenne et canadienne. Les approches historiographiques et historiques occupent donc une place importante dans la constitution de notre pensée. Toutefois, c'est l'analyse formelle qui permet de mesurer de manière adéquate la participation de Heward, de Torrance Newton et de Smith à l'élaboration de la modernité picturale. Ces analyses nous aident à comprendre, par exemple, l'influence cézannienne dans l'art des trois peintres, mais aussi de constater l'usage de teintes flamboyantes, de grands aplats de couleur et de la ligne contour, bref autant de caractéristiques des esthétiques modernes en vigueur au pays durant ces quelque vingt années. De même, nous observons que le trio d'artistes a posé un regard moderne sur le corps de la femme, entre autres en peignant à plusieurs reprises une personne confiante en elle-même et au caractère bien défini. Cependant, c'est principalement grâce au nu que Heward, Torrance Newton et Smith ont pu remettre en question la représentation de la femme en tant que sujet peint puisque les nombreuses figures dénudées qu'elles ont peintes défient souvent les conventions qui régissent le genre au Canada durant les années 1920 à 1940. Les trois peintres ne se sont toutefois pas limitées à peindre des femmes possédant un fort caractère. En effet, plusieurs de leurs portraits présentent aussi une femme ou un enfant témoignant d'une grande vulnérabilité ou d'une tristesse apparente. Autrement dit, les trois peintres présentent des portraits dits « psychologiques » en usant de l'image de la femme et de l'enfant pour exprimer l'intime et le subjectif, deux notions importantes à la base même de la définition de l'art moderne canadien. ______________________________________________________________________________ MOTS-CLÉS DE L’AUTEUR : Modernité picturale, Figure humaine, Prudence Heward, Lilias Torrance Newton, Jori Smith.

This diploma thesis examines the impact of playing RPG on the development of players'creative thinking. Our aim was to analyze the development of creative thinking in relation with RPG playing. This development was observed in the group of beginners and advanced players and in the control group during six months using creative thinking tests (Torrance Tests of Creative Thinking - Figural, Urban's Test for Creative Thinking- Drawing Production). Tests were administered three times, in the beginning, after 3 months and after 6 months. During the second measurement the experimental group was also assigned a Creative Personality Scale (CPS). The obtained values were processed using descriptive statistics, correlation analysis and t-tests. Overall, it has not been conclusively proved that playing RPG influenced the creative thinking development of players, but a certain trend of improved creativity, especially in RPG-beginners was observed. We found out that the gaming intensity (hours per week) and the creativity are not related. A positive relation between the CPS score and the creativity improvement and also relation between the age and the creativity improvement was established. KEYWORDS RPG, creative thinking, Torrance Tests of Creative Thinking - Figural, Urban's Test for Creative Thinking-Drawing...