Thesis (Ed.M.)--Boston University

Includes bibliographies. / This dissertation seeks to trace the forty-year evolution or the Portuguese or Madeiran immigrant community of Woodstock between the 1940s and 1980s. As the majority of Portuguese in Woodstock came from Madeira the terms, Portuguese and Madeiran, will be used interchangeably when referring to the immigrants. Throughout this period, Woodstock began to attract significant numbers of Portuguese immigrants, earning it the name' Little Madeira'. It became, in fact, the first suburb in Cape Town in which a distinct, Portuguese ethnic community developed .The dissertation is an attempt, however tentative, at the reconstruction of the history of the Portuguese community whilst at (he same time endeavouring to stress the importance of the contribution of sustained immigrant study to parochial and national histories.

This thesis examines indentured and apprenticed labor in Cape Town between the years 1808 and 1840. Through analysis of primary material such as the South African Commercial Advertiser, the Colonist, and the Mediator, as well as contemporary travel accounts, contracts of indenture and apprenticeship, and an examination of the records of the Cape Town Magistrates, this study explores the attitudes and perceptions towards indentured and apprenticed labor by both employers and indentured and apprenticed servants.This study hopes to add to the existing literature pertaining to nineteenth-century Cape Colony labor. This thesis commences with an examination of the different indenture and apprenticeship systems which existed in Cape Town between the years 1808 and 1840. It explores the issue of how employers and the government sought to maintain a constant supply of labor in the city as the prominence of urban slavery declined. It also discusses the important issue of how employers defined the terms apprentice and indenture. Chapter two explores the topic of child apprenticeship in Cape Town between the years 1812 to 1840, and illustrates that the notion of child apprenticeship was understood in different ways between employers and parents of apprenticed children. Chapter three investigates the stereotypes Cape Town's English speaking employers held towards the city's indentured and apprenticed laborers. The final chapter explores the question of status and incorporation into Cape Town society for the city's indentured and apprenticed laborers, and demonstrates that laborers did not enjoy equal status to the city's slaves.

Thesis (MDram)--Stellenbosch University, 2002. / ENGLISH ABSTRACT: This study aims to reconstruct the history of the Capetonian theatrical venue of the second half of the 19th century. It explores the many different venues used for theatrical activities. Venues discussed include amateur theatres such as the Hope Street Theatre, Roeland Street Theatre, Haupt's Theatre and the Drury Lane Theatre. Due to the extensive research already done on the African Theatre on Riebeeck Square and the Garrison Theatre they are only briefly mentioned as part of the background to the social dynamics of Victorian Cape Town. Quite often venues such as banqueting halls, drawing-rooms and wine stores doubled as theatrical venues. Halls discussed include the Oddfellows Hall, the Mutual Hall and the Drill Hall. Although the main objective of the study was the theatrical venue, it is impossible not to mention the different drama companies that occupied these venues. Therefore, the activities of the drama companies were also discussed to a certain extent, because of the strong interrelationship between company and theatre house. These include, among others, the companies of Sefton Parry and Disney Roebuck. For the purpose of this study the theatrical venue has been defined as an indoors space, which is divided into two clearly demarcated areas, namely the stage and the auditorium. Because of this definition the early African theatrical activities are not included in this study and it deals rather with the Western theatre tradition, namely that of the early Dutch and English artists. The study deals primarily with the dominant English theatre post-1850 and the shift from amateur to professional theatricals. Professional theatres include the Theatre Royals of Harrington Street and Burg Street, the Exhibition Theatre and the Good Hope Theatre. At the end of the thesis parallels are drawn between the 19th and 20th century theatre houses such as the Opera House and the Tivoli Theatre. Another issue addressed by the study is the quest for a permanent theatrical venue or building in the early Cape theatre tradition. / AFRIKAANSE OPSOMMING: Die studie poog om die geskiedenis van die Kaapse teaters te herstruktureer. Dit ondersoek die verskillende plekke en geboue wat vir teater aktiwiteite gebruik is gedurende die tweede helfte van die 19de eeu. Amateur teaters wat bespreek word is onder andere, die Hoopstraat Teater, die Roelandstraat Teater, Haupt se Teater en die Drury Lane Teater. Die Afrika Teater op Riebeeck Plein en die Garnisoen Teater vorm nie deel van hierdie studie nie, aangesien daar alreeds heelwat oor hierdie twee teaters geskryf is. Daar word slegs kortliks in die Inleiding na hulle verwys in die agtergrond tot Kaapstad gedurende die Victoriaanse tydperk. Dramas is nie net in formele teaters aangebied nie, maar ook in verskeie informele plekke soos banketsale en dies meer. Sale wat gebruik is vir sulke doeleindes was onder meer die Oddfellows Saal en die Mutual Saal. Alhoewel die hoof oogmerk van die studie die vermaaklikheidsplek (theatrical venue) is, sou dit onvoldoende wees om nie die verskillende drama geselskappe te noem wat in hierdie plekke opgetree het nie. Daarom is die aktiwiteite van die geselskappe ook bespreek na gelang van hul betrokkenheid by spesifieke teaters, onder andere die van Sefton Parry, James Lycett en Disney Roebuck. Die vermaaklikheidsplek word vir die doeleindes van hierdie studie gedefinieer as 'n binnehuise spasie wat verdeel word in twee duidelik afgebakende areas, naamlik die speelarea en die ouditorium. Die definisie hou egter sekere beperkinge in: Dit sluit die vroee inheemse Afrika teater aktiwiteite uit. Gevolglik word die vroee Westerse teater tradisie van die Hollanders en die Engelse bespreek. Die studie fokus hoofsaaklik op die meer dominante Engelse teater gedurende die tweede helfte van die 19de eeu, en die oorskakeling van amateur na professionele drama. Professionele teaters wat bespreek word is die Theatre Royals (Harrington Straat en Burg Straat), die Exhibition Teater en die Goeie Hoop Teater. Aan die einde van die tesis word daar 'n vergelyking getref tussen die 19de en 20ste eeuse teaters, soos byvoorbeeld die Operahuis (1893) en die Tivoli Teater (1903). Nog 'n aspek wat aangespreek word is die soeke na 'n permanente teatergebou binne die vroee Kaapse teater tradisie.

Bibliography: pages 233-237. / The rapid industrialization which transformed South African Society after the discovery of minerals, had a profound impact on the lives of most South Africans. The process of urbanization escalated during and after the Second World War because of better wages and job opportunities in the urban areas. South African urbanization was characterized by the brutal manner in which the state dealt with the Black people. The White middle and working classes' fear of being engulfed by this Black tide led to the multi-pronged strategies which were devised to contain and co-opt the Africans, hence the creation of townships like Langa. This study looks at how the journey from the rural areas to the cities became part of the 'making of Black working class'. Material conditions in the cities were characterized by social squalor and overcrowding. Ghetto-like conditions created ethnic identities and working class culture, consciousness and community struggles came to reflect capitalist domination in the twentieth century township of Langa. Many residents in the township indulged in leisure pursuits such as dance and music which had their origins in the rural areas and this indicated an important cultural resource which they adhered to so as to cope with the alienating and corrosive compound and hostel life. Some of the residents found pleasure in leisure pursuits whose roots and ethos could be traced to the Victorian period such as cricket, soccer and rugby. All these leisure pursuits however, came largely to be influenced by the realities of township life and the general national and economic exploitation. The working class in Langa was not a homogeneous block as there were intense struggles between the migrants and immigrants over township space and resources. Therefore festivals and sporting activities played an important part in the cultural history of Langa township's effort to create "communities". The last part of the study looked at how the conditions in the city led to the realization by the dominated classes that the solution towards the alleviation of the conditions that they were confronted with was through the formation of structures which aimed at overthrowing institutions of oppression, such as the pass laws.

Thesis (MA)--University of Stellenbosch, 2011. / ENGLISH ABSTRACT: Table Mountain is one of the world’s most well-known natural landmarks. For more than a half million years the mountain played a role in human cultural activities. The water flowing off Table Mountain resulted in the establishment of Cape Town in 1652. During the first 240 years of the city’s existence until 1891, everything possible was employed to make the most of the water cascading down the northern slopes of the mountain. In 1891, the city commenced with the utilising of the mountain’s water running southwards to waste. This course of action to maximise the supply of water from Table Mountain to the city, extended over a period of more than seven decades and included the construction of dams, tunnels and pipelines. Towards the end of the nineteenth century and at the beginning of the twentieth century, two dams were built in the Disa Stream to the east of Kasteels Poort’s upper end. The construction work on the Woodhead Dam commenced in 1892 and continued until 1897. Building operations on the Hely-Hutchinson Dam started shortly after the completion of the Woodhead Dam and was concluded in 1904. The dam builders were settled as a community in the vicinity of the construction sites. The housing comprised permanent as well as temporary structures. The dwellings did not form a unit, but were scattered in the proximity of the construction terrains. The majority of the structures were demolished after the completion of the work. Only four dwellings still exist today. A feature of the accommodation was the separate housing for the white and black workers. The dam builders’ backgrounds were very diverse. Some of them were highly skilled artisans from Britain whereas the majority of the untrained labourers were black people from the Eastern Cape. Also included in the work force, were people from Cape Town and environs. The number of workers on the mountain varied to a high degree. The largest number at any stage totaled 470. Information on the mountain dwellers’ material culture, for example their clothing, foodstuffs and compensation, and spiritual life, for example religion, communication and leisure-time activities, is analysed in this study. Fragments of the dam builders’ cultural heritage is preserved in the Waterworks Museum next to the wall of the Hely-Hutchinson Dam. The exhibition of implements and equipment is disorganised and neglected. The transfer of the museum to another more efficient building in the area is vitally important in order that proper justice can be done to the dam builders who rendered an essential service to Cape Town in difficult circumstances. / AFRIKAANSE OPSOMMING: Tafelberg is een van die wêreld se bekendste natuurbakens. Die berg speel al langer as ‘n halfmiljoen jaar ‘n rol in menslike kultuurbedrywighede. Die water wat vanaf Tafelberg vloei, het in 1652 tot die ontstaan van Kaapstad gelei. In die eerste 240 jaar van die stad se bestaan tot 1891 is alles moontlik gedoen om die water wat aan die noordekant teen die berg afvloei, ten beste te benut. In 1891 is begin om ook die berg se water wat onbenut suidwaarts vloei vir die stad se gebruik aan te wend. Dié proses om Tafelberg se water maksimaal tot die beskikking van die stad te stel, het oor ‘n tydperk van meer as sewe dekades gestrek en het die konstruksie van damme, tonnels en pypleidings ingesluit. Twee damme is aan die einde van die negentiende eeu en die begin van die twintigste eeu in die Disastroom ten ooste van die bo-punt van Kasteelspoort gebou. Die bouwerk aan die Woodhead-dam het in 1892 begin en het tot 1897 geduur. Die konstruksie aan die Hely-Hutchinson-dam is net ná die voltooiing van die Woodhead-dam van stapel gestuur en is in 1904 voltooi. Die dambouers is as ‘n gemeenskap in die omgewing van die dambouterreine gevestig. Die akkommodasie het uit stewige en tydelike wonings bestaan. Die wonings het nie ‘n eenheid gevorm nie, maar is verspreid in die nabyheid van die konstruksiewerk opgerig. Die meeste van die geboue is na afhandeling van die bouwerk gesloop en net vier wonings bestaan vandag nog. ‘n Kenmerk van die akkommodasie was dat die blanke en swart werkers apart gehuisves is. Die dambouers se agtergrond was baie uiteenlopend. Sommige van hulle was hoogs geskoolde vakmanne van Brittanje, terwyl die meeste ongeskoolde arbeiders swart mense van die Oos-Kaap was. Die res van die werkspan het uit mense van Kaapstad en die omgewing bestaan. Die getal werkers op die berg het baie gewissel. Die grootste getal werkers wat op een tydstip betrokke was, het 470 beloop. Inligting oor die bergbewoners se materiële kultuur, byvoorbeeld hul kleredrag, lewensmiddele en vergoeding, en geestelike kultuur, onder meer godsdiens, kommunikasie en vryetydsbesteding, word in dié ondersoek ontleed. Fragmente van die dambouers se kulturele nalatenskap word in die Waterwerke Museum by die wal van die Hely-Hutchinson-dam bewaar. Dié uitstalling van implemente en toerusting is baie ongeorden en verwaarloos. Dit is noodsaaklik dat die museum na ‘n doeltreffender gebou in die omgewing skuif sodat behoorlik eer betoon kan word aan die mense wat in moeilike omstandighede ‘n onontbeerlike diens aan Kaapstad gelewer het.

Cover title: The role of Dr A. Abdurahman in the modernisation of Islam-oriented schools. / Bibliography: pages 471-494. / This dissertation concerns the modernisation of Islam-oriented schooling in Cape Town and environs whereby Muslim Mission Primary Schools emerge as a socio-cultural compromise between community needs and State school provision policy. It proceeds from the recognition of the cultural diversity that has since the pioneering days characterised the social order of the Mother City. Two religious and cultural traditions have coexisted here in a superordinate and subordinate relationship; one developed a school system for domestication and cultural assimilation, and the other a covert instructional programme for an alternative religious system and behaviour code. The thrust of the argument is that the Islamic community, developed on the periphery of society that excluded non-Christians, were in the main concerned with cultural transmission, first in the homes of Free Blacks during the Dutch regime, and later in the mosques that arose when religious freedom was obtained.

From Introduction: The first recorded Church of England service at the Cape took place in 1749, but for almost a century after that date Anglicans had no place of worship of their own. From about 1807 onwards the Groote Kerk in Adderley Street was regularly lent to the Chaplain on Sundays and the Kerkraad even allowed their bells to be rung to inform 'the British that it was time for their service'. In October 1827, for the first time in history, a bishop of the Church of England visited Cape Town. This was Dr. J.T. James, Bishop of Calcutta, who landed for a few days on his first voyage to India and was met by the Governor and his staff in great state. A meeting was held at which Bishop James was present and the eighteen gentlemen discussed proposals for the building of an English Church in Cape Town. "It was proposed that the building should hold at least 1,000 people. The Bishop said that the Home Government would grant ground and half the expenses... He reminded them of their obligation to the Dutch Church, who for so many years had allowed them to use their sanctuary, and he exhorted them to be active and persevering and remain attached to the doctrine and discipline of the Church of their forefathers, that venerable Church based on the foundation of Christ and His Apostles." As a result of t his meeting the Governor gave the site in the Gardens (at the foot of the Avenue) on which St . George's Cathedral now stands, and the site was consecrated by Bishop James on October 23rd, just before he sailed for Calcutta . "But after his departure the glow faded away, difficulties and quarrels appeared... and the scheme was shelved for two years." However, on St. George's Day, 23rd April 1830, the foundation stone of St. George's Church was laid by the Governor, Sir Lowry Cole,with military and Masonic honours. A triumphal arch was erected and troops lined the streets through which the procession was to pass. The name of the street at the head of which the Cathedral stands was changed from Bergh Street to St. George' s Street, and the contract was exclusive of enclosure, gates, bells and organ, but including pulpit, reading and clerk 's desks and all the work of the altar."

I have attempted to denaturalize and historicize tourism in Crested Butte as an economic, social, and physical phenomenon that fits into the broader histories of Colorado and the West, as well as the broader histories and realities of travel and tourism. Why do people seek out certain places and experiences in the name of pleasure? How did these activities and spaces come to qualify as desirable? What about people who fall outside temporally limited definitions of tourist, such as those who come to Crested Butte for only a season or a year, or second homeowners who stay for months at a time, or, really, any resident? All these people value the place and their experiences in the exact same ways, influenced by the same physical and psychic constructions of desirability. These current constructions are informed by a long history of evolving tastes and interests, the products of converging local, national, and international dynamics. In tracing a history of tourism and especially tourism in the West, I used a variety of secondary sources authored by scholars of tourism, the West, and Colorado. In charting a history of Crested Butte, I utilized archived local newspapers. I spoke to a number of current Crested Butte residents to understand how Crested Butte locals view themselves, their community, their lifestyles, and their town.

Bibliography: pages 85-89. / This thesis is submitted in partial fulfillment of a B.A (Hons.) degree in African Studies, for which my home department was Social Anthropology. The project arose out of my interest in the interdisciplinary work of Michel Foucault and its application to the history of Africa. This has been broadened into an interest in post-structuralist theory, and has been particularly focussed on the "institution". A prime example of Foucault's "complete" or "austere" institution is the prison. The Breakwater convict station, a colonial prison in Cape Town during the nineteenth century, suited both my theoretical and empirical interests. I chose this particular institution because it was the prison from which the linguist W.H.I. Bleek drew his San informants in the 1870s, and because the prison and its records were based in Cape Town. I wanted to incorporate ideas from secondary sources on Bleek and his work (e.g. Thornton 1983, Deacon 1988a). But the work took its own directions, and I have focussed here on the organization of the prison and on the prisoners in general rather than on the San.