This study makes available in English translations the three most important theoretical writings of the Austrian composer Josef Matthias Hauer (1883—1959), whose experiments with atonal and dodecaphonic music are discussed in the treatises. The treatises are Vom Wesen des Musikalischen: Grundlagen der Zwolftonmusik, Vom Melos zur Pauke: eine Einfuhrung in die Zw51ftonmusik, and Zwftlftontechnik: die Lehre von den Tropen. In addition to the translations and commentary the dissertation includes a sketch of Hauer's career and an examination of his claim that he—not Arnold Schoenberg—was the inventor of the dodecaphonic school of composition.

[pt] Uma questão muito discutida atualmente na exegese bíblica diz respeito ao status do rolo dos assim chamados Doze Profetas Menores. Os estudiosos se dividem entre aqueles que entendem que os Doze devem ser considerados como uma obra literária unificada e aqueles que entendem que os escritos que integram esse rolo devem ser vistos como independentes em relação aos demais. Esta tese, visando oferecer uma contribuição para a discussão da problemática dos Doze, parte de uma apresentação do status quaestionis da pesquisa dos Doze, e, passando por um estudo do texto do Livro de Malaquias e sua organização, desemboca na análise da última perícope desse escrito, Ml 3.13-21, procurando verificar suas relações com os demais textos do conjunto dos Doze, em geral, e do Livro de Malaquias, em particular. Atenção especial é dada à comparação entre o texto de Ml 3.13-21 e o Livro de Joel, sobretudo com respeito à utilização feita em ambos os textos do motivo do dia de YHWH. O trabalho chega à conclusão de que a perícope estudada revela pontos de contato mais fortes com o restante do Livro de Malaquias do que com os demais textos do conjunto dos Doze, o que fala a favor da consideração do último integrante dos Doze como um escrito independente. / [en] An issue that causes much discussion nowadays in biblical exegesis is the status of the scroll of the so-called Twelve Minor Prophets. Scholars are divided among those who understand that the Twelve should be considered as a unified literary work and those who understand that the writings that are part of that scroll should be seen as independent in relation to the others. This thesis, looking at offering a contribution to the discussion of the matter of the Twelve, has its starting point in a presentation of the status quaestionis of the research of the Twelve, and, going through a study of the text of the Book of Malachi and its organization, leads to the analysis of the last pericope of that writing, Ml 3.13-21, seeking for verifying its relations to the other texts of the whole of the Twelve, in general, and of the Book of Malachi, in particular. Special attention is given to the comparison between the text of Ml 3.13-21 and the Book of Joel, specially concerning the use that both texts make of the motif of the day of YHWH. This work comes to the conclusion that the pericope studied reveals stronger contacts with the rest of the Book of Malachi than with other texts of the whole of the Twelve, something that speaks in favour of the consideration of the last component of the Twelve as an independent writing.

The subject of this work is a new administrative building in Brno, district Brno – Stred. The aim of this work is to create documentation for realization. Building has twelve floors, while every floor is rotated by 5° relative to the previous floor counterclokwise. Final rotation between the first and the last floor is 60°. On the first floor there is a restaurant, on the next eleven floors there are administrative spaces. Building is without basement and has a single-layer flat roof. The foundations are made from a system of piles, which co-work with the waterproof foundation slab. Whole construction system is made from cast-in-place reinforced conrete.

MEd / Department of Curriculum Studies and Educational Management

This study analyzes the appearance of the myth of Heracles and the Nemean lion on a lekythos from the Uppsala University Museum Gustavianum collection in Uppsala. The lekythos is a small oil vessel generally associated with fifth century B.C. burials. Heracles and the Nemean lion’s commonly found depiction in this context is not obvious on a superficial level, requiring further analysis to answer the question how the motif can be related to the object’s specific context. To investigate the complex relationship between myth and object the study uses the theoretical approach of a myth’s depiction on object’s being highly relevant to how the myth is viewed and consumed, being determined by its context and observer. The thesis approaches the individual artifact through an iconographic analysis and analyzes additional black-figure lekythoi produced between 550–475 B.C. to establish a chronological context of progression in the motif. The study uses ancient literary sources to further establish a societal context. Through the analysis the examination can determine a probable date of the lekythos and a context surrounding its production. Furthermore, the study concludes that the relevance of Heracles is partly based on his relevance in society overall and his role as a figure representing the male ideal and immortality.

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In this study, the Anton Webern's music is considered in two groups: that which was written before Webern adopted the twelve-tone technique, Opp 1-16, and that written in the twelve-tone technique, Opp. 17-31. This division is not intended to represent an attempt at periodization of Webern's music, for the changes of style in Op. 17 are not that significant. But the fact that Webern employed the twelve-tone technique in all the works he wrote after Op. 16 makes this a natural point of division for a study of this sort. Besides the music of Webern, two peripheral areas are included in this study. No attempt has been made at an exhaustive biography of Webern, but facts relative to his life, and impressions about the person are presented. Also, to create a proper perspective for the study of Webern's which existed during the time that Webern lived and composed, is presented.

”Spiritus contra spiritum” - En religionspsykologisk studie avomvändelseprocesser hos medlemmar i Anonyma Alkoholister(”Spiritus contra spiritum” - A religious psychological study on transformation processesamong members of Alcoholics Anonymous)The purpose of this study was to understand and illustrate the conversion processes forpeople who have attained sobriety through membership in Alcoholics Anonymous. My aimwas to ascertain how the interviewees constructed their life story regarding their path tosobriety. I sought to learn how "God" as a function, a central tenet of AlcoholicsAnonymous, served the interviewees in achieving and maintaining sobriety. Dan P.McAdams’s (1993) The stories we live by: personal myths and making of the self, providedthe theoretical tools. Steinar Kvale´s (1997) The qualitative research interview provided themethod. The conclusion was that membership in Alcoholics Anonymous allowed theinformants a sense of healing, conversion and reconciliation from their earlier alcohol abuse.Through this confident community the informants were provided with the narrative meansto improve their life story and truth by a renewed identity and spiritual awakening.Keywords:

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