Thesis (M.A.)--University of Iowa, 1927. / Bibliography: p. 47-49.

Inaug.-diss.--Leipzig. / Cover title. Vita. "Index librorum": p. [vi]-vii.

Thesis (doctoral)--Friedrich-Wilhelms-Universität zu Berlin, 1903. / Cover title. Complete ed. published: Berlin : Mayer & Müller, 1903. (Palaestra ; 34)

No description available.

Virgil's Georgics portray peace and war as disparate states derived from the same fundamental materials. Adopting a didactic tone, the poet uses the language of farming to confront questions about the making of lasting peace in the wake of the Roman civil wars. Rife with subjunctive constructions, the Georgics place no hope in the easily realized peace of a golden age; instead, they teach us that peace must be sowed, tended, reaped, and replanted, year after year. Despite this profound engagement with the consequences of civil war, however, the Georgics have not often been studied in relation to English writers working after the civil wars of the 1640s. I propose that we can better understand poems by Andrew Marvell, John Dryden, Anne Finch, and John Philips--all of whom grappled with the ramifications of war--by reading their work in relation to the georgic peace of Virgil's poem. In distinct ways, these poets question the dominant myth of a renewed golden age; instead, they model peace as a stable yet contingent condition constructed from chaotic materials, and therefore in need of perpetual maintenance. This project contributes to existing debates on genre, classical translation, the relationships between early modern poetry and politics, and most importantly, poetic representations of political and social peace. Recent work has argued for the georgic as a flexible mode rather than a formal genre, yet scholars remain primarily interested in its relation to questions of British national identity, agricultural reform movements, and the production of knowledge in the middle and later decades of the eighteenth century. I argue, however, for the relevance of the georgic to earlier poems written in response to the consequences of the English civil wars. The dissertation includes chapters devoted separately to Marvell, Finch, and Dryden, and concludes with a chapter on how their dynamic conceptions of georgic peace both inform and conflict with aspects of the popular eighteenth-century genre of imitative georgic poetry initiated by Philips and brought to its height by James Thomson. / 2017-05-01T00:00:00Z

In choosing a subject for a thesis in the Vergilian Bimillennium, it was only natural and fitting that the choice should fall in the field of Vergil. The difficulty lay in selecting a particular locality of the field that had not been especially explored by the many Vergil admirers. Friendships and Family Ties seemed to have been treated by no writer under such a title nor to have been discussed at length in any book or article. Here was presented an opportunity to renew my acquaintance with Vergil through a more intimate and thoughtful study of his poems and to search out from the numerous books on the general subject of Vergil what conclusions other writers had reached and to follow the line of through of the contemporary Latin scholars, who were contributing to the current literature of the Vergilian year. I was perhaps fortunate in finding that no one has treated the subject at any great length, for it required more serious thought on my part; my interest grew with the task; it was fascinating to piece together the little bits and make a unified whole.

No description available.

No description available.

Inaug.-Diss.--Heidelberg. / Vita. Bibliography: p. 98-105.

Inaug.-Diss.--Heidelberg. / Vita. Bibliography: p. 98-105.