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1	Převod UML diagramů mezi Visual Paradigm a textovými formáty / UML Diagrams Conversion between Visual Paradigm and Text-Based Formats Ondrák, Lukáš January 2021 (has links) This master's thesis deals with possibilities of modifying and extending functionality of Visual Paradigm with plug-ins as well as the study of tools for creating UML diagrams. The primary goal of this thesis is to describe graphical tools and simultaneously, the less known variants of creating UML diagrams. Those are tools that process text UML formats. Special attention is given to text tool PlantUML and to the graphical tool Visual Paradigm. Furthermore, the thesis deals with use of the Visual Paradigm open interface for programmers to create plug-ins. The main output is an implemented plug-in that allows you to convert UML diagrams between Visual Paradigm and text format PlantUML, which was published as open source software. Grammar for the PlantUML language have also been created for this plug-in.
2	Nástroj pro kontrolu správnosti návrhových diagramů v UML / A Tool for Checking Correctness of Design Diagrams in UML Dlouhý, Ivo January 2014 (has links) Aim of this master's thesis is to create a tool for checking correctness of design diagrams in UML. The work describes the UML language and connected standards, defines the problem of UML correctness and explains the approach of using incorrectness pattern database to check the UML correctness. Furthermore it suggests the QVT language as a suitable for implementing the incorrectness patterns. The problem is decomposed into shared incorrectness pattern database manageable via web interface, standalone tool for use from the command line and a plugin for the UML design software Visual Paradigm. All of the components are designed, implemented, tested and evaluated. The important aspect is the openness and extensibility of the tool.
3	Semiotics of Humanitarian Photography Paglamidis, Konstantinos January 2013 (has links) Communication campaigns by major organizations in the field of development have been heavily dependent on humanitarian photography to motivate and attract donors. This genre of photography serves its purpose by informing, surprising and attracting the attention of a broad audience. It captures real life and real problems people in need have to deal with in remote areas of the world. This paper delves into the use of visual semiotics in the context of humanitarian photography and for the purpose of fund-raising by case study research of recent communication campaigns as implemented by major players in the field such as the International Committee of the Red Cross, the Global Fund to Fights AIDS, Tuberculosis and Malaria, Doctors without Border, CARE and Save the Children. The purpose is to identify key issues which allow for the elicitation of a sign framework specific to the fund-raising genre and its idiosyncratic use of visual signs in photography based on a broad theoretical basis of semiotics. The analysis focuses on the content and methods of signification of photography in each case study. The effectiveness of humanitarian photography and important aspects of its function is discussed in the scope of its use as a communication medium for development. humanitarian photography semiotics fund raising sign representamen interpretant signifier signified visual sign visual paradigm anchoring relay zero sign index symbol icon war photography mythology visual rhetoric Social Sciences Samhällsvetenskap

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