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The solo vocal repertoire of Mary Carlisle Howe with stylistic and interpretive analyses of selected works /McClain, Sandra Clemmons. January 1992 (has links)
Thesis (Ed.D.)--Teachers College, Columbia University, 1992. / Typescript; issued also on microfilm. Sponsor: Jan Eric Douglas. Dissertation Committee: Harold F. Abeles. Includes bibliographical references (leaves 215-217).
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Giovanni Francesco Anerio's Teatro armonico spirituale di madrigali a contribution to the early history of the oratorio ... /Hobbs, Wayne Clanton, Anerio, Giovanni Francesco, January 1971 (has links)
Thesis (Ph. D.)--Tulane University, 1971. / Typescript. Words of the musical selections also printed as text (v. 2, leaves vi-xxix). Contains vita. Includes bibliographical references (v. 1, leaves 305-313).
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The Monteverdi vespers of 1610 and their relationship with Italian sacred music of the early seventeenth centuryKurtzman, Jeffrey G. January 1972 (has links)
Thesis--University of Illinois, Urbana-Champaign. / Vita. "Musical supplement": v. 2, leaves 474-1103. Photocopy of typescript. Ann Arbor, Mich. : University Microfilms International, 1977. -- 21 cm. Bibliography: v. 1, leaves 439-473.
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Selected unpublished villancicos of padre fray Antonio Soler with reference to the cultural history of eighteenth-century Spain /Espinosa, Teresita, Soler, Antonio, January 1969 (has links)
Thesis--University of Southern California. / Photocopy of typescript. Ann Arbor, Mich. : University Microfilms International, 1978. -- 2 v. ; 21-27 cm. Bibliography: v.1, leaves 269-294.
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Renaissance and Baroque characteristics in four choral villancicos of Manuel de Sumaya analysis and performance editions /Dean, Michael Noel. Zumaya, Manuel de, January 2002 (has links)
Thesis (Ph. D.)--Texas Tech University, 2002. / Includes bibliographical references (leaves 151-153).
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A study of Krzysztof Penderecki's Credo : how it exemplifies his compositional style at the end of the 20th century /Meder, Randall Anton. January 1900 (has links)
Thesis (D.M.A.)--University of Illinois at Urbana-Champaign, 2006. / Source: Dissertation Abstracts International, Volume: 67-11, Section: A, page: 4033. Adviser: Fred A. Stoltzfus. Includes bibliographical references (leaves 135-136) Available on microfilm from Pro Quest Information and Learning.
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Vocal music of the Anglo-Boer War (1899-1902) insights into processes of affect and meaning in music /Gray, Anne-Marie. January 2004 (has links)
Thesis (D.Mus.)-University of Pretoria, 2004. / Includes bibliographical references. Available on the Internet via the World Wide Web.
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Herr, wenn ich nur dich habeWeckmann, Matthias, Wetherwax, Todd. January 1978 (has links)
Thesis (M.M.)--Wisconsin. / "Sacred concerto"; for solo voices (ATB), 2 violins and 3 viole da gamba. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 25-28).
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The polyphonic compositions on Marian texts by Juan de Esquivel Barahona A study of institutional Marian devotion in late Renaissance Spain /O'Connor, Michael Brian. Kite-Powell, Jeffery T. January 2006 (has links)
Dissertation (PhD) Florida State University, 2006. / Advisor: Jeffrery Kite-Powell, Florida State University, College of Music. Title and description from dissertation home page (viewed 7-10-07). Document formatted into pages; contains 246 pages. Includes biographical sketch. Includes bibliographical references.
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On the Chair of the Universe, a Beetle-shaped Glass BucklesJanuary 2011 (has links)
abstract: This composition was commissioned by the Orgelpark to be performed in Amsterdam in September 2011 during Gaudeamus Muziekweek. It will be performed by the vocal group VocaalLab Nederland. It is scored for four vocalists, organ, tanpura, and electronic sound. The work is a culmination of my studies in South Indian Carnatic rhythm, North Indian classical singing, and American minimalism. It is a meditation on the idea that the drone and pulse are micro/macro aspects of the same phenomenon of vibration. Cycles are created on the macroscale through a mathematically defined scale of harmonic/pitch relationships. Cycles are created on the microscale through the subdivision and addition of rhythmic pulses. / Dissertation/Thesis / M.M. Music 2011
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