Orientador: Aci Taveira Meyer / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes / Made available in DSpace on 2018-08-11T05:59:14Z (GMT). No. of bitstreams: 1 Nascimento_AndreiaMirandadeMoraes_M.pdf: 36774295 bytes, checksum: 4ab373a95fa1efb5f2267f4a9d1d1490 (MD5) Previous issue date: 2007 / Resumo: Este trabalho tem como principal objetivo realizar um estudo analítico interpretativo e pedagógico das 12 Valsas de Esquina de Francisco Mignone. Visa o estudo, a análise e a divulgação da música brasileira e de um de seus mais significativos representantes. Com o estudo analítico, procura-se investigar os elementos técnicos utilizados pelo compositor e como ele os manipula. Para introduzir e contextualizar essa análise, realizou-se um levantamento biográfico e histórico da vida do compositor fundamentado por bibliografia já existente e entrevista com a viúva do compositor, Maria Josephina Mignone. A conclusão deste trabalho reúne as informações obtidas por meio da análise, identificando a linguagem musical do autor e discutindo a aplicabilidade didática destas obras no ensino do piano, relevando a importância delas no repertório pianístico brasileiro / Abstract: The main objective of this study is to realize a tecnique and educational analysis of the 12 Valsas de Esquina composed by Francisco Mignone. Concurrently, this analysis will contribute to the dissemination of the Brazilian music and one of its most important composers. The analytical study focuses on the compositional techniques employed by Mignone, as well as which technical elements he utilized and how he manipulated them. In order to introduce and put into prospective the analysis, the author provided a biographical and historical analysis and also an enterview with Mignone's wife. The information obtained by the analysis affords a conclusion in respect of the composer¿s musical language and the didatic applicability of these pieces and their influence and prominence at the Brazilian pianistic repertoire / Mestrado / Mestre em Música

O objetivo deste trabalho foi implementar a técnica de dupla ressonância denominada Desacoplamento Heteronuclear em Banda Larga. Tal técnica consiste em eliminar a interação dipolar magnética nuclear existente entre núcleos atômicos raros que desejamos observar (13C, por exemplo) e núcleos atômicos abundantes que existem em sua vizinhança (1H, por exemplo). Para implementar algumas das técnicas de Desacoplamento Heteronuclear em Banda Larga (DBL), foi desenvolvido o instrumental eletrônico necessário, que consistiu em projeto e construção de moduladores de pulsos de radiofreqüência com controle de fase, em programação de seqüências especiais de pulsos para DBL e em sistemas de controle digital. As técnicas de DBL implementadas foram: \"Noise Modulation\", \"Squarewave modulation\", \"MLEV-64\" e \"WALTZ-16\". Avaliamos o desempenho destas técnicas através de resultados experimentais obtidos utilizando o composto ADAMANTANO (Cl10H16). Todos os equipamentos desenvolvidos foram incorporados ao espectrômetro de alta resolução por ressonância magnética nuclear existente no Laboratório de Espectroscopia de Alta Resolução (LEAR), do Departamento de Física e Informática, Instituto de Física de São Carlos, USP, e estão sendo utilizados rotineiramente nos experimentos de espectroscopia de alta resolução / The goal of this work was to improve the double resonance technique called Broadband Heteronuclear Decoupling. This technique consists on eliminate the dipolar heteronuclear interaction that exists between rare nucleous (13C, for example) and abundant nucleous that exists around (1H, for example). To improve some techniques of Broadband Heteronuclear Decoupling (BBDec), an electronic apparatus was made, which consisted of design and implementation of radiofrequency pulse modulators with phase control, special BBDec pulse sequences programming and digital control systems. The implemented Broadband Heteronuclear Decoupling techniques were: Noise Modulation, Square-wave Modulation, MLEV-64 sequence and WALTZ-16 sequence. We evaluated the performance of these techniques utilizing the experimental results obtained with the sample ADAMANTANO (Cl10H16). All developed apparatus was incorporated with the high resolution NMR spectrometer that exists at the High Resolution Spectroscopy Laboratory (LEAR), of the Instituto de Física de Sao Carlos, USP, and are being used at all high resolution NMR experiments

O objetivo deste trabalho foi implementar a técnica de dupla ressonância denominada Desacoplamento Heteronuclear em Banda Larga. Tal técnica consiste em eliminar a interação dipolar magnética nuclear existente entre núcleos atômicos raros que desejamos observar (13C, por exemplo) e núcleos atômicos abundantes que existem em sua vizinhança (1H, por exemplo). Para implementar algumas das técnicas de Desacoplamento Heteronuclear em Banda Larga (DBL), foi desenvolvido o instrumental eletrônico necessário, que consistiu em projeto e construção de moduladores de pulsos de radiofreqüência com controle de fase, em programação de seqüências especiais de pulsos para DBL e em sistemas de controle digital. As técnicas de DBL implementadas foram: \"Noise Modulation\", \"Squarewave modulation\", \"MLEV-64\" e \"WALTZ-16\". Avaliamos o desempenho destas técnicas através de resultados experimentais obtidos utilizando o composto ADAMANTANO (Cl10H16). Todos os equipamentos desenvolvidos foram incorporados ao espectrômetro de alta resolução por ressonância magnética nuclear existente no Laboratório de Espectroscopia de Alta Resolução (LEAR), do Departamento de Física e Informática, Instituto de Física de São Carlos, USP, e estão sendo utilizados rotineiramente nos experimentos de espectroscopia de alta resolução / The goal of this work was to improve the double resonance technique called Broadband Heteronuclear Decoupling. This technique consists on eliminate the dipolar heteronuclear interaction that exists between rare nucleous (13C, for example) and abundant nucleous that exists around (1H, for example). To improve some techniques of Broadband Heteronuclear Decoupling (BBDec), an electronic apparatus was made, which consisted of design and implementation of radiofrequency pulse modulators with phase control, special BBDec pulse sequences programming and digital control systems. The implemented Broadband Heteronuclear Decoupling techniques were: Noise Modulation, Square-wave Modulation, MLEV-64 sequence and WALTZ-16 sequence. We evaluated the performance of these techniques utilizing the experimental results obtained with the sample ADAMANTANO (Cl10H16). All developed apparatus was incorporated with the high resolution NMR spectrometer that exists at the High Resolution Spectroscopy Laboratory (LEAR), of the Instituto de Física de Sao Carlos, USP, and are being used at all high resolution NMR experiments

Submitted by Caroline Xavier (caroline.xavier@pucrs.br) on 2017-06-30T18:23:32Z No. of bitstreams: 1 DIS_CAMILA_PALHARES_BARBOSA_COMPLETO.pdf: 717654 bytes, checksum: 2eb237f6b09f85967cf3909e4145e595 (MD5) / Made available in DSpace on 2017-06-30T18:23:32Z (GMT). No. of bitstreams: 1 DIS_CAMILA_PALHARES_BARBOSA_COMPLETO.pdf: 717654 bytes, checksum: 2eb237f6b09f85967cf3909e4145e595 (MD5) Previous issue date: 2017-03-08 / This paper aims to investigate the role of human nature to theoretical discourses of International Relations through the dialogue between the structural realism of Kenneth Waltz and social constructivism of Alexander Wendt. Insofar as the realism doctrine remains one of the most consolidate theory of International Relations and the structural proposal of Waltz is traditionally associate as the theory that withdraws the need of determinist axioms of human behavior to the understanding of International Relations, my proposal when using these authors is to demonstrate that philosophical bias discourses on human nature remain part of what we understand as International Relations theories. Furthermore, through this analysis I intent to shown that the need to stablishes the International Relations field as a separated from social and political sciences, remove interdisciplinary aspects of theoretical discourses, specially, in the structural realism proposed by Waltz. / O presente trabalho tem como objetivo investigar o papel da natureza humana nos discursos te?ricos das Rela??es Internacionais a partir do di?logo entre o realismo estruturalista de Kenneth Waltz e do construtivismo social de Alexander Wendt. Na medida em que o realismo permanece sendo uma das correntes mais consolidadas nas teorias das Rela??es Internacionais e a proposta estruturalista de Waltz ? tradicionalmente vista como a doutrina que retira com a necessidade de axiomas deterministas do comportamento humano para o entendimento das Rela??es Internacionais, minha proposta ao utilizar esses autores ? demonstrar que discursos de vi?s filos?ficos sobre natureza humana permanecem compondo uma parte do entendemos como teorias das Rela??es Internacionais. Al?m disso, a partir desta an?lise busco demonstrar como a necessidade de estabelecer as Rela??es Internacionais como um campo separado das ci?ncias sociais e pol?ticas, retirou aspectos interdisciplinares dos discursos te?ricos, especialmente, no caso do realismo estruturalista proposto por Waltz.

Thesis (Ph. D.)--University of Sydney, 2002. / Title from title screen (viewed 15 April 2008). Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Discipline of Government and International Relations. Degree awarded 2002; thesis submitted 2001. Includes bibliographical references. Also available in print form.

Thesis (M.A.)--Brigham Young University. David M. Kennedy Center for International Studies. / Contains bibliographical references.

The diploma thesis focuses on the period of the superpower rivalry of the Cold War, respectively, on the 1960's, and an interesting phenomenon of the intermediary role. At that time, Canada and Czechoslovakia took on tasks far beyond the importance of their bilateral relations with Cuba. They often made significant efforts and spent considerable resources. Furthermore, the work compares the nature of mediation of relations between Cuba and the great powers on the examples of these countries and tries to reveal their connections. More precisely, the work is interested in deciphering the motivations of Canada and Czechoslovakia for the initiative of the role of mediator between Cuba and the individual blocs. These states played this role in the relationship between Cuba and the Western countries in the case of Canada and Cuba and the Eastern bloc in the case of the Czechoslovak Socialist Republic. The Kenneth Waltz's theoretical approach of bipolar equilibrium will be used and analyzed as one of the possible explanations. From a methodological point of view, the work uses the Mill's method of difference and comparative history. The work has also the ambition to contribute to an interesting topic that unjustly escapes the wider awareness of the general public. The main sources of data are secondary...

In classrooms and textbooks the “Director's Vision” is often identified as the unifying concept for the production, and my goal in returning to graduate school was to explore my own vision as a director. In my own practice as a director, I tend to “hear” the play in my head before visualizing it. From my interpretation of the text, to the staging of the performers, to my collaboration with design team, my approach to the production of theatre stems from a place of musicality. Seeking a Vision, Finding a Voice explores my creative journey as multi-disciplinary theatre artist through a series of case studies detailing my practice as a Director/ Sound Designer. It examines my evolving process, which often utilizes audio collage to shape the dramatic arc of a piece or scene, experiments with using music to inform character, emotion, and movement, and values the impulses of the cast and creative team as important collaborative resources. By detailing my process on three productions (as Director/ Sound Designer of the University of Central Florida's Theatre for Young Audience's Tour, Emily Freeman's And Then Came Tango, as the Assistant Director/ Dramaturg/ Sound Designer for UCF's production of Paula Vogel's The Baltimore Waltz, and as the Director/ Sound Designer of John Patrick Shanley's Doubt: A Parable, for Titusville Playhouse, Inc.), my process as director/designer is critically analyzed and reflected upon. Through my analysis, I explore the benefits and challenges of being a Director-who-Designs and a Designer-who-Directs, utilizing aural dramaturgy, collaboration, rhythm and emotion as essential tools in practicing theatre production. Seeking a Vision, Finding a Voice reflects on my practice through the lens of David Roesner's Musicality as a Paradigm for the Theatre: A Kind of Manifesto, analyzing the ways in which the 'notion of musicality' was exemplified in the preparation, performance, and perception of my work. This thesis examines the benefits and challenges of multidisciplinary artistry, pondering the merits and pitfalls of taking on multiple roles in each of my processes. It further explores the impact applying musicality to theatre practice can have on both actors and audiences and cherishes sound design as a valuable tool capable of enriching theatrical storytelling.

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