Thesis (Th. M.)--Western Seminary, Portland, OR, 2003. / Abstract. Includes bibliographical references (leaves 171-185).

There is no abstract available for this thesis.

Thesis (M.Phil.)--Hong Kong Baptist University, 2003. / Thesis submitted to the Dept. of Religion and Philosophy. Includes bibliographical references (leaves 173-195).

Thesis--Guo li Taiwan da xue zhong wen yan jiu suo. / On double leaves. Bibliography: p. 157-167.

Thesis (Th. M.)--Western Seminary, Portland, OR, 2003. / Abstract. Includes bibliographical references (leaves 171-185).

Thesis (M.A.)--Ohio University, June, 2009. / Title from PDF t.p. Includes bibliographical references.

Thesis (Th. M.)--Western Seminary, Portland, OR, 2003. / Abstract. Includes bibliographical references (leaves 171-185).

This research aims to suggest a means of creating a closer relationship between technological artwork and its viewers through applying 'naturalising' technology in art using the theory of Yin-Yang O-Hang. The questions are raised : 1/. What are the vital factors of technological artworks? 2/. What sorts of methods can make using technology in arts more effective? 3/. How to overcome the difficulties in getting an intimate relationship between viewers and technological artworks? In order to optimise the aesthetic use of technology in art, the research is thus focused on 'naturalising' technology as a possible solution to overcome the negative aspects of technological artworks through the application of the theory of Yin-Yang O-Hang.Throughout this research, the author has discussed the fundamental concerns of the theory and its applications in Western and Eastern art. Furthermore, in investigating a number of artworks, the trends have been explored in technological art which are compatible with nature and humanity. The author has tried to find a way of applying the theory of Yin-Yang O-Hang to make technological art more intimate and accessible to viewers / Master of Arts (Hons)

本論文以李商隱與佛教因緣為研究中心，除了廣泛蒐集相關典籍之外， 並對佛教思想與義山情感的糾結，使徹底地釐清與分析。論文共分六章， 第一章緒論：概述本文的研究動機與方法，和各章節的大致內容。第二章 ：義山的生平：透過知人論世的方法，以確知其平生遭遇與作品及佛教間 的種種關係。第三章義山與佛教的結緣：由作品及各種文獻的分析，本文 將義山學佛分成三個階段：一、童幼的誦持經典；二、仕宦時期的以佛典 入詩；三、暮年時期的願為行者。第四章則透過一、引用佛典；二、結交 僧人；三、登臨佛寺三部分考察佛教與義山的關係。第五章是討論《樊南 文集》中的佛教思想，文章較詩歌作品自由，因此，在文章中常常較能揭 示出作者的心情與想法。本文所訂出的義山學佛年表，便是大部分依據文 集中的資料而來。第六章結論：對全文做總結，並將義山學佛以及相關的 佛教行為、佛教作品等以表格呈現。

This paper aims to investigate the basic problem of Chanting Method in the Pure Land Buddhism . To rebirth in Pure Land by practicing the method of Buddha-Chanting, it would face the question and solution of modernity. The statistics of Pure Land Buddhism acceptable to most people indicate that even there are many people practicing the method of Buddha-Chanting, but few people really rebirth in Amitabha¡¦s Pure Land. The author of this paper discusses the topic with regard to Pure Land sutras in the Da Zheng Zang and the literatures of Master Yin-Guang to view if the contemporary practicer misunderstanding the purpose of Buddha-Chanting for rebirth in Amitabha¡¦s Pure Land. And provides a more detailed interpretation of Amitabha Pure Land methodology.