This work is a discussion between myself and a couple of different professionals in the opera industry about stage fright, the importance of preparing and the positives and negative with preparing in different ways. The essay explains the different types of auditions with focus on auditions for scholarships and how to adapt to the statutes of the scholarship without losing your artistry. It ends with a recollection of my five latest large auditions, how they went and my reflections on the result versus my preparations. They also conclude how I can work specifically moving forward since the results were vastly different with the different levels of preparation.
| Identifer | oai:union.ndltd.org:UPSALLA1/oai:DiVA.org:uniarts-1827 |
| Date | January 2024 |
| Creators | Bendrik, Sandra |
| Publisher | Stockholms konstnärliga högskola, Institutionen för opera |
| Source Sets | DiVA Archive at Upsalla University |
| Language | Swedish |
| Detected Language | English |
| Type | Student thesis, info:eu-repo/semantics/bachelorThesis, text |
| Format | application/pdf |
| Rights | info:eu-repo/semantics/openAccess |
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