Drawing on ethnographic research conducted in Atlanta, this study analyzes how transnational practices of, and discourse about, flamenco dance contribute to the performance and embodiment of gender, ethnic, and national identities. It argues that, in the context of the flamenco studio, women dancers renegotiate authenticity and hybridity against the backdrop of an embodied “exot-ic” passion.
| Identifer | oai:union.ndltd.org:GEORGIA/oai:digitalarchive.gsu.edu:anthro_theses-1031 |
| Date | 01 December 2009 |
| Creators | Caltabiano, Pamela Ann |
| Publisher | Digital Archive @ GSU |
| Source Sets | Georgia State University |
| Detected Language | English |
| Type | text |
| Format | application/pdf |
| Source | Anthropology Theses |
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