This study seeks to explore the opportunities and boundaries of creating music as a solo guitarist with different electronic tools. These tools refer to samples, loops, and effects. Furthermore, this study aims to discover the opportunities existing in Logic Pro X for creating more randomized music. To achieve this, I use different samplers and MIDI-plugins and explore the different ways to bring forward the improvisational element in these. I also investigate how, and if, the use of samples and loops have an influence on my improvisations and compositions. The result of this study is a self-composed suite, consisting of three parts. In these three parts, I use all the techniques and methods I assembled over the course of this study. The study concludes that the use of samples, loops and effects had a notably influence on my compositions and improvisations. My compositions took a more unconventional form of composing, the use of graphical charts, and my improvisations became somewhat notably influenced by the effects being used or the samples being played. I also discovered different ways and techniques to modify, manipulate and randomize sounds using Logic Pro X. / <p>Arvid Andersson, elgitarr</p><p><em>Kaoset </em>- Arvid Andersson</p><p><em>Viskningarna </em>- Arvid Andersson</p><p><em>Hemmet</em> - Arvid Andersson</p><p></p>
| Identifer | oai:union.ndltd.org:UPSALLA1/oai:DiVA.org:kmh-4454 |
| Date | January 2022 |
| Creators | Andersson, Arvid |
| Publisher | Kungl. Musikhögskolan, Institutionen för jazz |
| Source Sets | DiVA Archive at Upsalla University |
| Language | Swedish |
| Detected Language | English |
| Type | Student thesis, info:eu-repo/semantics/bachelorThesis, text |
| Format | application/pdf |
| Rights | info:eu-repo/semantics/openAccess |
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