In this bachelor’s essay, I examine the importance of place in Marguerite Duras’ The Lover from 1984. By using an ecocritical approach I find that the concepts of “culture” and “nature”, or “human” and “environment”, are made undistinguished. I also find that colonialism is highly present, and the novel accords to the theories of the overlapping literary fields of ecocriticism and postcolonialism. Ecocritical postcolonialism maintains that non-white people have historically been likened to animals and thus have a similar relationship with colonisers as humans have with the non-human. In addition, I apply Michail Bachtin’s concept of the chronotope to the novel and conclude that the Mekong River, the Cholen district, the mother’s home, the desert, and France are the most significant chronotopes. They all represent time in some way – usually in the form of cultural history or the protagonist’s lifetime – and each one plays into the novel’s overarching views of colonialism and nature.
| Identifer | oai:union.ndltd.org:UPSALLA1/oai:DiVA.org:umu-191933 |
| Date | January 2022 |
| Creators | Andersson, Jonina |
| Publisher | Umeå universitet, Institutionen för kultur- och medievetenskaper |
| Source Sets | DiVA Archive at Upsalla University |
| Language | Swedish |
| Detected Language | English |
| Type | Student thesis, info:eu-repo/semantics/bachelorThesis, text |
| Format | application/pdf |
| Rights | info:eu-repo/semantics/openAccess |
Page generated in 0.002 seconds