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The purpose of the study was to (1) identify pedagogical touring competencies needed by volunteer docents in art museums, (2) catalog the competency statements into major competency categories, (3) validate the list of competency statements, and (4) compare priority designations awarded each statement by the individuals within the two major subgroups: museum staff and volunteer docents. In conclusion, many of the needs represented by the highest ranking competencies in each category are seldom addressed in the traditional volunteer docent training program. This study showed that abilities to help the child feel comfortable in the museum and combinations of abilities to help the docent make judgments regarding the presentation of the material require attention and, at the very least , special training. It is recommended that training personnel in art museums identify the needs of volunteer trainees and design training programs less on traditional guidelines and more on the specific needs appropriate to the task.

Este trabalho tem como objeto o Museu de Arte de São Paulo Assis Chateaubriand MASP e sua inserção na cidade de São Paulo, nos primeiros 10 anos de atividade em sua primeira sede na rua Sete de Abril. O objetivo é compreender o Museu de Arte e sua inserção na cidade do ponto de vista da sua operatividade, como laboratório do moderno, através das diversas frentes de sua ação cultural propostas por Pietro Maria Bardi e Lina Bo Bardi na construção da identidade moderna do museu, contando com a colaboração de arquitetos e artistas estrangeiros. Pretende também identificar as relações existentes entre os discursos elaborados por seus criadores e o discurso dos arquitetos dentro do debate internacional em torno do papel dos museus e da arquitetura moderna nas cidades do pós-guerra, contexto em que se entende o projeto museológico proposto para o MASP inserido nas discussões internacionais relacionadas à renovação do papel dos museus na cidades. / The present thesis object of research is the Museu de Arte de São Paulo Assis Chateaubriand MASP and its insertion in the city of São Paulo, during the period of the first 10 years of activities in its primary headquarters at Sete de Abril Street. The main goal of the study is to understand the Art Museum from the operative perspective, as a modern laboratory, throughout the several activities proposed by Pietro Maria Bardi and Lina Bo Bardi at the construction of a modern identity for the museum, counting with the collaboration of foreign architects and artists. Also aims to identify the existing relations between the speeches of its creators and the architect speeches within the international debate about the role of the museums and modern architecture at post war cities, context in which the musicological project proposed to MASP is comprehended inserted in the international discussions related to the reassessment of the role of museums in the cities.

Essa tese trata do perfil dos museus universitários - sua origem, desenvolvimento e perfil atual -, com ênfase para os museus de arte. Procura definir o que seria um museu universitário modelo e busca identificar o quanto desse modelo existe na prática. Descreve a formação e as características dos museus da Universidade de São Paulo e dos museus universitários de arte no Brasil. Analisa a coleção e o museu de arte da Universidade de São Paulo - Coleção de Artes Visuais do Instituto de Estudos Brasileiros e Museu de Arte Contemporânea - diante do modelo proposto para museus universitários. E finalmente, discute a necessidade da Universidade de São Paulo possuir ou não essas coleções de arte. / This thesis addresses the profile of university museums - their origin, development and current profile– with emphasis on art museums. It attempts to define what a model university museum should be and to compare it to the existing situation. It describes the foundation and characteristics of the University of São Paulo museums and of university art museums in Brazil. It analyses the art collection and the University of São Paulo art museum - Visual Arts Collection of the Brazilian Studies Institute and the Contemporary Art Museum - in comparison to the university museum model proposed. And finally it discusses the need for those art collections in the University of São Paulo.

Este trabalho tem como objeto o Museu de Arte de São Paulo Assis Chateaubriand MASP e sua inserção na cidade de São Paulo, nos primeiros 10 anos de atividade em sua primeira sede na rua Sete de Abril. O objetivo é compreender o Museu de Arte e sua inserção na cidade do ponto de vista da sua operatividade, como laboratório do moderno, através das diversas frentes de sua ação cultural propostas por Pietro Maria Bardi e Lina Bo Bardi na construção da identidade moderna do museu, contando com a colaboração de arquitetos e artistas estrangeiros. Pretende também identificar as relações existentes entre os discursos elaborados por seus criadores e o discurso dos arquitetos dentro do debate internacional em torno do papel dos museus e da arquitetura moderna nas cidades do pós-guerra, contexto em que se entende o projeto museológico proposto para o MASP inserido nas discussões internacionais relacionadas à renovação do papel dos museus na cidades. / The present thesis object of research is the Museu de Arte de São Paulo Assis Chateaubriand MASP and its insertion in the city of São Paulo, during the period of the first 10 years of activities in its primary headquarters at Sete de Abril Street. The main goal of the study is to understand the Art Museum from the operative perspective, as a modern laboratory, throughout the several activities proposed by Pietro Maria Bardi and Lina Bo Bardi at the construction of a modern identity for the museum, counting with the collaboration of foreign architects and artists. Also aims to identify the existing relations between the speeches of its creators and the architect speeches within the international debate about the role of the museums and modern architecture at post war cities, context in which the musicological project proposed to MASP is comprehended inserted in the international discussions related to the reassessment of the role of museums in the cities.

今日我們探討博物館的經營管理，不僅應考慮各種影響其運作的外在因素，如社會、文化、制度等生態性的變遷，更應深入分析博物館本身實際運作的基礎－亦即「組織結構」之優劣。博物館的組織結構是否健全、人員編制是否得當以及運作方式是否有效，攸關博物館的功能是否得以完全發揮。組織是博物館的軀體，亦是其運作的基礎，唯有健全的組織結構，才能使博物館有效運作，達成經營目標。簡言之，經由博物館組織結構的探究，博物館將可對本身的功能、資源的分配及管理做深入與多種層面的瞭解，進而提出改革的方案，成為博物館順利發展的契機。 本研究以「藝術博物館」作為研究對象，探討目前國內公立藝術博物館組織結構以及組織中工作內涵、人員編制與運作概況。首先，經由相關文獻的蒐集與彙整，釐清藝術博物館組織功能發揮與組織結構發展之關係；其次，透過具體資料的分析，瞭解國內公立藝術博物館組織結構演進與變遷以及組織運作現況，並歸納出我國公立藝術博物館組織結構的特色。最後，探究現今國內公立藝術博物館組織所面臨的重要課題，並提出相關建議，供我國藝術博物館未來規劃組織結構之際，作為參酌。 / The Organizational Structure of Art Museums of the Republic of China The factors influencing the management of museums include social,cultural levels. But the most important factor is the organizationalstructure. The reason is that the design of organizational structureof a museum is the basic operation. This study focuses the organizational structure of art museums. We discuss the job, staff and operation of art museums. Then we analysis the relationships between the structure and functions ofart museum. At last, we try to find some problems of the operation of artmuseums and suggest how to solve them.

Thesis (Ph. D.)--Ohio State University, 2007. / Title from first page of PDF file. Includes bibliographical references (p. 215-226).