In the mid-nineteenth century, when organizations such as the Early English Text Society began making an increasing variety of medieval texts accessible to Victorian readers, the "everyday life" of the past became an important subject of historiography. For many of William Morris's contemporaries, this project of social history and textual recovery provided welcome evidence to support either narratives of nostalgia for an ordered past or a comforting liberal sense of progress; for Morris himself, however, the everyday life of the medieval past offered an array of radical possibilities for creative adaptation. Morris's broad reading in newly recovered medieval texts, his library of manuscripts and woodcut books, and his personal experience of medieval domestic architecture were more instrumental in developing his sense of the past than were such artefacts of high culture as the great cathedrals and lavishly illustrated manuscripts, since it was through the surviving items of everyday use that Morris could best approach the creative lives of ordinary medieval men and women. For William Morris, the everyday medieval "art of the people" was collaborative, de-centralizing, and devoted to process rather than to the attainment of perfection. Morris consistently works to strip ancient texts of their veneer of authority, resisting the notion of the rare book as an object of cultural mystery and as a commodity. His response to the art of the past is a radical process, in which reading is not mere "poaching" on the hegemonic territory of capital and cultural authority, but an immersive activity in which any reader can be intimately and actively engaged with the artefact from the earliest moment of its production. Such active reception, however, as diverse and fallible as the individuals who practice it, requires in turn an ongoing creativity in the form of adaptations of, and even collaboration with, the past. Morris's theory of creative adaptation was consequently itself not static, and this dissertation traces its evolution over Morris's career. In his early poetry, Morris reveals his sense of the limitations of the historical record as his characters grasp simultaneously at fantasies and physical objects to make sense of the crises in which they find themselves, suggesting the incomplete and unstable circumstances of textual reception itself. In the socialist lectures and fiction of the 1880s, Morris makes use of surviving and imagined fragments of medieval material culture and domestic architecture to describe an aesthetic that can embrace creative diversity, co-operation, and even imperfection across historical periods. In the works produced by his Kelmscott Press, the material book itself becomes a collaborative site for artists, illustrators, and editors to work out the active reception and dissemination of the popular reading of the past. Finally, in the romances of the 1890s, Morris describes a diversity of possible social geographies, ultimately articulating a vision of the romance genre itself as a popular art, equally capable of transformation over time as are the artefacts of everyday life that Morris creatively employs in his fictions throughout his career.

This dissertation investigates ways in which early Jewish communities conceptualized the production and collection of writing. Through a study of 11QPsalms-a, the Qumran Psalms Scroll, it shows how modern book culture (shaped by the canon, codex, print, authorial copyright, and scholarly editing) has distorted our understanding of ancient texts and fostered anachronistic questions about their creation and reception. Taking seriously what early Jewish texts have to say about their own writtenness and building upon earlier scholarship on scriptural multiformity, the dissertation also uses theoretical insights from the field of Book History to study the identity, assembly, and literary context of the Psalms Scroll as an example of the ancient textual imagination. Physical and discursive evidence suggest that no concept of a “Book of Psalms” existed as a coherent entity in the ancient Jewish imagination, but that psalms collections were conceptualized and created in looser, unbounded ways. New metaphors made possible by electronic text, which likewise cannot be constrained into the categories of print book culture, can encourage new ways of imagining ancient concepts of fluid textuality as well. After a study of the status and compilation of the Psalms Scroll (Ch. 1-2), the dissertation engages the question of Davidic authorship (Ch. 3). David was not imagined as the author of a particular psalms collection, but as the inaugurator of a variety of liturgical traditions. The identity between an individual figure and a specific text should be unbound in favour of a looser relationship, allowing for the continuing growth of traditions inspired by the figure. Chapters 4 and 5 present a reading of the Psalms Scroll and Davidic lore alongside two other traditions: Ben Sira and angelic ascent literature. Both possess literary links with the Psalms Scroll, but also shed light on the ways in which ancient communities imagined writing and understood their own relationship to their texts. Thus, reading across canonical and generic boundaries embeds psalms traditions in a richer context of reception and provides a fuller picture of the ancient textual imagination. The conclusion makes a comparative gesture toward the Nachleben of psalms collecting in Syriac Christianity.

Intellektuellt kapital anses av många vara en av de största drivande faktorerna till företags framgång och i litteraturen värderas den ofta som skillnaden mellan ett företags marknadsvärde och dess bokförda värde. Market-to-book ratio är det relativa måttet som beskriver denna skillnad och gör det möjligt att jämföra detta värde med andra företag. Målet med denna uppsats är att undersöka hur företag redogör för sitt intellektuella kapital och utreda hur detta reflekteras i företags market-to-book ratio. Frågeställningarna som besvaras är huruvida det finns något samband mellan ett företags market-to-book ratio och dess redogörelser för intellektuellt kapital i dess årsredovisningar och om det finns något samband mellan dessa redogörelser och förändringar i market-to-book ratio. För att mäta redogörelser för intellektuellt kapital gjordes innehållsanalyser. Totalt undersöktes 60 företags årsredovisningar på Stockholmsbörsens Large- och Mid Cap. Resultatet tyder på att samband mellan företags market-to-book ratio och dess redogörelser för intellektuellt kapital saknas, undersökningen fann inte heller något samband mellan redogörelser för intellektuellt kapital och förändringar i market-to-book ratio.

In the mid-nineteenth century, when organizations such as the Early English Text Society began making an increasing variety of medieval texts accessible to Victorian readers, the "everyday life" of the past became an important subject of historiography. For many of William Morris's contemporaries, this project of social history and textual recovery provided welcome evidence to support either narratives of nostalgia for an ordered past or a comforting liberal sense of progress; for Morris himself, however, the everyday life of the medieval past offered an array of radical possibilities for creative adaptation. Morris's broad reading in newly recovered medieval texts, his library of manuscripts and woodcut books, and his personal experience of medieval domestic architecture were more instrumental in developing his sense of the past than were such artefacts of high culture as the great cathedrals and lavishly illustrated manuscripts, since it was through the surviving items of everyday use that Morris could best approach the creative lives of ordinary medieval men and women. For William Morris, the everyday medieval "art of the people" was collaborative, de-centralizing, and devoted to process rather than to the attainment of perfection. Morris consistently works to strip ancient texts of their veneer of authority, resisting the notion of the rare book as an object of cultural mystery and as a commodity. His response to the art of the past is a radical process, in which reading is not mere "poaching" on the hegemonic territory of capital and cultural authority, but an immersive activity in which any reader can be intimately and actively engaged with the artefact from the earliest moment of its production. Such active reception, however, as diverse and fallible as the individuals who practice it, requires in turn an ongoing creativity in the form of adaptations of, and even collaboration with, the past. Morris's theory of creative adaptation was consequently itself not static, and this dissertation traces its evolution over Morris's career. In his early poetry, Morris reveals his sense of the limitations of the historical record as his characters grasp simultaneously at fantasies and physical objects to make sense of the crises in which they find themselves, suggesting the incomplete and unstable circumstances of textual reception itself. In the socialist lectures and fiction of the 1880s, Morris makes use of surviving and imagined fragments of medieval material culture and domestic architecture to describe an aesthetic that can embrace creative diversity, co-operation, and even imperfection across historical periods. In the works produced by his Kelmscott Press, the material book itself becomes a collaborative site for artists, illustrators, and editors to work out the active reception and dissemination of the popular reading of the past. Finally, in the romances of the 1890s, Morris describes a diversity of possible social geographies, ultimately articulating a vision of the romance genre itself as a popular art, equally capable of transformation over time as are the artefacts of everyday life that Morris creatively employs in his fictions throughout his career.

Jag har i detta arbete undersökt och analyserat hur fyra drottningar synliggörs i 12 svenska historiska läroböcker i ämnet historia.   Syftet med uppsatsen har varit att undersöka hur fyra drottningar framställts i svenska historiska läroböcker under en tidsperiod mellan åren 1900-2010. Frågor som ställts är i vilka sammanhang drottningarna synliggörs och sker det en förändring med tiden? Kan en ändrad genusmedvetenhet urskiljas hos författarna? Vilka skillnader i framställningen som regenter finns det? Hur förändras styrdokumenten och blir de mer genusmedvetna med tiden?   Resultatet av analysen av de läroböcker som har granskats är varierande, det kan ses en ökad genusmedvetenhet med tiden i läroböckerna, samtidigt som drottningarna i allt större grad ges mindre plats i böckerna med tiden.

The e-book reader has become one of the most popular consumer electronics goods since the Amazon Kindle first launched in the end of year 2007; it has led the trend of e-book worldwide. E-book reader not only sold very well in North America, the sales increased very fast in Asia and Europe. According to FIND (2010), the global total sales of e-book reader is 3.6 million pieces in 2009, and it increased almost 80% in 2010. This shows that the e-book reader has become more and more popular. Taiwan is the most important country of e-book reader supply chain, which not only predominate the key techniques and patent but also takes OEM / ODM orders worldwide. Despite the advantage of the hardware development, the use of e-book readers is not common in Taiwan. Therefore the purposes of this research are to explore the factors that would influence user¡¦s adaptive behavior of e-book readers. This research based on technology acceptance model (TAM), and extends with ¡§Compatibility¡¨, ¡§Observability¡¨ and ¡§Perceived complementarity¡¨ as external variables to investigate the factors influencing consumer usage of e-book reader. The analytical results are as below: 1. ¡§Compatibility¡¨ has positive significant effect on both ¡§Perceived Usefulness¡¨ and ¡§Perceived Ease of Use.¡¨ 2. ¡§Observability¡¨ has positive significant effect on both ¡§Perceived Usefulness¡¨ and ¡§Perceived Ease of Use.¡¨ 3. ¡§Perceived complementarity¡¨ has positive significant effect on both ¡§Perceived Usefulness¡¨ and ¡§Perceived Ease of Use,¡¨ but has no significant effect on¡§Behavioral Intention.¡¨ 4. Both ¡§Perceived Usefulness¡¨ and ¡§Perceived Ease of Use¡¨ have positive significant effect on¡§Behavioral Intention.¡¨

In this paper, we propose a novel approach of vector quantization using a merge-based hierarchical neural network. Vector quantization¡]VQ¡^is known as a very useful technique for lossy data compression. Recently, Neural network¡]NN¡^algorithms have been used for VQ. Vlajic and Card proposed a modified adaptive resonance theory (modified ART2¡^[1] which is a constructing tree structure clustering method. However, modified ART2 has disadvantages of slow construction rate and constructing many redundant levels. Therefore, we propose a more efficient approach for constructing the tree in this paper. Our method establishes only those required levels without losing the fidelity of a compressed image.

This paper probes into institutional investor¡¦s impact on Taiwan¡¦s stock market and its shareholding ratio in the relation of return. We aim to find out an effective return index of degree in order to provide another reference basis for investors. This research uses listed companies from 1999 to 2003 as sample. The analysis result shows that Taiwan has gone against the phenomenon of book-to-market and size effect in the past five years, and institutional investors¡¦ partiality is one of the reasons causing this phenomenon. The stock with high share of all kinds of institutional investors is expected to have high return in addition. In consideration of the momentum of the share of all kinds of institutional investors, we are unable to prove that the stock which has the positive momentum of share of all kinds of institutional investors will yield high return. The size factor and book-to-market ratio factor at the regular value prove whether institutional investors still have the ability to select stocks. The result proves that the group with high share of all kinds of institutional investors still has high return under the same book-to-market ratio and size factor, and proves that institutional investors indeed have better tactics in selecting stocks.

The evident existence of evil does not appear to be compatible with the traditional theistic view of Divine Justice. On the one hand, in the course of our daily lives we observe that the innocent suffer undeservedly and the wicked prosper abundantly / and on the other we have the religious principle assuring us that God is just. This contradiction which is known as the problem of evil constitutes one of the greatest challenges to theistic religions. Moses Maimonides, the foremost Jewish philosopher of the Middle Ages offers a solution to this problem through his theory of providence. In this thesis, I argue that for Maimonides providence comes in stages and his theodicy is formed by the first two stages of his theory of providence that I take to be comprising of essentially three stages. Given the two seemingly antagonistic positions that comprise the problem of evil, how he reconciles them through the first two stages of his theory of providence by synthesizing creatively the religious and philosophical principles is the subject of this thesis. In this context, I will also consider how he further strengthens his philosophical position through the analysis of a biblical parable, i.e. the Book of Job.

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