Choosing to Run: A History of Athletics and Gender in Kenya, c. 1940s – 1980s explores the history of gender and athletics in Kenya, with focus on the Rift Valley Province, from the onset of late colonial rule in the 1940s through the professionalisation of the sport during the last decades of the twentieth century. The first two empirical chapters provide a history of athletics during the colonial period. The first highlights the continuity of ideas about sport and masculinity that were developed in nineteenth century Britain and were subsequently perpetuated by the men in charge of colonial sport in Kenya. The next chapter considers how pre-colonial divisions of labour and power within Rift Valley communities informed local peoples' cultures of running. The absence of women’s running was not only the result of sexism translated from the British metropole to its Kenyan colony but also of pre-existing divisions of responsibilities of indigenous Kenyan men and women into separate, gendered domains. The second half of the thesis considers the impact of social change within women’s athletics internationally and of marriage, childbirth and education locally on female runners in the Rift Valley during the post-colonial period. Most women abandoned athletics once they reached maturity. Those who sought to do otherwise, as the final chapter argues, found that they could only do so by replicating the prototype of masculine runners that had already been established. Later, after the professionalisation of running allowed women to become wealthy, female patrons took this a step further by providing resources to those in their community in need, setting themselves up as 'Big (Wo)men'. This thesis uses athletics to reveal how gender relations and gender norms have evolved and the benefits and challenges that the sport has brought both to individual Kenyan women and their communities.

This thesis examines the relationship between political movements and people during the civil war between Angola’s MPLA government and the UNITA rebels in the Central Highlands region. It shows how conflicting ideas about political legitimacy originating in anticolonial struggle informed leaders’ decisions and formed the basis of their efforts to politicise people. Much existing literature sees civil conflict in terms of rebellion against a state, motivated by grievance or by the desire for loot. I argue against such an approach in the Angolan case, since the MPLA and UNITA originated from different strands of nationalism, and neither achieved complete control over Angola’s territory and people. Instead, I draw on constructivist approaches to statehood in analysing the war as a contest in which both sides invoked ideas of the state in asserting their legitimacy. The MPLA state controlled the cities while UNITA established rural bases and a bush capital, Jamba. Violence, often involving the capture of people, occurred at the margins of the areas of influence. Within each zone, each movement controlled public discourse to make its control hegemonic. Each presented itself as the authentic representative of the Angolan nation and condemned the other movement as the agent of foreign interests. These nationalist claims were given substance by processes of state building, more fully realised by the MPLA than by UNITA. Each movement’s claim to statehood served to legitimise its own violence while criminalising the violence of the other side. Public dissent was prohibited in either zone, but people’s responses to politicisation ranged from genuine support, to co-operating only as necessary to avoid punishment, depending largely on their degree of involvement in the state building process. War itself was central to constituting perceptions of common interest, and political actors’ capacity to manipulate perceptions depended largely on military control.

This thesis is an ethnographic analysis of a collection of field recordings of music from sub-Saharan Africa: The Sound of Africa series made and published by Hugh Tracey between 1933 and 1973. I analyse the aims, methods, value and potential use of this collection, now held at the International Library of African Music (ILAM), in order to address a gap in the ethnomusicological literature and to begin to develop a critical framework for an evaluation of field recording and aural ethnography. An archival analysis of the collection enables me to trace the scope and intended uses of Tracey’s recordings. Identifying a primary intended audience that has not to date been engaged, I argue for the need to develop a new way to circulate recordings among a source community that has never before been reached through institutional archival practice. I use a small sample of Tracey’s archival Xhosa recordings and develop a method of sound elicitation designed to take the recordings back to urban Xhosa communities in the townships located near ILAM. By circulating archival recordings using local mechanisms in township communities, rather than institutional archival methods, I assess the potential relevance of historical recordings to an urban source community more than fifty years after the recordings were made. Having collected and analysed contemporary Xhosa responses, I consider the limitations and the potential for the recordings to connect with indigenous audiences and generate value. I argue that non-analytical responses to historical recordings may contribute to ethnographic understanding, to people’s own sense of Xhosa identity, and to archiving practice in future. Such responses may help increase our understanding of the relationships between music collectors in the field and the people recorded, whether fifty years ago, today or in future.

This thesis argues that state-building in Sudan in the modern era cannot be understood without a multilevel analysis of the links between water, civilisation and power. More particularly, it focuses on the hydropolitical economy of the Al-Ingaz Revolution since its launch in 1989. I analyse the efforts by Sudan's military-Islamist leaders at material and immaterial transformation of society through visions of hydro-engineering civilisation. “Economic Salvation” -the rescue of Sudan’s economy through a “hydro-agricultural mission” that will create an ‘Islamic’ middle class- is central to this ideology. The hydro-agricultural mission is a revolutionary attempt at Islamist state-building through a hyper-ambitious Dam Programme and an Agricultural Revival in Sudan’s riverain core. It intends to entrench Al-Ingaz in power by delivering for those riverain constituencies and external partners on the Arabian Peninsula and in East Asia deemed critical to continued hegemony. This thesis is fundamentally about Islamist Sudan's hydropolitical economy, but makes broader contributions. First, it highlights how, far from being exceptional, the hydro-agricultural mission is deeply embedded in historical ways of thinking about water, civilisation and power in Sudan and the Nile Basin more broadly, echoing assumptions, policy prescriptions and logics of political control and high-modernist development that have been salient for almost 200 years. In the past, grand state-building projects, predicated on the dream of controlling the water to control the people, have been characterised by high levels of violence and developmental mirages in the desert. I show why, under military-Islamist rule, this experience is being repeated in Sudan. Second, this thesis is situated in wider debates in the early 21st century, with fears about resources crunches proliferating amidst rising global commodity prices and the impact of climate change. The idea that environmental scarcity, as an exogenous variable, is the main shaper of societies and their politics is enduring, but both theoretically and empirically misguided. Moreover, it has often been manipulated by elites in processes of power and wealth accumulation that reproduce the very societal and ecological problems they claim to be resolving. I argue that the links between water, civilisation and power in Sudan highlight not just the endogeneity of environmental scarcity to political-economic processes, but also the violent consequences of a modernist paradigm that is seen by ruling elites as both enlightened science and the route to hegemony while reproducing conflict at the local, national and regional level.

Intergenerational solidarity and reciprocity are fundamental building blocks of any society. At the same time, socio-generational groups constantly struggle for influence and authority. In Sub-Saharan Africa, disproportionately male, gerontocratic and patrimonial systems governing economic, social and political life lend a special explosiveness to the social cleavage of generation. This dissertation draws on the concept of the generational contract to explore whether Sierra Leone’s decade-long civil war (1991-2001) – labelled a ‘revolt of youth’ – catalysed changes in the power-asymmetries between age groups. Based on fieldwork conducted between 2007 and 2010, I argue that youth in post-war Sierra Leone question fundamental norms of intergenerational relations and challenge local governance structures demanding changes to the generational contract. Amidst a strong continuity of gerontocratic dominance and counter-strategies from elders, youth draw on organisational forms and a local rights discourse to create spaces for contestation and negotiation. These openings hold potential for long-term rearrangements of societal relations in the medium to long-term future.

If as argued the Mediterranean consisted in Antiquity of a unity determined by similar environmental factors and crises which were mitigated through established networks of trade and exchange, the border regions of the Roman Mediterranean, particularly to the South and East, were characterised by a radically different environment. This thesis focuses on the development of three of the arid regions bordering the ancient Mediterranean, namely the Fazzan oases in the Libyan Sahara, the Eastern Desert of Egypt and the region of Palmyra in Syria. These arid regions have received considerable archaeological attention in recent years, and a review of them will highlight the factors which enabled these regions to interact with the Roman Empire through trading dynamics, but also through the development of local resources. Central questions within this thesis concern the extent to which the environment would have tailored the potential of these regions, and if the existence of trade routes and social networks both affected and were affected by settlement and exploitation patterns in the region. Trade was created by geographically much broader social requirements for foreign or exotic goods, yet was restricted by the possibility to pass through these regions. Developments were conditioned by the constant need for balance between the state as a power enforcing and representing peace and security and local entities, and what the local social organisation had to offer in term of rent and stability to the state as an institution. After an introduction (Chapter 1) delineating the aims of the thesis, Chapter 2 defines influential theories and models that will be considered for this thesis, namely environmental factors, social networks and institutional economics. The archaeological evidence is then discussed in each relevant chapter: Chapter 3: The Libyan Sahara; Chapter 4: The Eastern Desert of Egypt; Chapter 5: Palmyra. Chapter 6 discusses major factors that may work as explanations for the development of agriculture, the exploitation mineral resources, and trade in these regions. The choice of regions both inside and outside the Roman Empire also allows a discussion on the rise of economic activities linked to the imperial economy. As such, the thesis moves away from a romano-centric perspective and proposes to look instead for internal factors, such as the development of complex societies with organisational frameworks and social networks which enable them to overcome the challenges of their geo-climatic settings. This study concludes that the developments identified in each chapter were not a factor of environmental changes but human agency. The state, or private individuals or communities successfully organised the resources necessary to integrate the regions into wider networks of intense trade in the imperial period. These concerned both physical infrastructure, and the development of far-reaching social networks.

A dissertation submitted to the Faculty of Arts, University of the Witwatersrand, Johannesburg, in fulfilment of the requirements for the degree or Master of Arts. Johannesburg, February 1995. / This study, based on material excavated at Rose Cottage Cave, presents a new theoretical perspective for our understanding of the southern African archaeological record dated to the Pleistocenel Holocene boundary. Over the past twelve years, : NO contesting models for interpreting the Pleistocene! Holocene boundary have been proposed - it has been described as a period of cultural stasis, on the one hand, or, as exhibiting continuous change, on the other hand. This study departs from the position that this debate is at a theoretical impasse. Through the assumption of a theoretical framework that deals concurrently with cultural representation and social strategy, previously unrecognised aspects of the archaeological record are investigated. t explore the r-ctlve constitutive role of material culture and thus remove the false dichotomy between cultural form and functional expediency. In allowing for the active role of human agency, a model for the interpretation of spatial use is developer, through the incorporation of the informative and constraining role of previous spatial patternings. I recognise that meaning is actively created, and exarnple the spatially and chronolcqlcatlv contingent nature of meaning through the unique perspective that deep sequence archaeological deposit offers. / MT2017

A research report submitted to the Faculty of Humanities, University of the Witwatersrand, Johannesburg, in partial fulfillment of the requirements for the degree of Master of Arts in Film and Television, August 2017 / Located in the town of Nieu Bethesda in the Karoo desert, the Owl House is a fascinating heritage museum that was once the home to outsider artist, Helen Martins. Much work has been created about the eccentric Helen Martins and her unusual home, and appears in the form of books, films, music and plays. The content of these works follow a similar pattern, and it is the aim of this research and film to explore a less literal interpretation of the Owl House, and its creators, Helen Martins and Koos Malgas. The Owl House is re-imagined through the lens of an experimental essay film, juxtaposing footage of the creative eastern imagery of the Owl House (in South Africa) with actual footage of the east (India, Thailand and Laos). In exploring these binaries, an investigation of theory of the landscape, home, mobility and hermeneutics takes place. Furthermore, these theories and concepts are looked at in relation to the politics of an apartheid, and later, a democratic South Africa. The Owl House is therefore analysed as the collaboration of the white, female Helen Martins, and the coloured, male Koos Malgas. / XL2018

Esta tese se dedica a investigar o papel dos guerreiros (identificados e reconhecidos como \"nguni\") nas redes de poder de Gaza, formado no sul do atual Moçambique ao longo do século XIX. Associados ao inkosi e integrados a desenvolvimentos de longo alcance, os guerreiros transpunham fronteiras em perspectiva de comunicação, atribuindo com a sua movimentação dimensões de reciprocidade ou interdição, enunciadas em aproximação ritualizada. Na historiografia, a referência ao guerreiro se alinha em relação a dois eixos principais de análise, apresentados muitas vezes de forma associada. O primeiro, descreve o comportamento agressivo como supostamente inerente ao homem \"africano primitivo\", em uma redução do social ao natural, que retém o guerreiro na atemporalidade de sua própria selvageria. No segundo, a perspectiva econômica se sobrepõe como fundamento analítico, apresentando a violência como o resultado da combinação entre escassez de recursos e fraqueza das forças produtivas. Afastando-se da interpretação da violência como um impulso humano simples e universal e do paradigma \"que se concentra na luta pela reprodução e na competição por sobrevivência e status\", como observou o historiador Jon Abbink, esta tese busca recompor as relações sociais de força, poder e dominação que moldavam a potencialidade do ato violento, ao tempo em que os guerreiros interconectavam histórias e influíam em seus cursos, com sua movimentação e interação múltiplas. / This thesis is dedicated to investigating the role of warriors (identified and recognized as \"nguni\") in the Gaza power networks, formed in the south of present-day Mozambique during the 19th century. Associated with the inkosi and integrated with long-range developments, the warriors crossed borders in perspective of communication, attributing with their movement dimensions of reciprocity or interdiction, enunciated in a ritualized approach. In historiography, the reference to the warrior aligns in relation to two main axes of analysis, often presented in a related manner. The first describes aggressive behavior as supposedly inherent in \"primitive African\" man, in a reduction from social to natural, which retains the warrior in the timelessness of his own savagery. In the second, the economic perspective overlaps as an analytical foundation, presenting violence as the result of a combination of scarce resources and weak productive factors. Moving away from the interpretation of violence as a simple and universal human impulse and from the paradigm \"which focuses on the struggle for reproduction and competition for survival and status\", as the historian Jon Abbink remarked, this thesis aims to recompose the social relations of power, and domination that shaped the potentiality of the violent act, at a time when warriors interconnected histories and influenced their courses with their multiple movements and interactions.

In this dissertation I focus on the life and works of Marguerite Poland and argue that landscapes in her fiction act as sites for identity construction. In my analysis I examine the central characters’ engagement with the land, taking cognisance of Poland’s historical context and that of her fiction as represented in her four adult novels and eleven children’s books. I also focus on her doctoral thesis and non-fiction work, The Abundant Herds: A Celebration of the Nguni Cattle of the Zulu People (2003). Poland’s latest work The Boy In You (2008) appeared as this thesis was being completed, thus I only briefly refer to this work in the Conclusion. My primary aim puts into perspective personal, social and cultural identities that are constructed through an analysis of the landscapes evident in her work. Post-colonial theories of space and place provide the theoretical framework. In summary, this thesis argues that landscape is central to Poland’s oeuvre, that her construction of landscape takes particular forms depending on the type of writing she undertakes; and that her characters’ construction of identity is closely linked to the landscapes in which they are placed by their author, herself a product of her physical and cultural environment. “Landscape is dynamic; it serves to create and naturalise the histories and identities inscribed upon it, and so simultaneously hides and makes evident social and historical formations” (Carter et al 1993: xii). The implication of this statement is that the landscape is continuously constructed and deconstructed; that there is a constant evolution of meaning between individuals and the landscape; and that socio-historical conditions are largely responsible for forming ideology and consciousness. This, I argue, is also true for Poland’s fiction. Poland’s own position, as a writer who draws inspiration from the land and its inhabitants, is also discussed. In this thesis I examine the different phases of Poland’s work looking at different kinds of identity construction through different kinds of landscape portrayal. As a prolific South African female contemporary writer, Poland has made inroads into the world of fiction writing once dominated by men. Consequently, feminist issues abound in her writings and I deconstruct characters’ engagement with the land in order to uncover their gendered identities. Primarily, I explore the themes of belonging, identity formation, displacement and dispossession in a particular space and place. My thesis opens with an introduction outlining reasons for my choice of writer, her works to be discussed and the theoretical approaches to landscape and identity construction pertinent to the thesis. I focus on what Poland’s writing yields in terms of gendered identities, racial attitudes and cultural practices in her fictional landscape construction. These sections are grounded in the theories proposed by writers such as, inter alia, Paul Carter, Edward Relph, Chris Fitter and Dennis Cosgrove. In Chapter 2 my discussion focuses on the life and works of Poland placing her in a historical and cultural context. In Chapter 3, I explore how Poland constructs what I call a ‘mythological landscape’. My aim here, as in the following chapters, is to analyse place as a text upon which histories and cultures are inscribed and interpreted and which, in turn, inscribes them too. I also show the extent to which Poland relies on oral folklore to create space and place in her fiction. The literary focus is on her children’s literature and her writings on cattle description and folklore. Chapter 4 focuses on a literary analysis of Train To Doringbult (1987), Shades (1993), and Iron Love (1999) respectively. These novels demonstrate how Poland shows identity shaped within a ‘colonial landscape’. I examine how these novels reiterate that socio-historical conditions are responsible for forming ideology and consciousness. I also analyse how this particular genre puts into perspective personal, social and cultural identities that emerge from particular periods in South African history. Chapter 5 focuses on what I call the ‘indigenous landscape’, on how the South African landscape and the indigenous cattle of the region become characters in their own right. A literary analysis of Recessional for Grace (2003), The Abundant Herds: A Celebration of the Nguni Cattle of the Zulu People (2003) and Poland’s thesis, Uchibidolo: The Abundant Herds: A descriptive study of the Sanga-Nguni cattle of the Zulu people with special reference to colour-pattern terminology and naming practice (1996), form the basis of my discussion in this chapter. I conclude my thesis by further confirming the significance of landscape in Poland’s work as a site for the construction of identity. I focus on Poland’s impact on South African literature to date. I also focus on Poland’s preoccupation with identity in a transforming landscape, showing that there is a constant evolution of meaning between individuals and the landscape within which they find themselves. In this regard I show that identity linked to place has to be seen in terms of context. I mention Poland’s most recent commissioned project – a historical biography of the St. Andrew’s College in Grahamstown, an institution that is now a hundred and fifty years old. Poland’s association with this college, its social and historical context and other discursive issues pertaining to landscape, transformation and construction of identities are fore-grounded, to lend impetus to my thesis. / Thesis (Ph.D.)-University of KwaZulu-Natal, Durban, 2008.