Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / Considering that technologies used in productives routines contribute to final outcome of journalistic product, this study proposes to identify changes that happened in news visual of newspaper along twenty years, taking the case of Geral section of Zero Hora newspaper. In order to evaluate how the using of digital and printing technologies changed the presentation of the newspaper graphic elements, this dissertation presents a comparative study of elements that constitute the news published in 1989, 1999 and 2009. The study recovers historical data of newspaper and describes the three different phases that editorial room of Zero Hora undergoes, which are analog, computerized and integrated. In theoretical chapter, the impact of technologies in journalistic practices was discussed. The third part of this study is the empirical analysis. It tries to identify how these technologies change the news visual. Among the conclusions appears the fact that the presence of photography decreased in the newspaper, even after the using of digital cameras which made easier to produce and mail a journalistic image. Besides, the size of informative units is decreasing in the last decades in order to give more space to graphic elements, like box and illustrations, and to paratextual elements like cartola. Another conclusion shows that currently more sources were consulted by journalists to write the central news than twenty years ago. / Partindo da idéia de que as tecnologias empregadas nas rotinas produtivas contribuem para o resultado final da matéria jornalística, este trabalho propõe-se a identificar as mudanças que ocorreram na visualização da notícia no jornal impresso, ao longo de 20 anos, utilizando-se, para isso, do caso da editoria de Geral do jornal Zero Hora. Para avaliar como o uso de tecnologias digitais e de impressão alterou a apresentação dos elementos gráficos na página do jornal, a dissertação apresenta um estudo comparativo de elementos que compõem as notícias publicadas em 1989, 1999 e 2009. O trabalho recupera dados históricos do jornal e descreve as três diferentes fases pelas quais passou a redação de Zero Hora: analógica, informatizada e unificada. No capítulo teórico é problematizado o impacto da incorporação das tecnologias nas práticas jornalísticas. A terceira parte do trabalho identifica por meio da análise empírica das páginas impressas de que forma essas tecnologias modificam a visualização da notícia. Entre as conclusões aparece o fato de que a presença da fotografia diminuiu no jornal, mesmo após o uso da câmera fotográfica digital, que facilitou a produção e o envio da imagem jornalística; o tamanho das unidades informativas vem reduzindo nas últimas décadas para ceder espaço à entrada de elementos gráficos, como o box e as ilustrações, e de elementos paratextuais como a cartola; e atualmente ouve-se mais fontes para redigir as matérias principais do que há 20 anos.

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / This work is about the Cultural Studies and its configuration, the Culture Circuit and its approach with the News Circuit , in a full and integrating attempt of approach which revindicates a global view about the journalistic processes based on the Idea of integration between production, text and readings. It searches signs capable to demarcate the incursion into the communication and journalism Field and part of the theoretical-methodological contributions of the Cultural British Studies, in special the ones postulated by Richard Johnson (1999) which refers to the Culture Circuit , to understand and/or to explain the culture dynamics, of the cultural products and their intersections with the journalistic practice, mainly which refers to its representations. Studying the representation of the Landless Workers Movement (MST) and their actions into the Zero Hora newspaper(ZH) texts having as the scenery the News Circuit and their distinct stages is our main purpose. Nevertheless here we also want to map the representations movement and its transformations along the production text reading chain. In that way, besides recognizing the aptitude of the journalism and the journlistic speech at work of the construction of the representations we will try to answer how this movement works and how it is based this movement which passes by the different stages of the News Circuit , without forgetting its intersections and interrelations. / O presente trabalho trata dos Estudos Culturais e de sua configuração, do Circuito da Cultura e de sua aproximação com o Circuito das Notícias , numa tentativa de abordagem integral e integradora, que reivindica uma visão global sobre os processos jornalísticos sustentada na ideia de integração entre produção, texto e leituras. Ele busca sinalizadores capazes de balizar a incursão no campo da comunicação e do jornalismo e parte das contribuições teórico-metodológicas dos Estudos Culturais Britânicos, em especial dos postulados de Richard Johnson (1999) no que se refere ao Circuito da Cultura , para entender e/ou explicar a dinâmica da cultura, dos produtos culturais, e suas intersecções com a prática jornalística, principalmente no que se refere às representações. Estudar a representação do Movimento dos Trabalhadores Rurais Sem-terra (MST) e de suas ações nos textos do jornal Zero Hora (ZH), tendo como panorama o Circuito das Notícias e suas distintas fases, é nosso objetivo central. Porém aqui, também pretendemos mapear o movimento das representações e suas transformações ao longo da cadeia produção texto leitura. Dessa forma, além de reconhecer a competência do jornalismo e do discurso jornalístico no trabalho de construção das representações, tentaremos responder como se dá e em que base se assenta esse movimento que perpassa as diferentes fases do Circuito das Notícias , sem esquecer de suas intersecções e inter-relações.

Este trabalho propõe uma interpretação da obra A hora da estrela, de 1977, de Clarice Lispector, tendo como eixo de análise o ponto de vista do narrador na tentativa de representação de seu outro de classe. Para tal, enfrenta-se o romance em três aspectos: dentro do conjunto da obra da autora; dentro de um recorte da tradição literária brasileira; e pelo close reading. A hipótese é a de que, em A hora da estrela, o ponto de vista do narrador permite apreender aspectos decisivos da relação do intelectual brasileiro com seu outro de classe, a quem conhece apenas como fantasmagoria criativa / This study provides an interpretation for Clarice Lispectors A hora da estrela (1977), taking the point of view of the narrator as the main line of analysis, in an attempt to represent his other of class. In order to do so, the novel is considered in three different aspects: within the overall work of the author, in relation to part of the Brazilian literary tradition, and by means of close reading. The hypothesis is that, in the above-mentioned novel, the narrators point of view allows us to capture some critical aspects concerning the relationship between the Brazilian intellectual and his other of class whom he only knows as a creative phantasmagoria

Estudo da crise do narrador onisciente nos romances Malone meurt (1951), de Samuel Beckett, e A hora da estrela (1977), de Clarice Lispector. Atravessados pela memória textual de seus autores implícitos, os narradores-escritores Malone e Rodrigo S. M. fracassam ao criar histórias aos moldes do realismo formal. Malgrado seus esforços para estabelecer uma distância segura em relação à matéria narrada, acabam por replicar nela não apenas a si próprios, mas sobretudo motivos, episódios e até mesmo falas de personagens de obras anteriores. Paradoxalmente, a busca por firmarem-se como senhores absolutos do processo ficcional apenas sublinha o quanto são objetos desse processo. / A study about the crisis of the omniscient third-person narrator in the novels Malone meurt (1951), from Samuel Beckett, and A hora da estrela (1977), from Clarice Lispector. Laced by textual memory of their implied authors, the narrators-writers Malone and Rodrigo S. M. fail to tell stories according to the formal realism molds. Despite their efforts to create a safe distance between them and the narratives, they end up not only mirroring themselves in it but mainly mirroring several subjects, episodes, and even phrases from previous work. Paradoxically, their search to be the absolute subject of the creation process only emphasizes how they are objects of this process.

This master thesis is focused on Briccius Gauzske, stone-scupturer od late 15th century. That was tracked in the archives in Görlitz, Wroclaw and Kutná Hora. It deals with the oeuvre subscipted to the artist by various art-historians of the 20th century (Kurt Bimler 1941, Mieczyslaw Zlat 1958, Eva Matějková 1962) that was critisised by Michaela Ottová (2007) later on. By catalogization of subsripted art-works (Frauentor in Görlitz, Nikolaitor and Rathaus in Wroclaw, St. Barbaras Church in Kutná Hora and so on.) Subsequently the catalogue part I was driven to believe that the early- hypotesis by the previous art-historians is relevant and Master Briccius was leader of the workshop shaping the apperance of Wroclaw and Kutná Hora. Than follows minor chapter about his stylistic origins that leads us to Jörg Syrlin sn. Workshop in Ulm, as was already said in literature (Michaela Ottová 2007)

The subject of this diploma thesis is an architectonic study, which deals with the new usage of the premises of VUT at Kravi Hora. Big part of Kravi Hora forms a park, which from the west is close to Namesti Miru and from the east side there are buildings of Faculty of Civil Engineering. This territory along with Spilberk, Luzanky and Wilsonuv Les form the green, environmental friendly, part of Brno. The Main advantage of this territory is that it brings lot of green parking places to the city and there are many places for spending free time, such as; swimming pool, baseball court and an observatory. The big disadvantage of this area is the bad transmittance of this area. There are no quality roads connecting Kravi hora and there is a slanting ground through this area. There are lots of objects which do not fit with the usage and they only bring here the traffic. There is a designed plan consisting of rather limiting regulations for this territory when the whole area is used for parking lots and sport activities and holiday objects. And in addition to that, the area is closed to public transport. The purpose of this study is to respect the territorial plans and the interests of the city as much as possible and at the same time use the property of VUT for a representation of the University, getting new students in and creating a place where all the generations can spend their free time. Despite of this study still respects The Territory Plan and interests of the City of Brno. In my study I design there the museum of VUT, the students club, ateliers for new graduates, study room, workroom the public and objects for presentation of VUT faculties set into the area of Kravi hora park in a way that it would fit into the natural character of this place.

The thesis departs from the undetermined relation between René Daumal's unfinished novel Mount Analogue: A Novel of Symbolically Authentic Non-Euclidean Adventures in Mountain Climbing (1952) and its alleged adaptation, Alejandro Jodorowsky's 1973 film The Holy Mountain. The thesis discusses the two works from the perspective of Lacanian psychoanalysis, specifically, through the lens of the so-called Borromean knot that represents the three functions of the psyche: the Real, the Symbolic, and the Imaginary. The structure of the thesis supposes the following: the first chapter concentrates on the relevant terminology and aims to define such concepts as language and ideology for the purposes of the present thesis; the second chapter discusses the method of analysis that will be applied to Daumal's Mount Analogue and Jodorowsky's The Holy Mountain, namely, it explores the possibilities of psychoanalysis and considers the 'unscientific' approach of pataphysics that favours the particular over the general; through the concept of the sinthome the aspect of action is emphasized in the analysis of Mount Analogue, while the fourth chapter analyses The Holy Mountain from the perspective of the 'hypertrophied' Symbolic and simultaneously stresses the importance of the element of balance in the film; the final chapter,...

Sorted patterned ground are a group of periglacial microforms which create more or less symmetrical forms due to frost action and especially repeated freeze-thaw cycles. The origin of sorted patterned ground in the Giant Mts. is presumed in late Pleistocene and they are suggested to be recently inactive (with the exception of sorted circles). Their occurrence is linked to the topmost localities with flat surfaces and intense wind action which causes low snow cover and allow deep soil freezing. The submitted diploma thesis deals with the influence of site characteristics (such as microclimatic extremity, terrain morphology and lithology) on morphology and sorting degree of sorted patterned ground. Field research was carried out along a transect tracing the microclimatic extremity gradient (represented by altitude and so-called relative snow height) in area of Mt. Luční hora in the eastern part of the Giant Mts. which in relatively homogeneous from the viewpoint of lithology and wind exposure. The transect was further extended across the Modré sedlo Saddle to the Mt. Studniční hora where there also occur various types of fossil sorted patterned ground or quasi- active sorted circles in the Modré sedlo Saddle, respectively. However, there is a variability of lithological as well as altitude...

(anglicky) The aim of the work is describe and evaluate history and present of Municipal Library of Kutná Hora and outline possible prospects of its development. The author of this diploma thesis describes departments of Library, their local and national services and activities. The work emphasizes signification of Library not only in regional viewpoint.

The task is to describe the music activites of ursuline monastery in Kutna Hora in the 18th century. This was achieved using non-music resources of this monastery preserved in the State Regional Archive Praha-Chodovec, and music collection located in the Czech Museum of Music. The music collection was subsequently analyzed according to various criteria. Musical activity of the Ursulines of Kutná Hora was compared with musical activities of the Ursulines of Prague and Bratislava and the Cistercian nuns of Staré Brno. Powered by TCPDF (www.tcpdf.org)