This research investigates the uses and perceptions of the population of the East Carrollton Area in New Orleans so as to evaluate the possible outcomes of urban design intervention and policy changes. Using GIS, field notes, structured interviews and a population survey, this research evaluates how much the built environment influences the uses of the neighborhood open space. Subsequently, it evaluates how the neighborhood open space is perceived as a place as opposed to a transportation infrastructure. Overall, the built environment affects the experience of the residents when they perform leisure activities in the neighborhood open space. Major deterrents to functional use and active transportation are related to social factors and the social environment. The neighborhood open space is largely perceived as an asset by the residents. It can be a valid replacement for urban parks when the population cannot access them.

Of the many powers granted to federal, state, and local governments through the Constitution of theUnited States, eminent domain is possibly the strongest and most imposing, at least as it relates to citizens’ property rights. This dissertation explores several large-scale public undertakings inNew Orleansduring the period from 1929 to 2011 in which the application of eminent domain was necessary to accomplish the government’s goals. This research window will allow the analysis of eminent domain applications from the construction of the Municipal Auditorium through the new medical center projects spurred by the flooding associated with Hurricane Katrina. This timeframe also allows for evaluation of the interaction between planning inNew Orleansand the City’s exercises of eminent domain. By better understanding the past uses of eminent domain and the goals and policies that drove the exercise of this power, researchers and planning practitioners will be better informed in making decisions that will impact the rebuilding and the future ofNew Orleans. The specific cases studied as part of this dissertation are: the Municipal Auditorium (Chapter 2); the development of Public Housing (Chapter 3); the Civic Center (Chapter 4), Bridges and Highways (Chapter 5), the Cultural Center (Chapter 6); and the Medical Center of Louisiana at New Orleans and Veterans Administration Medical Center (Chapter 7). The reason for evaluating all types of projects resulting in the use of eminent domain use inNew Orleansis because all have profound impacts on the communities in which this governmental power is exercised. The primary finding of this dissertation is that the exercise of eminent domain has never been used a principal tool in the implementation of redevelopment proposals in the city ofNew Orleans. All projects throughout the established research period required the use of governmental expropriation authority to complete land acquisition, but in all cases the government’s authority was used conservatively and only when privately negotiated purchases failed.

In the 1880s, two cycling clubs formed in New Orleans—the New Orleans Bicycle Club in 1881 and the Louisiana Cycling Club in 1887. These clubs were institutions of Victorian middle class culture that, like other athletic clubs, arose from the conditions of urban modernity and Victorian class anxieties. The NOBC, like other American cycling clubs, conformed to Victorian values of order and respectability. The attitudes and activities of the LCC, whose membership was younger, reflected instead a counter-Victorian ethos. This paper examines these two clubs in the context of late Victorian culture in New Orleans as it responded both to the conditions of urban modernity common to American cities in this period and to the particular cultural situation of New Orleans at the end of the nineteenth century, including proximity to and amalgamation with the recently-dominant, non-Anglo culture of the Creoles.

Since the 1970s, when neoliberal policies and changing consumer patterns began remaking cities, scholars have conducted research about gentrification. In New Orleans, these studies have helped explain the demographic and economic shifts in some neighborhoods. However, there has been limited focus on the built environment aspects of gentrification in New Orleans, specifically the interpretation of the external aesthetic shifts in streetscapes as part of the gentrification process. This thesis examines the relationship between these aesthetics, primarily graffiti and street art, and the gentrification process, as perceived by various stakeholders in two New Orleans neighborhoods: St. Roch and Bywater. Using empirical, qualitative evidence, this thesis argues that graffiti and street art signify a culture and aestheticization of gentrification. Research methods for this thesis include participant observation, semi-structured interviews and discourse analysis. Keywords: Gentrification, New Orleans, Bywater, St. Roch, graffiti, street art, neighborhood change, blight, disinvestment, revitalization, creative class, neoliberalism, race, authenticity

The Arts Council of New Orleans is the official arts agency of New Orleans, located at 935 Gravier Street. The organization supports and develops the arts community through many different programming initiatives, including administering grants, managing a monthly Arts Market, and providing business training to artists. In this internship report, I discuss my role within the organization during my internship, which began in January 2013 and lasted through June 2013. I then analyze my observations of the organization’s strengths, weaknesses, opportunities and threats, and provide recommendations for improving the Arts Council’s operations based on best practices and expert literature in the field of nonprofit management. The Arts Council hired a new CEO in May of 2013, after a seven-year period of operating under interim management. With a permanent leader now in place, the organization is in a position to apply my recommendations so it can grow into a stronger arts agency, and better serve the New Orleans community.

This work is a study of a community of Croatian immigrants to Southeast Louisiana in the twentieth century. Drawn from a multidisciplinary approach that included spatial analysis of settlement patterns, quantitative analysis of seafood industry data, the records of voluntary associations, and guided by the oral histories of men and women of Croatia who immigrated to Louisiana, this work reveals a community that has managed to maintain close ties despite its distribution both in urban New Orleans and rural coastal Louisiana through links created by and supportive of the state’s seafood and restaurant industries. The study points out how the custom of returning to Croatia for marriage and the retention of property in Croatia helped the group maintain links with its national and cultural origins in ways not always seen with other ethnic groups in America, pointing out the range of the immigrant experience in the United States.

Where and how to house the urban poor remains a controversial issue. Public housing residents are particularly vulnerable. Issues of race, class and gender intersect in their lives. Public-private partnerships in urban redevelopment projects and a focus on issues that arise from concentrated poverty gave rise to HOPE VI policy aimed at deconcentrating poverty via public housing demolition and redevelopment. In New Orleans, the effects of Hurricane Katrina further complicate this contested process. The purpose of this case study is to understand how residents experienced and framed the process of displacement brought on by disaster and the redevelopment of the Magnolia projects, comparing those who returned to the revitalized project to those who did not. The data I collected are 4 semi-structured interviews and one focus group with residents, 56 newspaper articles, and 60 photos. Doing so uncovered nuanced resident narratives often left out of public housing redevelopment decisions.

This is research on the New Orleans Brass Band tradition. How popular music has influenced the bands repertoire and the style of music has been transferred to other areas of the country resulting in the formation of hybrid bands. Madison, Wisconsin is an area with two popular brass bands that began by studying the New Orleans brass bands' culture and music. Those bands are Mama Digdown's Brass Band and Youngblood Brass Band. Mama Digdown's is a brass band that performs original music in the traditional styles and forms of New Orleans brass band. Youngblood Brass Band started because Mama Digdown's inspired them and began playing shows with Digdown's and eventually broke away to form their own band. They wanted to push the limits of the New Orleans brass band instrumentation by incorporating hip-hop, rap, jazz, 1980's pop music, rock, and heavy metal that is rolled up into an intense brass sound.

Since 2014, Airbnb has been the poster-child for an impassioned debate over how to best regulate short-term home rentals (STR’s) in New Orleans, Louisiana. As critical perspectives toward on-demand economic practice become increasingly common, it is important to understand how the impacts of STR platforms like Airbnb extend beyond the realm of what is traditionally conceptualized as the economic (i.e., pressure on housing markets). In this thesis, I explore the ways in which Airbnb recalibrates the spatial and temporal rhythms of everyday neighborhood life for people external to the formal trappings of an STR contract. Drawing in particular on theories of authenticity and feminist political economy, I argue that locals’ emotional labor of “playing host” is necessarily enrolled into the creation of value for Airbnb, and is essential to the reproduction of the platform’s business model and marketing rhetoric.

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