I position my work at the intersections of identity and form. More specifically, I’m interested in how and why an individual’s physical appearance and demeanor become communicative and are then interpreted. Socially, it seems that we still often operate in ways that honor categorical distinctions between people, meaning for instance, that a man is something and a woman is something different from a man. Well, what if a woman can become a man or be read as a man simply by a change of clothes or through the addition of simple hormone injections? If this is possible, what does it mean for the terms that were previously understood to be fairly stable? Why does my body mean something or have to mean something, and if it doesn’t have meaning, what is it that it conveys? I live in a body that has shifted from something that was labeled female at birth to something that is now read as male. This adjustment has radically undermined my relationship to the blunt categorical expectations that partition the social face of our psychic lives. I’m unconvinced that the interpretation of my self is generally concurrent with the interpretation of my form. Too often, I believe the latter restricts the potential of the former. This is particularly evident in my unique position as a practically unreadable gender. My physical cues point to a familiar position within the gender binary that I don’t identify with. This limits my ability to engage with even members of my own queer community without resorting to the act of disclosure. I’m also curious about the flip side of this problem when, upon disclosure, the binary’s seam opens to be revealed as faceted, possessing multiple, unnamable spaces that reflect uncertainty back into the ideas of man and woman and render gender into a flexible field of characteristics that individuals use for many things, as opposed to simply inhabit. My work addresses this potential break between font and legibility, gesture and etiquette, the familiar and the possible. My portrait of the body and gender is incidental not substantive. / text

Thesis (M.S.W.)--Smith College School for Social Work, Northampton, Mass., 2007 / Thesis submitted in partial fulfillment for the degree of Master of Social Work. Includes bibliographical references (leaves 40-44).

Thesis (M.S.W.)--Smith College School for Social Work, Northampton, Mass., 2009. / Includes bibliographical references (p. 55-59).

Thesis (LL. M.)--University of Toronto, 2001. / Includes bibliographical references (leaves 139-145).

Master of Arts / Sociology, Anthropology, and Social Work / Nadezda Shapkina / Using a historical comparative analysis, this thesis explores the convergence and divergence of the gay and lesbian rights movement and the transgender rights movement. Historically, these movements have been closely related to each other. In the 1960s, the gay and lesbian rights movement and the transgender rights movement had very similar beginnings. However, the organizations that advocated for gay and lesbian rights marginalized the rights of transgender people, even though both movements were working against similar forms of oppression. While the gay and lesbian rights movement began to include transgender rights into organizations in the 1990s there were still indications that the needs of transgender people are not always met in the LGBT movement. The current steps in the LGBT movement have suggested an attempt to be more inclusive of the transgender rights movement, however there are still signs that the needs of more marginalized members of the LGBT movement are not being met. The thesis suggests an importance of coalition building in social movements to be more able to address intersecting forms of discrimination. It also explores how with diverging interests there is conflict in coalition building.

abstract: "Becoming Travesti: A Partial History of Ontoformation" explores the discursive production of the figure of travesti, defined broadly as male-assigned technologies of feminization, as it circulates within public discourse in Mexico. In other words, through ontoformation this project highlights the historical and sociopolitical associations that congeal, through repetition, to give an identitarian category -travesti- a sense of essence. In order to do so, this project analyzes articles within the mainstream Mexican press, ranging from the colonial period to the present. The first phase of this project involved the compilation and analysis of all twenty-first century articles mentioning travesti in the three newspapers with the widest circulation in Mexico in order to determine the primary constitutive elements of the contemporary figure of travesti. The second phase, in turn, involved a historical exploration of these constitutive elements by way of analyzing mainstream news sources dating back to the colonial period. As such, this project explores the work performed by ontoformative narratives that congeal to give the identitarian category of travesti a sense of essence. Among the narratives explored are the detravestification of homosexuality and continued homosexualization of travesti, the criminality of travesti, the spectacularization of travesti, the disposability of travesti, and the affective registers mobilized by and through travesti. Moreover, this project explores the consolidation of the contemporary figure of travesti in relationship to other identitarian categories of sexual and gendered non-normativity in Mexico, such as the homosexual, the transsexual and the transgénero (transgender), suggesting that travesti has been instrumental in the historical production and sanitization of these categories. / Dissertation/Thesis / Doctoral Dissertation Justice Studies 2017

This essay aims to introduce perspectives from transgender studies into archaeology´s gender analysis, by re-examining two graves. The essay examines two graves, grave 9 from Vivallen, and grave Bj 581 from Birka, Sweden. These two graves are examples of graves with a difference in archaeological gender assessment, and sex as determined by osteology and DNA-analysis. The essay discusses the grave material, and the written sources, to examine how people in the Viking Age with non-normative gender-expressions can be understood using tools from queer-and transgender studies, with the aim to not make cis-normativity the default interpretation

Contemporary music analysts have generally downplayed the relevance of composer intent, a dismissal which ignores the potential for an enhanced expressive context afforded by composers' own assessments and also contributes to the silencing of already othered voices, such as in the case of queer and trans composers. Allowing the trans composer a voice in the reading of their work affirms the integral part of the trans experience that is self-determination. Over time, this project to tell trans stories evolved into a series of vignette-like analyses of trans composers’ works in which I use a methodology that incorporates the voices of living composers while building on and modifying the work of music theorists and queer theorists, and moving queer musicology towards a new trans musicology that includes non-binary genders. This thesis demonstrates my theoretical framework using interviews of six transgender composers to supplement my analyses of their works. By analyzing the work with the added context of the composer’s statements about their own music, my analyses paint more nuanced and complete pictures of the work that reinvest music analysis with the trans voice behind the composition.

Family acceptance is life-saving for transgender and gender expansive youth (TGEY) and is predictive of TGEY mental health (Olson, Durwood, DeMeules, & McLaughlin, 2016; Olson- Kennedy et al., 2016; Pariseau et al., 2019; Ryan, Huebner, Diaz, & Sanchez, 2009). Family related factors such as stress, minority stress factors, lack of knowledge, isolation, and gendered expectations may make it difficult for parents to support TGEY. Multifamily group services (MFGs) target parental behaviors, attitudes, and parental minority stress to increase family acceptance of TGEY (Malpas, Glaeser, & Giammattei, 2018). MFGs have yet to be quantitatively evaluated for their impact on parental behavior and attitude change and parental minority stress. Using a real-world effectiveness approach, this study proposed to expand the field by examining the relationship of MFGs on parental behavior and attitude change and parental minority stress over time. It was hypothesized that parents would increase their affirmative attitudes and behavior over time and that parental minority stress would decrease over time as based on MFG attendance. It was also hypothesized that parental attitudes and behaviors would predict parental minority stress toward TGEY after attending MFGs. Results suggest that hypotheses were partially supported as mothers increased affirmative behavior and attitudes throughout the intervention period, but fathers did not. For all caregivers, parental minority stress factors were predicted by affirmative behaviors and attitudes. Conclusions and implications are discussed.

Videogames are becoming an important means of expression for marginalized communities. Despite the growing body of research in queer game studies, transgender identity remains under-researched and lacking in empirical data. By using an experimental approach coupled with grounded theory and informed by current game and queer theory, this study aims to illuminate how transgender- identifying persons approach autobiographical videogame depiction of transgender experience. Ten participants were asked to play influential independent videogame Dys4ia, which depicts the author's hormonal replacement therapy, and semi-structured interviews were conducted. Their responses were coded, and a preliminary model of how Dys4ia works in the context of transgender media ecology was constructed. The term Procedural-autobiographic multimodality is introduced to describe an assemblage of interactive affordances, distinctive aesthetics and situatedness of Dys4ia in structures of minority media while considering video game-specific theories. This study attempts to empirically ground transgender queer game studies, suggesting avenues for future research and proposing a model of how videogames as procedural artefacts work alongside vlogs and other expressive means within transgender mediascape.