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91	Symphony No. 1 “The Galilean Satellites” Cortes, Michael 30 July 2010 (has links) No description available. Music Symphony Galilean Satellites pipe organ band moons
92	Art Nouveau and the Symphony during the Fin-de-Si¿¿¿¿cle: The Intersection of the Arts in Paris and Vienna Hill, Christopher 02 October 2012 (has links) No description available. Music Symphony Art Nouveau Mahler d'Indy Zemlinsky Chausson
93	AN OVERVIEW OF THREE AMERICAN CHORAL SYMPHONIES Davis, Derek M. January 2008 (has links) No description available. Music Leonard Bernstein Marc Blitzstein Peter Mennin Choral Symphony
94	Part I The Seven Days of Creation For Narrator and String Orchestra Part II Shostakovich's Symphony No. 5, Movement 4: A Parametric Analysis Rosen, Nevin Brian 18 September 2009 (has links) No description available. Music creation narrator string orchestra Shostakovich symphony number five
95	Chamber Symphony Poston, Paul W. 03 June 2016 (has links) No description available. Music Chamber Symphony New Music Orchestra Contemporary Music
96	The Symphonies of Pietro Maria Crispi (1737-1797): Style and Authenticity Kang, Yongsik January 2016 (has links) No description available. Music Crispi Source Style Authenticity Eighteenth-century Symphony
97	A Biography and Survey of the Musical Career of Grover Schiltz Costa, Robyn Dixon 03 September 2009 (has links) No description available. Music grover schiltz english horn chicago symphony orchestra
98	The role of the contrabassoon : An examination of the development of the contrabassoon through orchestra excerpts Lassen, Kirstine January 2022 (has links) An examination of the role and musical development of the contrabassoon throughout the different periods. The study is being made through analyzing various common orchestra excerpts, both in themselves and in relation to the scores. Furthermore, the thesis contains my own ideas of and reflections on the excerpts. In the end I will briefly touch the subject of how the contrabassoon is being used in contemporary pieces and how it is constantly being developed. / <p>Francois Devienne (1759-1803): Quartet in G minor op. 73 No. 3</p><p>1. Allegro con espressione</p><p>2. Adagio, non troppo</p><p>3. Rondo. Allegretto poco moderato</p><p>Medverkande:Adam Høier, violin. Therese Magnusson, viola. Samuel Lazar, cello.</p><p>Camille Saint-Saens (1835-1921): Sonata pour bassoon et piano in G major, op. 168</p><p>1. Allegro moderato</p><p>2. Allegro scherzando</p><p>3. Molto adagio–allegro moderato</p><p>Medverkande: Johan Ullén, piano</p><p>Francis Poulenc (1899-1963): Trio pour hautbois, bassoon et piano, FP 43</p><p>1. Presto 2. Andante 3. Rondo</p><p>Medverkande:Anna Randelin, oboe. Johan Ullén, piano.</p><p>In addition to</p><p>a recording of the excerpt Salome</p><p>The recordings have been archived.</p><p>CD-recording: Mulberry Street Symphony by Anders Koppel, Benjamin Koppel, Scott Colley, Brian Blade, Martin Yates & Odense Symphony Orchestra. Unit Records. UTR5028</p><p></p> contrabassoon symphony orchestra excerpts audition musical analysis Music Musik
99	The music criticism of Philip Hale : The Boston Symphony Orchestra concerts, 1889-1933 Markow, Robert. January 1981 (has links) No description available. Boston Symphony Orchestra. Hale, Philip, 1854-1934. Musical criticism.
100	The Clarinet in the Symphony Orchestra from Mozart to Rimsky-Korsakov McIver, Don L. 08 1900 (has links) The purpose of this thesis is to show through the presentation and analysis of authoritative information, together with opinions drawn from the information and analyses, how the clarinet grew in its function as a member of the symphony orchestra. symphony orchestra Mozart Rimsky-Korsakov Clarinet.

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