十七世紀德國作曲家帕海貝爾（Johann Pachelbel）所作的〔Canon and Gigue in D〕之影響力，不僅在傳世巨片可見；近年來，它的快速流傳其實亦成為自由文化的指標。本研究擬從法律、規範、市場，以及基構這四項作用力，初步勾勒Canon Rock自由文化的樣貌，並採取內容分析的民族誌法將相關文本加以歸納及分類，以瞭解促成Canon Rock自由文化的重要原因。最後，研究者提出為何「網路自由文化這個概念勢必要把商業性文化涵括在內」的道理，針對Canon Rock自由文化這個個案，重新定義了「自由文化」。另外，本研究亦探討有助於建立自由文化的創用CC目前在本地的樣貌，藉此進一步探看Canon Rock此自由文化還可以如何往前推展，在這部分，研究者採用圖書館法，以創用CC的角度探看既有文化，瞭解創用CC為何是個尊重與保障創作人的智慧，但卻不因此而剝奪其他人或整個社群於其之上再創作及累積更多智慧的可能性。最後，本研究將進一步解釋為何創用CC得以讓大眾從「取得授權」與「合理使用」的困境中解套，亦呈現當其創作被非法使用於商業用途時，創用CC所能保障的有其限制。 / The 17th Century German composer, Johann Pachelbel, wrote the〔Canon and Gigue in D〕. The popularity (or influence) of this musical work is obvious not only in having been adopted in great movies (【Ordinary People】, 【My Sassy Girl】). In recent years, it also has become the indicator of Free Culture by being spreading rapidly. This research basically uses these four forces: law, norms, marketing, and structure, as the primary parameters to outline the profile of the Free Culture of Canon Rock. I also use the ethnographic content analysis to summarize and classify this study, in order to present the main reason why Free Culture of Canon Rock is so promoted. Finally, with explanation, I propose that “the concept of free culture bounded in the network should include the legal commercial use”, and I will re-define the “free culture” respect to the case of Canon Rock. In addition, I study the current appearance in Taiwan of the use of CC, which helps to build free culture, and I try to find out the way that the Free Culture of Canon Rock can be further extended. I use the library methodology to show that the use of CC can protect and respect the intellectual property of the creators; meanwhile CC allows other people and the whole community to recreate and accumulate their possible creativities based on these original creations. Finally, this study will show how the use of CC allows the public recreate freely from the plight of “licensed” and “fair use”, and the limit of the protection which CC can offer for the creators while the creativity of these people are illegally used in commercial way.

由於網路科技日新月異，使得數位內容之交換越來越容易，但所引發的著作權問題卻不斷受爭議，也間接顯示出著作權法之不足。Lawrence Lessig有鑑於此，提出創用CC(Creative Commons)的觀念，希望可以提供創作者另一個新的管道來分享其創作，卻也同時可以保留其部分權利(Some Rights Reserved)。但目前資訊共享創作僅在主從式(Client-Server)架構中提供較完整的服務。本論文將指出資訊共享創作架構在主從式網路之缺點，並提出一個在Super node對等式(Peer-to-Peer,P2P)網路上具CC授權的數位內容共享創作之平台，且使用結合了各式本體論(Ontology)及規則(Rule)之SWRL (Semantic Web Rule Language)來加強目前資訊共享創作上之表示及推論。 / Owing to network technology changing, it gets easier and easier to exchange digital contents. However, the emerging copyright problems dispute shows the deficiency of copyright. Lawrence Lessig proposed Creative Commons (CC), the concept of providing another new channel for creators to share their creative works by keeping some rights reserved. In this thesis, we indicate the shortcomings of CC on Client-Server network and present a rights description control system to share digital contents with CC licenses on Super-node P2P network. We use ontology and rule e.g. SWRL (Semantic Web Rule Language) to enhance CC’s digital rights description and control on the P2P network.

3D列印技術讓使用者數位化並複製實體物品，而成為帶來重要性突破的技術。本文不僅介紹3D列印之技術，更探討與其科技發展相關的法律議題，尤其強調智慧財產權之層面。 第二章主要是對3D列印整體做介紹，近日有越來越多自造者組成社群，使用數位製造機具設法解決各種問題，並利用開放軟、硬體的資源持續的創新提出新的想法。此外，市場上也如雨後春筍般的出現新的商業模式，本文最後提出3D列印發展中之展望，包括產業、教育等層面及可能面臨的經濟、社會、環境等衝擊。 第三章探討與3D列印相關潛在的法律問題，並著重於著作權及專利權之議題。立於先驅者的觀點，討論列印立體設計圖及成品是否受到著作權及專利之保護，並觀察現存的3D列印檔案分享平台，發現其多採用創用CC授權模式，以確保授權人得獲取應有之回饋。本章最後提出未來可能發生的侵權議題。 第四章為結論部分，為兼顧智慧財產權人之權利保護及公眾利益，本研究提供建議，以尋求智慧財產權之法律制度與3D列印社群之間的平衡。