本研究旨從唱片工業衍生而成的臺語流行歌之產出，及其與臺灣社會間的關係進行觀察，利用官方貿易數據、報紙、小說與流行歌詞等資料，加以整理時人和後人研究成果，綜合探討臺語流行歌唱片與臺灣社會的互動，進而呈現臺語流行歌的社會文化意涵。 自從有「聲音印刷術」美稱的留聲機及唱片被發明和製造後，隨著技術不斷進步，聲音成為可以被複製並傳播的商品，唱片公司在有利可圖的市場法則下，尋找具備價值的聲音。唱片公司幾經嘗試錄製臺灣傳統音樂的唱片後，臺灣本地多數族群使用的語言—「臺語」流行歌曲唱片，也在1930年代正式亮相，配合著電影播放、廣播放送、唱片公司販售等方法，展現臺語流行歌的風華。 此時發行的的歌曲，吐露出臺灣人面對傳統與現代的矛盾心結、辛苦工作卻又被受欺壓的寫實心情、追求自由但又不捨突破的拉鋸心態，臺語流行歌並非只是唱片公司圖利的工具，更是撫慰臺人心靈的良方，其傳唱過程中道出了廣大民眾內心深處的想望。可惜的是，無情戰火的點燃讓臺語流行歌壇被迫解散，悄然地走下歷史舞台，臺人此時只能配合政府國策，聆聽慷慨激昂的軍歌、或是喧騰熱情的愛國進行曲，總督府基於臺語流行歌之於臺人的重要性，此時將臺語流行歌的旋律改填入日詞以符合戰時宣傳的需要，對於臺語歌來說雖然悲哀，但何嘗不是可以重溫過去美好時光的機會，戰爭期間仍舊致力於創作與演出的音樂工作者，不僅奠定戰後歌唱文化的基礎，更為世世代代臺灣人留下至為珍貴的文化資產。 / This research regards the Taiwanese popular songs dew to the record industry in the Japanese-ruled period. We use the lyrics of the songs, newspapers and novels to see the interaction between Taiwan record industry and the society, and present the culture of Taiwanese songs. First, I refer to the development from western country to Japan. Taiwan, the first colony of Japan colony was entered a capitalist system of records, and the market was established little by little. Next, the Taiwanese popular songs were produced in the political, economic and cultural environments and the popular dissemination techniques of Taiwan in the 1930s. Finally, I introduce the development of the record industries and Taiwanese popular songs during the East Asian war.

本論文擬論述臺語述補式結構之語法與語意特性。述補式複合結構由兩個動詞或一個動詞及一個表示此一動詞之時帽組合成。由於臺語文獻中缺乏此類結構之研究，我們瀏灠了漢語中有關術補式複合動詞之研究，並採用張郇慧教授以論旨結構為本之分析模式。此結構之形成與論旨結構及句法上之及物性密切相關。除了此結構之形成外，我們亦討論其句法及語意系統與論旨結構之關聯。我們希望能藉此研究對此結構提供清楚而基本之概念。 / The previous studies on Taiwanese focus on the phonology and written forms, but few on other fields.In the thesis, we adopt a widely usde structure: Verb-Complement Construction to explore the syntax and semantics of the construction.Verb-Complement Constructions consist of two verbs or one verb plus a functional item which specifies verbal of the first verb. Due to the lack of previous studies on the topic, we first review several analyses on Mandarin Verb-Complement Compounds and adopt Chang's (1994) argument-structure-based analysis as the research approach. We propose that two factors contribute to the formation of this construction: syntactic transitivity and argument structure.The argument structure is divided into two categories: full-fledged and degenerated. Verb-complement Constructions, syntactically speaking, are formed by the combinations of transitive-transitive, intransitive-intransitive, and transitive-intransitive. Verb-Complement Constructions with full-fledged argument structure are distinguished into eight types based on the five types of this construction in terms of syntactic transitivity; Verb-complement constructions with degenerated argument structure are classified into four types based on the four kinds of this construction in terms of syntactic transitivity. We argue that different syntactic structures such as middle forms, verb copying constructions, HO construction, and KA construction as well as semantics of the construction can be effectively accounted for by argument structure.By the study, we hope to provide a fundamental and clear picture on the construction.