善於書寫小人物的陸文夫，將他的文學世界建築在厚實的生活基礎上，使充滿吳地風情的市民圖景躍然紙上，讓人讀來親切熟悉。深具社會責任的他，以生動而幽默的筆法，寫出新時期中人們心靈的僵化與停滯，卻不失未來的光明與展望，含納無窮餘韻。 在文學創作的路途上，他對自身有許多要求及期待，故在他的作品中，讀者總能發現新意與特色。在思想轉變的階段，他將超越苦難的哲理結晶深植作品，利用「糖醋主義」的酸甜口感，如實呈現人生起落，成熟而豐厚。獨特風格的理論，輔以藝術技巧展現社會啟示錄，讓陸文夫在文壇佔有一席之地。

朱穎. / 論文(哲學碩士) -- 香港中文大學硏究院政治與行政學部, 1997. / 參考文獻: leaves 129-135. / Zhu Ying. / Chapter 第一章： --- 導論 --- p.7 / Chapter 一、 --- 現化化：世界性的潮流 --- p.7 / Chapter 二、 --- 東亞「四小龍」工業化戰略和措施 --- p.10 / Chapter 三、 --- 現代化：中國幾代人的探索 --- p.13 / Chapter 四、 --- 蘇州工業園區的嘗試 --- p.17 / Chapter 五、 --- 硏究焦點 --- p.22 / Chapter 六、 --- 硏究方法 --- p.23 / Chapter 七、 --- 章節安排 --- p.23 / Chapter 八、 --- 本硏究的意義 --- p.24 / Chapter 第二章： --- 改革開放的十字路口和經濟性特區的第二次創業 --- p.26 / Chapter 一、 --- 改革開放的十字路口和鄧小平南巡 --- p.26 / Chapter 二、 --- 經濟性特區區誕生背景 --- p.28 / Chapter 三、 --- 經濟性特區地位和作用 --- p.30 / Chapter 四、 --- 開發區存在的問題及發展方向 --- p.33 / Chapter 五、 --- 小結 --- p.37 / Chapter 第三章： --- 新加坡經驗的啓示和裕廊工業區模式 --- p.39 / Chapter 一、 --- 新加坡經驗的啓示 --- p.39 / Chapter 二、 --- 新加坡工業化槪況和特點 --- p.41 / Chapter 三、 --- 設立裕廊工業區的背景和目的 --- p.47 / Chapter 四、 --- 裕廊工業區白勺發展槪況和成 效 --- p.50 / Chapter 五、 --- 裕廊工業區的條件和特點 --- p.52 / Chapter 六、 --- 小結 --- p.61 / Chapter 第四章： --- 蘇州工業園區的決策過程和發展槪況 --- p.63 / Chapter ´ؤ、 --- 雙方合作動機 --- p.63 / Chapter 二、 --- 園區產生的決策過程 --- p.67 / Chapter 三、 --- 蘇州工業園區的區位 --- p.71 / Chapter 四、 --- 發展目標和規劃設想 --- p.75 / Chapter 五、 --- 目前的進展和開發前景 --- p.76 / Chapter 六、 --- 政策環境 --- p.77 / Chapter 七、 --- 中新雙方合作的制度機制 --- p.79 / Chapter 八、 --- 小結 --- p.79 / Chapter 第五章： --- 蘇州工業園區的開發和管理體制 --- p.81 / Chapter 一、 --- 蘇州工業園區的開發體制 --- p.81 / Chapter 二、 --- 蘇州工業園區的管理體制 --- p.90 / Chapter 三、 --- 小結 --- p.100 / Chapter 第六章： --- 蘇州工業園區的激勵和制約機制 --- p.101 / Chapter 一、 --- 蘇州工業園區的激勵機制 --- p.101 / Chapter 二、 --- 蘇州工業園區的制約機制 --- p.106 / Chapter 三、 --- 小結 --- p.112 / Chapter 第七章： --- 結論 --- p.113 / 附圖 --- p.120 / 附錄 --- p.125 / 參考文獻 --- p.129

唐錦騰. / 論文(博士)--香港中文大學, 2000. / 附參考文獻. / 中英文摘要. / Available also through the Internet via Dissertations & theses @ Chinese University of Hong Kong. / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Mode of access: World Wide Web. / Tang Jinteng. / Lun wen (bo shi)--Xianggang Zhong wen da xue, 2000. / Fu can kao wen xian. / Zhong Ying wen zhai yao.

水作為人類最基本的必需品，本應是人人共用的自然之物。但隨著近代社會的工業化及城市化發展，水資源愈見有限，人們對水的認識也逐漸改變：水被賦予許多新的涵義，並與現代技術結合而成為一種商品。在中國，從1850年到1950年間，使用商品水漸漸成為富裕、衛生、文明、摩登的象徵。本論文主要探討在這百年間用水的演化如何在蘇州城中體現出來。 / 在中國現代供水進程中，上海公共租界最先建立起具有標誌性的自來水廠。而後法租界、華界也爭相仿效建立。但在上海整個城市中，自來水的用水方式沒有得到統一。租界內漂亮的洋房在屋內即有供水，而租界內華人居住的弄堂與租界之外的華界地區仍使用水夫挑水。這種差異帶出了西人和華人的區別，同時還是富人和窮人生活方式的區別。 / 在本研究重點研究的蘇州城內，清末至民國時期，地方精英一直試圖建立現代象徵的自來水，卻未能成功。最終，城內少數富裕商戶合資開掘自流井，然後將井水接連水管入屋，創建了蘇州模式的自來水。這與整個城市供水為目標的自來水廠相差甚遠，但由於民國時期蘇州城內勢力分散，沒有力量創辦統一的供水模式，只有少數的富裕人家可以使用自流井，大多數的居民，仍然大量依靠淺水井和河水。 / Water, as an essential ingredient for life, is supposed to be freely used. However, in the age of industrialization and urbanization, with fear of water shortage and environmental degradation, people imposed new ideas on this natural resource, and transformed water from public good into a tradable commodity by using new technology. In China from 1850 to 1950, commoditized water supply made people feel affluent, healthy, civilized, and modern. This thesis examines the transformation of water use in the city of Suzhou. / The establishment of the first water supply company in the Shanghai International Settlement in the late nineteenth century was a significant milestone of China's modern water supply. Soon after that the French Concession and the Chinese Zone attempted to follow the practice. The services of water supply were yet never unified in Shanghai. While better-off households in the Foreign Concession enjoyed indoor tap water supply, many others, especially those who lived in the Chinese walled city, bought water directly in streets installed with water taps. The way to consume water reflected living standard. / During late Qing period and China’s Republican period, the local elites of Suzhou City also attempted to set up modern water supply, but failed with insufficient capital. Eventually, a few wealthy merchants formed a small company of water supply. Instead of using steam engines to pump water from river, the company opened artesian wells, and built water pipes to transport water to households. This created the Suzhou model of water supply. However, because of competing local forces, this modern water supply in Suzhou was of a small scale. Only a few rich people could afford to consume the water, a majority of the Suzhou population still relied on ordinary shallow wells and rivers to have their daily water. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / 陳文妍. / Parallel title from added title page. / Thesis (Ph.D.) Chinese University of Hong Kong, 2016. / Includes bibliographical references (leaves 178-190). / Abstracts also in English. / Chen Wenyan.

劉紅. / 論文(博士) -- 香港中文大學硏究院音樂學部, 1996. / 參考文献 : leaves 248-251. / Liu Hong. / 前言 / 簡 述 / Chapter 第一節 --- 本選題之背景 --- p.1 / Chapter 第二節 --- 與本選題有關研究之簡略評述 --- p.1 / Chapter 一、 --- 道教音樂研究之概况 --- p.1 / Chapter 二、 --- 與本選題有關研究之評述 --- p.2 / Chapter 第三節 --- 本選題之意義 --- p.3 / Chapter 第四節 --- 本選題之研究方法上的考慮 --- p.4 / Chapter 一、 --- 田野工作 --- p.4 / Chapter 二、 --- 本人經歷 --- p.5 / Chapter 三、 --- 研究的角度和方法 --- p.5 / Chapter 第一章 --- 概述 --- p.8 / Chapter 第一節 --- 蘇州道教概况 --- p.8 / Chapter 第二節 --- 蘇州道教音樂述略 --- p.13 / Chapter 一、 --- 蘇州道樂的歷史 --- p.13 / Chapter 二、 --- 蘇州道樂的特點 --- p.19 / Chapter 第二章 --- 蘇州道教科儀 --- p.25 / Chapter 第一節 --- 正一道科儀簡述 --- p.25 / Chapter 第二節 --- 蘇州道教科儀之沿革及現狀 --- p.27 / Chapter 第三章 --- 「天功」科儀及其音樂 --- p.32 / Chapter 第一節 --- 「天功」科儀的版本 --- p.32 / Chapter 第二節 --- 「天功」科儀簡介 --- p.34 / Chapter 第三節 --- 「天功」科儀的結構 --- p.40 / Chapter 一、 --- 儀式空間結構 --- p.41 / Chapter 二、 --- 儀式參與人員結構 --- p.44 / Chapter 第四節 --- 「天功」科儀及其音樂之程序 --- p.46 / Chapter 第五節 --- 「天功」科儀的即興性因素 --- p.144 / Chapter 第六節 --- 「天功」科儀音樂之類别劃分 --- p.147 / Chapter 一、 --- 音樂形式分類 --- p.148 / Chapter 二、 --- 音樂功能分類 --- p.150 / Chapter 第七節 --- 「天功」科儀音樂之表現形式 --- p.151 / Chapter 一、 --- 經韵唱誦形式 --- p.151 / Chapter 二、 --- 樂器及法器種類 --- p.152 / Chapter 三、 --- 樂器與法器的組合及運用形式 --- p.153 / Chapter 第四章 --- 「天功」科儀音樂之形態分析 --- p.162 / Chapter 第一節 --- 關于記譜的¨®Ơ明 --- p.162 / Chapter 第二節 --- 「天功」科儀音樂諸要素描述 --- p.163 / Chapter 一、 --- 調ˇ±ة調式與調性 --- p.163 / Chapter 二、 --- 音階音列與音域 --- p.166 / Chapter 三、 --- 節拍與速度 --- p.167 / Chapter 第三節 --- 旋律形態 --- p.170 / Chapter 一、 --- 典型旋律型 --- p.170 / Chapter 二、 --- 典型旋律型變體 --- p.176 / Chapter 三、 --- 旋律發展手法 --- p.179 / Chapter 第四節 --- 節奏形態 --- p.182 / Chapter 一、 --- 宏觀節奏形態 --- p.182 / Chapter 二、 --- 微觀節奏形態 --- p.184 / Chapter 三、 --- 節奏與功能 --- p.184 / Chapter 第五節 --- 結構形態 --- p.185 / Chapter 一、 --- 整體結構 --- p.185 / Chapter 二、 --- 韵體結構 --- p.185 / Chapter 三、 --- 句式結構 --- p.186 / Chapter 四、 --- 腔詞結構 --- p.188 / Chapter 五、 --- 固定尾句結構 --- p.193 / Chapter 第五章 --- 蘇州道教科儀音樂與地方民間音樂之比較 --- p.196 / Chapter 第一節 --- 蘇州道樂與蘇州民間俗樂之關系 --- p.196 / Chapter 一、 --- 與蘇州民歌的關系 --- p.196 / Chapter 二、 --- 與蘇州彈詞的關系 --- p.199 / Chapter 三、 --- 與蘇南吹打的關系 --- p.203 / Chapter 四、 --- 與昆曲的關系 --- p.210 / Chapter 第二節 --- 蘇州道樂舆蘇州民間俗樂之關系的 社會文化背景 --- p.214 / Chapter 一、 --- 地理環境因素 --- p.214 / Chapter 二、 --- 民俗習慣因素 --- p.218 / Chapter 第六章 --- 蘇州道教科儀音樂之文化環境分析 --- p.223 / Chapter 第一節 --- 音樂概念與音樂價值觀念 --- p.223 / Chapter 一、 --- 音樂的概念 --- p.223 / Chapter 二、 --- 音樂的價值觀念 --- p.226 / Chapter 第二節 --- 音樂的宇宙意識 --- p.229 / Chapter 一、 --- 道教生命觀念中的宇宙意識 --- p.229 / Chapter 二、 --- 道教儀式環境中的宇宙意識 --- p.229 / Chapter 三、 --- 蘇州道樂中的宇宙意識 --- p.232 / Chapter 第三節 --- 儀式行為人的訓練和經歷與音樂風格 形成之關系 --- p.235 / Chapter 第四節 --- 宮觀管理制度與音樂風格形成之關系 --- p.239 / 餘論蘇州道教音樂之發展問題 ´ؤ´ؤ傳統與現實的挑戰 --- p.244 / 總 結 --- p.247 / 參考書目 --- p.248

周松亞. / "2001年2月" / 論文 (哲學碩士)--香港中文大學, 2001. / 參考文獻 (leaves 126-138) / 附中英文摘要. / "2001 nian 2 yue" / Zhou Songya. / Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2001. / Can kao wen xian (leaves 126-138) / Fu Zhong Ying wen zhai yao. / Chapter 第一章 --- 緒論 / Chapter 1. --- 硏究背景和槪況 --- p.1 -10 / Chapter 2. --- 硏究目的 --- p.10 -12 / Chapter 3. --- 硏究方法 --- p.12 -14 / Chapter 第二章 --- 陸文夫的生活經歷和其飲食文學的關係 / Chapter 1. --- 引言 --- p.15 -17 / Chapter 2. --- 青少年時期與蘇州的小食 --- p.17 -18 / Chapter 3. --- 與蘇州老作家的吃喝經歷 --- p.19-21 / Chapter 4. --- 文壇上的三起二落與吃喝閱歷的關係 --- p.21 -23 / Chapter 5. --- 小結 --- p.23 -24 / Chapter 第三章 --- 陸文夫飲食文學和蘇州味道 / Chapter 1. --- 引言 --- p.25 / Chapter 2. --- 蘇州飲食文化 --- p.25 -47 / Chapter 3. --- 蘇州民俗風情 --- p.47 -51 / Chapter 4. --- 小結 --- p.51 -52 / Chapter 第四章 --- 陸文夫小說中飲食和人物性格的關係 / Chapter 1. --- 引言 --- p.53 / Chapter 2. --- 食物與人物性格 --- p.53-66 / Chapter 3. --- 酒、茶、煙與人物性格 --- p.66-84 / Chapter 4. --- 小結 --- p.84 / Chapter 第五章 --- 陸文夫小說中飲食和主題的關係 / Chapter 1. --- 引言 --- p.85 -86 / Chapter 2. --- 食物和情節的關係 --- p.86 -105 / Chapter 3. --- 食物和主題的關係 --- p.105 -117 / Chapter 4. --- 小結 --- p.117 / Chapter 第六章 --- 總結 --- p.118 -125 / 參考書目 --- p.126 -138

鄧民亮. / 論文(碩士) -- 香港中文大學硏究院藝術學部,1995. / 參考文獻: leaves [1-9] (2nd group) / Deng Minliang. / 前言 --- p.2 / Chapter 第一章 --- 吳中地區的復興對書法好¯‘ة之影響 --- p.4 / Chapter 第二章 --- 文徵明的交遊與吳中文苑 --- p.22 / Chapter 第三章 --- 吳中地區的書法收藏槪況與 文徵明的鑑藏活動 --- p.72 / Chapter 第四章 --- 文徵明的書學 --- p.103 / Chapter 第五章 --- 文徵明的書法風格與所見藏品之關係 --- p.122 / 總結 --- p.157 / 參考書目 / 附錄一文徵明家藏及題跋書法名蹟 / 附錄二著錄所見及傳世文徵明所書《千字文》 / 附錄三文徵明題跋所見引用書目 / 附錄四吳寬《匏翁家藏集》所載書法題跋 / 附錄五都穆《寓意編》所載書法收藏 / 附錄六華夏所藏書法 / 附錄七《珊瑚網》所載王世貞書法收藏 / 附錄八《珊瑚網》所載王世貞收藏碑帖 / 附錄九《珊瑚網》所載王世懋收藏書法 / 附錄十項元汴所藏書法 / 附錄十一《鈐山堂書畫記》所載書法收藏 / 附錄十二《珊瑚網》著錄書法收藏 / 附錄十三詹景鳳《東圖玄覽編》所載書法收藏 / 圖版

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Chapter 1 reviews the background to the rise of art patronage studies and their development and its influence on studies of Chinese art history. It also provides alternative approaches to studying activities related to patronage and their influence and role in Chinese art history by criticising traditional analysis of Chinese art based on social and economic theories. / Chapter 2 examines the life of Wang and explores the intentions and meaning to his patronage activities through studying his political involvement, literary activities and his social background and connections. / Chapter 3 discusses how Wang, given his knowledge in history and passion for art and its collection, reinterprets art history with reference to his private collection of art, and thereby consolidating his status as a leading figure of literary and cultural circle of his time. / Chapter 4 explains and reflects on the formation of the "artist-patron" relationship through examining the relationship and interaction between Wang and the literary circle and by appraising the financial background and standing of artists and calligraphers at the time. / Chapter 5 examines the direct impact that Wang, as a literary leader and patron of the art, has on the styles and subject matter of art work by examining and decoding several pieces of art commissioned by himself, thus revealing a distinct mechanism in which art was produced at the time. / Chapter 6 discusses the "artist-patron" relationship and the "trading of cultural resources" by examining diverse pieces of art work given to Wang as gifts by different individual artists and calligraphers. / Chapter 7 analyses the significance of the patronage activities of Wang and provides a new approach to understanding the issue of traditional Chinese art patronage in Chinese art history. / Through a case study of the life of Wang Shizhen, this research attempts to analyse the influence of literary leader and patron of the arts on the development of painting and calligraphy during the mid-Ming period. By analysing the "artist-patron" relationship, this paper attempts to explain alternative mechanism through which traditional Chinese art was produced. The thesis also examines art patronage activities in Suzhou during the sixteenth century and thereby attempts to examine these activities from the broader cultural and historical context at the time. This paper is divided into seven chapters: / 鄧民亮. / 論文(哲學博士)--香港中文大學, 2006. / 參考文獻(p. 298-320). / Advisers: Tsung-i Jao; Kar Leung Mok. / Source: Dissertation Abstracts International, Volume: 68-02, Section: A, page: 0378. / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Electronic reproduction. [Ann Arbor, MI] : ProQuest Information and Learning, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstracts in Chinese and English. / School code: 1307. / Lun wen (zhe xue bo shi)--Xianggang Zhong wen da xue, 2006. / Can kao wen xian (p. 298-320). / Deng Minliang.

This thesis looks into the development of Songjiang School in the context of mutual interaction and networking among painters. It focuses on two phenomena. Firstly, it studies the interaction between Songjiang School painters and artists from various Jiangnan art centres. Secondly, it explores the artistic genealogy within the Songjiang School. It investigates the activities of individual Songjian School painters in particular, and the rise and decline of the entire Songjiang School in general. / Under the famous master literati Dong Qichang, Songjiang School painters broke new path in landscape painting, valuing moist ink tones at the expense of brush and ink. But even before Dong, Gu Zhenyi and Mo Shilong were already well known for their efforts in exploring new styles. Supported by brilliant art talent such as Chen Jiru, Zhao Zuo and Shen Shicong, Dong Qichang brought the Songjiang School to its zenith. However, it was also Dong Qichang who dug the grave for the School. As Dong's followers were mostly professional painters, they could not stand as equals to Literati connoisseurs. Some became Dong Qichang's ghost-painters at the expense of their artistic individuality, whereas others were trapped in the lower end of the art market. Consequently, the Songjiang School lost its vigor and prestige in the Qing dynasty. Only Dong Qichang, the leading master of the School, could dominate the literati painting scene. / With its economy revived after the suppression of the wako invasion in late Jiajing period (1522-1566), Songjiang quickly reassumed its dominant position in the art scene. Songjiang School painters became very self-conscious and proud of their own hometown. They succeeded in networking with connoisseurs in Zhejiang and Huizhou, and learning valuable lessons from the works of their Suzhou counterparts. Consequently, although both the Wu (Suzhou) and Songjiang Schools were descendents of the same literati painting tradition, the Songjiang School loomed large throughout the sixteenth and seventeenth centuries. The social prestige of some Songjiang literati certainly enhanced the success of the School. / 徐麗莎. / 呈交日期: 2005年8月. / 論文(哲學博士)--香港中文大學, 2005. / 參考文獻(p. i-x (2nd group)). / Cheng jiao ri qi: 2005 nian 8 yue. / Advisers: Jao Tsung-i; Harold Mok Kar-leung. / Source: Dissertation Abstracts International, Volume: 67-07, Section: A, page: 2355. / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Electronic reproduction. [Ann Arbor, MI] : ProQuest Information and Learning, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstracts in Chinese and English. / School code: 1307. / Lun wen (zhe xue bo shi)--Xianggang Zhong wen da xue, 2005. / Can kao wen xian (p. i-x (2nd group)). / Xu Lisha.