Diese Abhandlung hat den Charakter einer Synthese des polnischen Musiklebens in Oberschlesien und Tesinschlesien während der Vorkriegszeit. Das Ziel dieser Arbeit beruht auf der Darstellung der Kompositionen der Schlesischen Schule.

The aUthor of the book investigates the innovative processes in the Serbian music between 1945 and 1965, taking into due consideration the factor of tradition and the wider European context of musical development.

The twentieth century saw the spread of Western art music across the world as Western ideology and values acquired increasing dominance in the global order. How did this process occur in China, what complexities does it display and what are its distinctive features? This thesis aims to provide a detailed and coherent understanding of the Westernisation of Chinese music in the 20th century, focusing on the ever-changing relationship between music and social ideology and the rise and evolution of national identity as expressed in music. This thesis views these issues through three crucial stages: the early period of the 20th century which witnessed the transition of Chinese society from an empire to a republic and included China's early modernisation; the era from the 1930s to 1940s comprising the Japanese intrusion and the rising of the Communist power; and the decades of economic and social reform from 1978 onwards. The thesis intertwines the concrete analysis of particular pieces of music with social context and demonstrates previously overlooked relationships between these stages. It also seeks to illustrate in the context of the appropriation of Western art music how certain concepts acquired new meanings in their translation from the European to the Chinese context, for example modernity, Marxism, colonialism, nationalism, tradition, liberalism, and so on.

This dissertation examines the success of the National Health Service in Scotland in achieving the goal of regional equality. An historical analysis provides some indication that regional disparities have characterised the Scottish Health Service in the twentieth century. The data from 1951 to 1976 demonstrate the failure of the SHS to meet the policy objective in the recent past. An output policy model is developed to facilitate an explanation of persistent regional variation. The government structure, socio-economic and health status variables successfully explain a large percentage of the variation which exists between Health Board Regions. The most powerful of the independent variables is the nature of the policy process. The evidence presented in the thesis indicates clearly that the predominant policy process in existence within the SHS over time is incrementalism.

This thesis seeks to re-examine theories of religious decline in the inner-city. From Edward Wickham (Church and People in an Industrial City) to Callum Brown (The Death of Christian Britain), decline and death have defined inner-city Christianity. In the late twentieth century the Church of England in Newham began a process of renewal by creating combined churches and community centres in a number of its parishes. Examining the motivation behind these projects creates a more nuanced understanding of the present secularization debate. Four churches were chosen that underwent this process to reflect the diversity and complexity of this approach. This work draws on minutes, reports, newspapers, interviews and oral histories. This is a study of how one area of East London renewed itself, inspired by the theological approach of J. G. Davies and his followers. Far from discovering the Church in its death knell, evidence emerges of an energetic, highly motivated Christian community, able to draw funds and expertise into this process of renewal. The Church of England is still willing to reassert its mission to the inner-city and expand its sphere of influence to encompass communal activities in a process of reclaiming a role within Newham life. The Anglican Church has defied notions of decline and secularization, and this study reveals an inner-city part of London that has a thriving religious culture. The renewal of its buildings has enabled the church to carve a role out within the community that ensure it remains positive, financially stable and numerically more resilient that its suburban neighbours. This suggests that the predictions of the death of Christian Britain are premature in this instant and arguments about decline have to be further evaluated in the light of this study.

The concerto enjoys a position of centrality within the oeuvres of many contemporary Nordic composers: the genre often functions as a vehicle for the exploration of advanced compositional techniques and aesthetic preoccupations, and the resulting works are well-represented on recordings and in the concert hall. Yet this repertory has largely been neglected in scholarship. Through detailed analysis of works by Per Nørgård, Kaija Saariaho, Magnus Lindberg, and Pelle Gudmundsen-Holmgreen, this thesis develops analytical technologies for a genre which has received less musicological attention than it deserves. Placing a particular emphasis on the theatrical aspects of concerto performance, the project explores the application of three lines of enquiry, each of which has been theorised in some detail: agency (Cone, Maus, Cumming), physicality (Clarke, Cox, Larson), and space (Brower, Williams). Each of these lines of enquiry has been directed at the concerto sporadically, if at all – even though concertos make particularly compelling and potentially enriching case studies for the theoretical models in question. This thesis represents the first sustained attempt to explore the concerto with reference to these bodies of literature. The analytical models developed have wider applicability, to concertos both within and without the Nordic arena. I draw attention at numerous points to ways in which they can illuminate works by Ligeti, Birtwistle, Musgrave, Berio, and Lutosƚawski, among others. The project also has wider implications for our understandings of Nordic identity, virtuosity, and musical modernism at the turn of the twenty-first century.

Understanding how change occurs in lesser developed countries, particularly in Latin America has been the subject of a prolonged theoretical academic debate. That debate has emphasized economics more that politics in general and predictability over unpredictability in the Latin American region. This paper challenges these approaches. Explaining change requires an examination of the politics of public policy as much as its economic dimensions. Second, change in the Latin American region may be less predictable than it appears. Scholars maintain that change in Latin America occurs when contending elites negotiate it. Their power comes from the various resources they possess. Change, therefore, is not expected to occur as a function of regime change per se. This paper considers the treatment of education policy in Nicaragua during the regimes of the dynastic authoritarianism of Anastasio Somoza Debayle (1967-1979), the revolutionary governments of the Sandinistas (1979-1990), and the democratic-centrist government of Violeta Barrios de Chamorro (1990-1996). The central research question is: When regimes change, do policies change? The methodology defines the independent variable as the regime and education policy as the dependent variable. It posits three hypotheses. The right-wing regime of Somoza was expected to restrict both the qualitative aspects and the financing of education; (2) the left-wing regimes of the Sandinistas were hypothesized to have expanded both; and (3) the democratic-centrist regime of Chamorro was expected to have both expanded and restricted certain aspects of education policy. Several chapters describe these regimes' expansive or restrictive education strategies. A comparative analysis of these 26 years demonstrates several variables' effect over time. An OLS regression and a times series analysis specifies the relationship between regime change and percent of GDP each regime devoted to education. Both the statistical and qualitative findings of this study confirm the hypotheses. The study reveals that, as regimes changed, education strategies and policies changed. Such findings challenge some current thought about political behavior with respect to Latin American development in particular and development theory in general.

In order to trace the origin of the chaconne and passacaglia, the much larger classification of basso ostinato, of which the chaconne and passacaglia are two later examples, must be considered. According to one authority, Lili Propper, the earliest beginnings of the basso ostinato can be traced back to the Middle Ages through the use of organ points exemplified in organum purum. A later and more developed use of the basso ostinato can be discovered in the recurring basses of the Montpellier Codex and the masses of the fifteenth century. A freer manifestation of the idea can be found in the reiterated bass motive of the familiar canon, Sumer is icumen in.

Analyzes music of Ravel, Debussy, Schoenberg, Webern, Milhaud, Bozza, Francaix, Poulenc, Cowell and Riegger.

While capitalism is thought by many to enable male homosexual identity to emerge, this same economic system creates a class hierarchy that promotes a heteronormative worldview, which marks homosexual men as the outcasts of society. In England during the years leading up to the First World War, a man’s character and persona were determined by his social class position. As a result homosexual men of the upper class, who held power, respectability, and masculine virtues in society, used class to mask their sexuality. In this sense the upper-class position enabled men to portray a public identity that abided by the constraints of heteronormativity despite their homosexual desire, which remained suppressed for fear of losing their power within society. Even when homosexual men displayed effeminate traits that opposed masculine ideals, the upper-class position worked to reinforce their heteronormativity, showing the power of capitalism’s class system to infiltrate and influence a man’s identity. E. M. Forster’s Maurice and A. T. Fitzroy’s Despised and Rejected provide two examples of how the upper-class position worked to mask the recognition of male homosexuality by society in early twentieth–century England. Written in 1913, but not published until after Forster’s death in 1971, Maurice has become a canonical text in the gay literary tradition. Through depictions of male intraclass and cross-class relationships, this novel suggests that class position worked to maintain a public heteronormative identity where stepping outside of strict class boundaries could disrupt the very thing which enabled one to keep one’s power. While the posthumous publication of Maurice complicates its place as a representation of homosexual identity and British society at the time, A. T. Fitzroy’s Despised and Rejected gives a clearer picture of both through its focus on homosexuality and pacifism. Through this investigation of homosexuality and pacifism, Fitzroy acknowledges a connection between male sexual identity and a refusal to go to war. While this failure to participate in militarism indicates a man’s opposition to heteronormativity, particularly normative masculinity, the upper-class position redirects this difference away from homosexual identity and onto effeminacy. This effeminacy does not indicate homosexual identity, but rather a failure to embody masculine ideals of the time. Ultimately, both novels portray the power of the upper-class position to define identity by supporting heteronormativity and masking homosexuality.