Buffalo Boys 100 years of wearing his heart on his sleeve is the sum of my experience at the University of Saskatchewan. It is an exploration of or coming to know my worldview. I have come to know that history is a construction, fragments of memory told through the bias of time, place and privilege. <p>Bison in the Bowl: This is Indian Land is a site of resistance. A layering of energy over matter through image projection over a colonizing space, the college building. I will place my family tipi in the bowl to honour the bison; the projected images will be of bison, buffalo boy and other contemporary aboriginal experiences. Through projection, I enlighten matter, a union of disparate histories that can be healed through the presence of an aboriginal healing device, the tipi. Happenings dependent on weather will occur September 21, 22 and 23. <p>Crow Chief Plenty Coups refused to speak of the years after the last wild bison herds were gone, saying, when the buffalo went away the hearts of my people fell to the ground, and they could not lift them again. After this nothing happened. <p>Nothing Happened: Old Sun represents the reconstruction of cultural icons through bison fragments, manufactured steel and a light from the Old Sun Residential School on the Blackfoot Reserve. Shadows of the past interrogate traditional and contemporary ideas. I believe that objects hold energy; this light that once shone above the heads of many children within the school is a witness to cultural genocide. Illumination of our histories can bring us out of the shadows and enlighten our being. Time is the Western paradox; it is to be played with. It is a container, a crypt that fragments real time image. It is a space of introspection and the cosmic dance. Bison Heart connects me to the heart of my art practice. In the context of my aboriginal experience, this painting can be romantic, iconic and political. I invite the viewer to move between the values to uncover their own meaning and relationship with the subject and self. <p>Gambling the Prairie Winnings is the construction of time through narrative, image and artifact. It is a serious and humorous view of how the west was dumb, it parodies the Western Development Museums centennial theme Winning the Prairie Gamble. The reinforcement of the colonial project occurs primarily through media, my intent is to subvert this medium. <p>Mission Impossible: Buffalo Boys Wild West Peep Show is an altar and a stage based on the first Blackfoot Mission church. It is a video projection where Buffalo Boy can dream of missions past, play in the present and vision the future. <p>This exhibition includes but is not limited to ideas within indigenous knowledge, meta/ quantum physics role in creating unity, the re-immergence of two-spirit peoples history, colonial or post -colonial critique, ecology, spirituality and healing modalities within the creative process. Through my art making I transcend the constructions of history, I heal myself for others to see, it is a new place from which to view the world.

Buffalo Boys 100 years of wearing his heart on his sleeve is the sum of my experience at the University of Saskatchewan. It is an exploration of or coming to know my worldview. I have come to know that history is a construction, fragments of memory told through the bias of time, place and privilege. <p>Bison in the Bowl: This is Indian Land is a site of resistance. A layering of energy over matter through image projection over a colonizing space, the college building. I will place my family tipi in the bowl to honour the bison; the projected images will be of bison, buffalo boy and other contemporary aboriginal experiences. Through projection, I enlighten matter, a union of disparate histories that can be healed through the presence of an aboriginal healing device, the tipi. Happenings dependent on weather will occur September 21, 22 and 23. <p>Crow Chief Plenty Coups refused to speak of the years after the last wild bison herds were gone, saying, when the buffalo went away the hearts of my people fell to the ground, and they could not lift them again. After this nothing happened. <p>Nothing Happened: Old Sun represents the reconstruction of cultural icons through bison fragments, manufactured steel and a light from the Old Sun Residential School on the Blackfoot Reserve. Shadows of the past interrogate traditional and contemporary ideas. I believe that objects hold energy; this light that once shone above the heads of many children within the school is a witness to cultural genocide. Illumination of our histories can bring us out of the shadows and enlighten our being. Time is the Western paradox; it is to be played with. It is a container, a crypt that fragments real time image. It is a space of introspection and the cosmic dance. Bison Heart connects me to the heart of my art practice. In the context of my aboriginal experience, this painting can be romantic, iconic and political. I invite the viewer to move between the values to uncover their own meaning and relationship with the subject and self. <p>Gambling the Prairie Winnings is the construction of time through narrative, image and artifact. It is a serious and humorous view of how the west was dumb, it parodies the Western Development Museums centennial theme Winning the Prairie Gamble. The reinforcement of the colonial project occurs primarily through media, my intent is to subvert this medium. <p>Mission Impossible: Buffalo Boys Wild West Peep Show is an altar and a stage based on the first Blackfoot Mission church. It is a video projection where Buffalo Boy can dream of missions past, play in the present and vision the future. <p>This exhibition includes but is not limited to ideas within indigenous knowledge, meta/ quantum physics role in creating unity, the re-immergence of two-spirit peoples history, colonial or post -colonial critique, ecology, spirituality and healing modalities within the creative process. Through my art making I transcend the constructions of history, I heal myself for others to see, it is a new place from which to view the world.

The issue of accounting for goodwill has caused considerable concern to accountants and academics. For over 100 years there has been diversity of views as to the nature, recognition and measurement of goodwill. Such diversity of views has contributed to the adoption of a variety of accounting practices for goodwill, which has lead to attempts to regulate practice by accounting professions in the Anglo-American world. The research conducted involves a literature review to identify the concepts and definition of goodwill and the criteria for its recognition and measurement. the investigation will then concentrate upon goodwill arising on consolidation of the financial statements of a group of companies. Major accounting practices will be examined, along with the requirements of the australian and mojor overseas professions on the issue. The findings of a study of listed Australian companies which investigated the accounting policies adopted for goodwill on consolidation before and after regulation of the issue and which sought views upon some of the conceptual issues involved are reported and discussed. Implications of the research for the Australian accounting profession will be addressed, and recommendations will be propsed together with a description of future research opportunities.

This master's thesis focuses on how the Czech Television covered the one hundredth anniversary of the founding of Czechoslovakia in its main evening news program. It was an important theme of the whole year 2018, it wasn't the only anniversary we commemorated in that year, though. In 2018, eighty years have passed since the signing of the Munich Agreement in 1938 and seventy years since the 1948 Czechoslovak coup d'état. It's also been fifty years since the Prague Spring and the Warsaw Pact invasion of Czechoslovakia in 1968. Last but not least, we celebrated twenty-five years since the founding of the Czech Republic in 1993. All these events are significant milestones in Czech and world history of the twentieth century. Therefore, the thesis analyzes to what extent Czech Television dealt with these events. The aim of the thesis is to get an insight into the coverage of this topic throughout the year 2018 and to find out how much space was provided for each anniversary and what the nature of the posts was.

Die Posterausstellung des Lehr- und Praxisprojekts von Studierenden des Bachelorstudienganges Kommunikations- und Medienwissenschaft anlässlich der 61. Tagung der Deutschen Gesellschaft für Publizistik gibt in Kooperation mit dem Universitätsarchiv Leipzig Einblicke in die wechselvolle Geschichte des Instituts für Kommunikations- und Medienwissenschaft der Universität Leipzig im 100. Jahr seiner Gründung.

Die Posterausstellung des Lehr- und Praxisprojekts von Studierenden des Bachelorstudienganges Kommunikations- und Medienwissenschaft anlässlich der 61. Tagung der Deutschen Gesellschaft für Publizistik gibt in Kooperation mit dem Universitätsarchiv Leipzig Einblicke in die wechselvolle Geschichte des Instituts für Kommunikations- und Medienwissenschaft der Universität Leipzig im 100. Jahr seiner Gründung.