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Die Dualität der Zeitgestaltung in E.T.A. Hoffmanns Erzählzyklus Die Serapions-BrüderLaushway, Ester Miccaela. January 1976 (has links)
No description available.
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Aspekte des Dualismus im Roman Die Elixiere des Teufels bei E.T.A. HoffmannNassiri, Massoud January 2002 (has links)
No description available.
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L'invasion du Canada en 1775, d'après les historiens canadiens-françaisKelly, John E. 11 April 2018 (has links)
Québec Université Laval, Bibliothèque 2012
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Os limites da razão : uma investigação sobre a filosofia teórica de Hume no TreatiseKlaudat, André Nilo January 1991 (has links)
Resumo não disponível
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Os limites da razão : uma investigação sobre a filosofia teórica de Hume no TreatiseKlaudat, André Nilo January 1991 (has links)
Resumo não disponível
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Os elementos da filosofia de HumeLarruscahim, Márcio January 2008 (has links)
O presente trabalho procura mostrar que para Hume poder fazer as distinções que ele pretende fazer no início do Tratado da Natureza Humana, entre impressões e idéias e entre idéias da imaginação e idéias da memória, Hume precisa ter recurso a elementos que não são dados empiricamente, como a crença em um mundo externo, atitudes em relação a percepções (crença) e propensões da mente. No entanto, argumentamos que estes não são nem pressupostos irrefletidos de Hume, nem medidas de contenção usadas quando problemas começam a aparecer, mas que constituem elementos imprescindíveis de sua filosofia, amplamente trabalhados por ele, e sem os quais a compreensão de sua filosofia ficaria severamente prejudicada. / The present work tries to show that, for Hume to be able to make the distinctions he intends to make at the beginning of A Treatise of Human Nature, between impressions and ideas, and between ideas of imagination and ideas of memory, Hume needs to make use of elements which are not given empirically, such as belief in an external world, attitudes towards perceptions (belief), and propensities of the mind. However, we argue that they are neither unexamined presuppositions made by Hume, nor accessory measures used to solve problems as they begin to show up in his philosophy; rather, they are necessary elements of his philosophy, thoroughly worked by him, and without which the understanding of Hume’s philosophy would become very limited.
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Os limites da razão : uma investigação sobre a filosofia teórica de Hume no TreatiseKlaudat, André Nilo January 1991 (has links)
Resumo não disponível
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Os elementos da filosofia de HumeLarruscahim, Márcio January 2008 (has links)
O presente trabalho procura mostrar que para Hume poder fazer as distinções que ele pretende fazer no início do Tratado da Natureza Humana, entre impressões e idéias e entre idéias da imaginação e idéias da memória, Hume precisa ter recurso a elementos que não são dados empiricamente, como a crença em um mundo externo, atitudes em relação a percepções (crença) e propensões da mente. No entanto, argumentamos que estes não são nem pressupostos irrefletidos de Hume, nem medidas de contenção usadas quando problemas começam a aparecer, mas que constituem elementos imprescindíveis de sua filosofia, amplamente trabalhados por ele, e sem os quais a compreensão de sua filosofia ficaria severamente prejudicada. / The present work tries to show that, for Hume to be able to make the distinctions he intends to make at the beginning of A Treatise of Human Nature, between impressions and ideas, and between ideas of imagination and ideas of memory, Hume needs to make use of elements which are not given empirically, such as belief in an external world, attitudes towards perceptions (belief), and propensities of the mind. However, we argue that they are neither unexamined presuppositions made by Hume, nor accessory measures used to solve problems as they begin to show up in his philosophy; rather, they are necessary elements of his philosophy, thoroughly worked by him, and without which the understanding of Hume’s philosophy would become very limited.
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Os elementos da filosofia de HumeLarruscahim, Márcio January 2008 (has links)
O presente trabalho procura mostrar que para Hume poder fazer as distinções que ele pretende fazer no início do Tratado da Natureza Humana, entre impressões e idéias e entre idéias da imaginação e idéias da memória, Hume precisa ter recurso a elementos que não são dados empiricamente, como a crença em um mundo externo, atitudes em relação a percepções (crença) e propensões da mente. No entanto, argumentamos que estes não são nem pressupostos irrefletidos de Hume, nem medidas de contenção usadas quando problemas começam a aparecer, mas que constituem elementos imprescindíveis de sua filosofia, amplamente trabalhados por ele, e sem os quais a compreensão de sua filosofia ficaria severamente prejudicada. / The present work tries to show that, for Hume to be able to make the distinctions he intends to make at the beginning of A Treatise of Human Nature, between impressions and ideas, and between ideas of imagination and ideas of memory, Hume needs to make use of elements which are not given empirically, such as belief in an external world, attitudes towards perceptions (belief), and propensities of the mind. However, we argue that they are neither unexamined presuppositions made by Hume, nor accessory measures used to solve problems as they begin to show up in his philosophy; rather, they are necessary elements of his philosophy, thoroughly worked by him, and without which the understanding of Hume’s philosophy would become very limited.
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Geniegedanke bei E.T.A. Hoffmann : Platonisches und Neuplatonisches in Werken Hoffmanns / The genius in works by E.T.A. Hoffmann : platonic and neoplatonic influencesSantos, Isabel Cristina Chaves Seia Russo dos 11 1900 (has links)
Text in German / Summary in English / As a latecomer to the Romantic Movement, Hoffmann viewed art as a force
drawn from within. He based his understanding of the artist on the Platonic
reasoning about original and imitated art, which Plato correlated with his
theories about the perfect World of Ideas. According to Hoffmann, a genius
seeks beauty and knowledge as laid down by Neoplatonism, and has inner
visions of the ideal world which is his inspiration. Such an especially sensible
person, who is being called upon to remember his original, pre-existent state
in the World of Ideas will, through this path of realization, be recognized as
a true artist and genius. Constantly striving for the Neoplatonic Ideal, the
earthly world becomes a place in which he no longer feels at home, and he
seeks to be in the aspired ideal world which for Hoffmann is ultimately found
in the inner self. / Classics and Modern European Languages / M.A. (Classics and Modern European Languages)
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