Le 9 avril I656, le Canadien informait ses lecteurs qu'il avait reçu "le prospectus d'un journal qui devait être publié aux Trois-Rivières par Doucet et Cie". Il annonçait ainsi la naissance du Bas-Canada fondé par Georges-Isidore Barthe le 3 avril I856. Georges-Isidore, fils du capitaine Joseph Barthe et de Marie Tapin, était né à Restigouche au Nouveau-Brunswick le 16 novembre 1834. H fit ses études primaires dans sa paroisse et vint poursuivre ses études classiques au Séminaire de Nicolet. Par la suite il opta pour le droit et après avoir fait une partie de sa cléricature à l'étude de Napoléon Bureau de Trois-Rivières et l'avoir terminée à celle de George et Andrew Robertson de Montréal, il est admis au barreau le 16 octobre I856. La fondation du Bas-Canada marquait donc la première expérience de Barthe dans le monde du journalisme. Cependant Georges-Isidore recevra une précieuse collaboration de son frère Joseph-Guillaume. Ce dernier, de dix-huit ans son aîné, a vu le jour à Carleton le 16 mars 1816. Après des études classiques à Nicolet, il s'initia aux éléments de la médecine qu'il abandonna pour le droit. En 1837, à 21 ans, mêlé au mouvement insurrectionnel, il donna â la presse et en particulier au Fantasque de Nicolas Aubin quelques odes patriotiques qui lui valurent d'être emprisonné à Montréal le 2 janvier 1839, sous l'accusation d'avoir écrit en faveur de Papineau et des exilés des Bermudes. Remis en liberté, il se fit inscrire au barreau. / Québec Université Laval, Bibliothèque 2012

My thesis studies Hartley Coleridge and Dorothy Wordsworth to redress the unjust neglect of Hartley’s work, and to reach a more positive understanding of Dorothy’s conflicted literary relationship with William Wordsworth and Samuel Taylor Coleridge. I provide a complete reassessment of the often narrowly read prose and poetry of these two critically marginalized figures, and also investigate the relationships that affected their lives, literary self-constructions, and reception; in this way, I restore a more accurate account of Hartley and Dorothy as independent and original writers, and also highlight both the inhibiting and cathartic affects of writing from within a familial literary context. My analysis of the writings of Hartley and Dorothy and the dialogues in which they engage with the works of STC and William, argues that both Hartley and Dorothy developed a strong relational poetics in their endeavour to demarcate their independent subjectivities. Furthermore, through a survey of the significance of the sibling bond – literal and figurative – in the texts and lives of all these writers, I demonstrate a theory of influence which recognizes lateral, rather than paternal, kinship as the most influential relationship. I thus conclude that authorial identity is not fundamentally predetermined by, and dependent on, gender or literary inheritance, but is more significantly governed by domestic environment, familial readership, and immediate kinship. My thesis challenges the long-standing misconceptions that Hartley was unable to achieve a strong poetic identity in STC’s shadow, and that Dorothy’s independent authorial endeavour was primarily thwarted by gender. To replace these misreadings, I foreground the successful literary independence of both writers: my approach reinstates Hartley Coleridge’s literary standing as a major poet who bridged Romanticism and Victorian literature, and promotes Dorothy Wordsworth as one of the finest descriptive writers of nature and relationship.

In this study, I expand the scope of the scholarship that Walter Ong and others have done in orality-literacy relations to examine the often uneasy juxtaposition of the oral and written traditions in the literature of the Victorian pulpit. I begin by examining the intersections of the oral and written traditions found in both the theory and the practice of Victorian preaching. I discuss the prominent place of the sermon within both the print and oral cultures of Victorian Britain; argue that the sermon's status as both oration and essay places it in the genre of "oral literature"; and analyze the debate over the extent to which writing should be employed in the preparation and delivery of sermons.

No description available.

FELIX, Keile Socorro Leite. Espíritos inflamados: a construção do estado nacional brasileiro e os projetos políticos no Ceará (1817-1840). 2010. 231f. Dissertação (Mestrado em História) - Universidade Federal do Ceará, Departamento de História, Programa de Pós-Graduação em História Social, Fortaleza-CE, 2010. / Submitted by Raul Oliveira (raulcmo@hotmail.com) on 2012-06-27T15:22:30Z No. of bitstreams: 1 2010_Dis_KSLFelix.pdf: 1648419 bytes, checksum: 39c3a2df3227012e0c02612b4b8e1ebe (MD5) / Approved for entry into archive by Maria Josineide Góis(josineide@ufc.br) on 2012-07-19T14:26:40Z (GMT) No. of bitstreams: 1 2010_Dis_KSLFelix.pdf: 1648419 bytes, checksum: 39c3a2df3227012e0c02612b4b8e1ebe (MD5) / Made available in DSpace on 2012-07-19T14:26:40Z (GMT). No. of bitstreams: 1 2010_Dis_KSLFelix.pdf: 1648419 bytes, checksum: 39c3a2df3227012e0c02612b4b8e1ebe (MD5) Previous issue date: 2010 / The present research seeks to analyze how did happen, in Ceará, the independence process and the formation of the National State. Therefore, we proposed first to investigate how did occur the political disentail of the captainship of Siará grande from the general captainship of Pernambuco in the year of 1799, and the importance of such fact both for a local bigger autonomy and for that captainship development. Beside this aspect, we analyze how did the local groups place before the Royal Family’s presence in the colony, United Kingdom from 1815, putting in relief the 1817’s movement like a first moment of displeasure with the orders and measures taken by Imperial Court which were going opposed to the local interests, mainly the North’s captainships. We discussed too the participation of Ceará in the process of independence, and in the Equator Confederation, detaching that the adherence to that movement reflected the existing divergences both in that province and in the recent country respecting to how it should ought be conducted. And l we still discuss on the movement known in historiography as Pinto Madeira’s Revolt, a movement of restoring character that has, among other motifs, the re-establishment of D. Pedro I in Brazilian’s throne after his abdication in April seven 1831. / A presente pesquisa busca analisar como se deu, no Ceará, o processo de Independência e a formação do Estado Nacional. Para tanto, nos propusemos, primeiramente, a investigar como se deu a desvinculação política da capitania do Siará grande da capitania geral de Pernambuco no ano de 1799 e a importância desse fato tanto para uma maior autonomia local como para o desenvolvimento dessa capitania. Além desse aspecto, analisamos como os grupos locais se colocaram diante da presença da família real na colônia, Reino Unido a partir de 1815, destacando o movimento de 1817 como um primeiro momento de descontentamento com as ordens e medidas tomadas pela Corte Imperial que estavam indo de encontro aos interesses locais, sobretudo das capitanias do Norte. Discutimos também a participação do Ceará no processo de Independência e na Confederação do Equador, destacando que a adesão a esse movimento refletia as divergências existentes tanto nessa província como no recente país a respeito de como ele deveria ser conduzido. E ainda debatemos sobre o movimento conhecido na historiografia como Revolta de Pinto Madeira, movimento de cunho restauracionista, que tinha, entre outros motivos, restabelecer D. Pedro I no trono brasileiro depois de sua abdicação em sete de abril de 1831.

Made available in DSpace on 2014-06-11T19:35:38Z (GMT). No. of bitstreams: 0 Previous issue date: 2013-02-22Bitstream added on 2014-06-13T20:47:56Z : No. of bitstreams: 1 ibanhes_mlg_dr_sjrp.pdf: 2237425 bytes, checksum: c278308ef98831ce2e058eb29489049f (MD5) / O principal objetivo desta tese é o estudo das interseções no mito do bandoleiro, como cavaleiro errante, por meio da figura do herói/anti-herói, Silvino Jacques, enfocando particularmente sua trajetória no tempo e no espaço, com vistas à explicitação dos seus “feitos” e análise das regiões de sua atuação, e da notável significação que o nome e a escritura de Silvino Jacques encerram em certa tradição literária. Para tanto, o corpus deste trabalho baseia-se nas obras Decima gaucha, do próprio Silvino Jacques, Silvino Jacques: O último dos bandoleiros, do escritor regionalista sul-mato-grossense Brígido Ibanhes e no documentário Selvino Jacques: A saga de um bandoleiro, de Hamilton Wander Medeiro. O estudo justifica-se, prioritariamente, pela comprovação dos influxos platinos, os quais ultrapassam fronteiras e leis, ocasionando trocas e/ou “contrabandos” literários e culturais entre as regiões envolvidas. Assim, a análise volta-se para a recuperação do tema ao longo da história da literatura, remontando à reconhecida figura do lendário Martín Fierro e sua formidável ressonância e fortuna nas literaturas do Cone Sul, bem como para o ambivalente herói pícaro, representado tanto pelo Quixote como pelo Lazarillo, nas literaturas hispano-americanas. A perspectiva desta análise contempla reflexões teórico-críticas oriundas da Literatura Comparada e dos Estudos Culturais e também da teoria do documentário, campos de saber que propiciaram a abordagem de um tema ainda pouco estudado, mas de grande produtividade para estudiosos e pesquisadores de poéticas comparadas culturais / El objetivo principal de esta tesis es el estudio de las intersecciones en el mito del bandolero, como caballero errante, a través de la figura del héroe /antihéroe, Silvino Jacques, centrándose particularmente en su trayectoria en el tiempo y el espacio, con vistas a explicitación de sus hechos” y el análisis de las áreas de sus actuaciones, además de la notable significación que el nombre y la obra de Silvino Jacques cierran en determinada tradición literaria. Por lo tanto, el corpus de este trabajo se basa en las obras Decima gaucha, del propio Silvino Jacques, Silvino Jacques: O último dos bandoleiros, del escritor regionalistas sul-mato-grossense Brígido Ibanhes y el documental Selvino Jacques: A saga de um bandoleiro, de Hamilton Wander Medeiro. El estudio se justifica, sobre todo, por la comprobación de los influjos platinos que propasan las fronteras y las leyes, ocasionando cambios y/o contrabando literarios y culturales entre las regiones involucradas. Así, el análisis se vuelve para la recuperación del tema al largo de la historia de la literatura que se remonta a la figura del legendario Martín Fierro y su formidable resonancia y fortuna en las literaturas del Cono Sur, como también para el ambivalente héroe pícaro, representado tanto por el Quijote como por el Lazarillo, en las literaturas hispanoamericanas. La perspectiva de este análisis complace reflexiones teórico-críticas oriundas de la Literatura Comparada y de los Estudios Culturales, además de la teoría documental, campos del saber que favorecen el abordaje de un tema todavía poco estudiado, pero de gran productividad para estudiosos y investigadores de poéticas comparadas culturales

The interpretations of the war of 1835 and the identity of the Fingo that were presented by the English settlers, have remained the mainstays of all subsequent histories. They asserted that the war of 1835 was the fault purely of 'Kaffir' aggression, that it was controlled by Hintza, the paramount chief, and that the ensuing hostilities were justifiable colonial defence and punishment of the Africans. The arrival of the Fingo in the Colony, it was claimed, was unconnected with the war. It was alleged that the seventeen thousand Fingo brought into the Colony in May 1835 were all Natal refugees who had fled south from the devastations of Shaka and the 'mfecane', and who had then become oppressed by their Gca1eka hosts. Both of these 'histories' need to be inverted. The 'irruption' of December 1834 was not unprovoked Rharhabe aggression, but the final response to years of the advance of the Cape Colony. Large areas of Rharhabe land had been expropriated, and their cattle regularly raided. Their women and children had been seized and taken into the Colony as labourers. The attacks were carried out by only a section of the Rharhabe on specific areas in Albany. The damage caused, and stock taken, was vastly exaggerated by the colonists. The Cape Governor, D'Urban, and British troop reinforcements arrived in Albany in January, and the Rharhabe were invaded two months later. D'Urban later invaded the innocent Gcaleka, took cattle, wreaked havoc and killed Hintza after he refused to ally with the Colony. The Fingo made their appearance at this moment. They were not a homogenous group. There were four categories within the term: mission and refugee collaborators (who were given land at Peddie and had chiefs appointed), military auxiliaries, labourers, and later, destitute Rharhabe seeking employment in the Colony. Only a small minority of the total Fingo were from Natal. The majority of the Fingo appear to have been Rharhabe and Gcaleka women and children, captured by the troops during the war and distributed on farms in the eastern districts to ameliorate the chronic labour shortage. Thus, instead of the year 1835 being one of great loss for the eastern Cape, as claimed by the settler apologists, it was a catalyst to the economic development of the area. All Rharhabe land was seized, to be granted as settler farms. Well over sixty thousand Rharhabe and Gcaleka cattle were captured and distributed amongst the colonists. The security threat of the adjacent Rharhabe and the independent Gcaleka was removed. And a large colonial labour supply was ensured.

Seit mehreren Jahrzehnten nehmen die Bestandszahlen von Bodenbrütern europaweit ab, ein Prozess, der hauptsächlich auf die Intensivierung der Landwirtschaft zurückzuführen ist. In diesem Zusammenhang könnte aber auch die zunehmende Prädation von Raubsäugern (Carnivora, Mammalia) eine wichtige Rolle spielen. Ziel dieser Studie war die Bewertung und Einschätzung des Prädationspotentials ausgewählter Raubsäugerarten auf Bodenbrüter im brandenburgischen Vogelschutzgebiet "Mittlere Havelniederung". Von Mai 2015 bis Juni 2017 wurde die Raumnutzung verschiedener Raubsäugerarten mittels Kamerafallen und einer Telemetriestudie untersucht und anschließend mit den Ergebnissen einer Vogelkartierung verglichen. Ergänzt wurden die Untersuchungen mit einer Losungsanalyse der am häufigsten beobachteten Raubsäugerarten Waschbär (Procyon lotor) und Rotfuchs (Vulpes vulpes). Waschbären wiesen eine hohe Standorttreue sowie eine hohe Präferenz für Gewässer und Feuchtgebiete auf, während Rotfüchse eine hohe intraspezifische Variabilität in Bezug auf ihre Habitatnutzung sowie ein hohes Abwanderungsverhalten zeigten. Die Ergebnisse lassen außerdem ein hohes Prädationspotential des Waschbären auf Wasservögel vermuten, während der Einfluss auf Wiesenbrüter geringer zu sein scheint. Diese scheinen den höchsten Prädationsdruck durch den Rotfuchs zu erfahren. Die Nahrungsanalysen bestätigen diese Ergebnisse und spiegeln auch räumliche Bewegungsmuster beider Arten wieder. Diese Studie liefert als eine der europaweit ersten Studien empirische Belege für ein starkes indirektes und direktes Prädationspotential des Waschbären insbesondere auf Wasservögel. Zudem hebt diese Studie die Notwendigkeit einer differenzierten Betrachtung potenzieller Auswirkungen von Raubsäugern auf Bodenbrüter hervor und gibt einen Hinweis darauf, dass das Prädationspotential einer Raubsäugerart eng mit der Strukturvielfalt eines Lebensraums und somit mit der Intensität der landwirtschaftlichen Bewirtschaftung zusammenhängt. / Over recent decades, a general decline in ground-nesting bird species has been recorded all over Europe and this trend is mainly a result of agricultural intensification. However, increasing predation pressure by carnivores (Carnivora, Mammalia) might also play an important role in this context. The aim of this study was to assess and evaluate the predatory potential of selected carnivore species on ground-nesting birds in the Special Protection Area `Mittlere Havelniederung’ in Brandenburg, Germany. Between May 2015 and June 2017, camera- trapping and a telemetry study were carried out to investigate the spatial behavior of mesocarnivore species. Subsequently, spatial data were compared with results of a bird mapping and complemented by an analysis of scat contents of the most abundant carnivore species raccoon (Procyon lotor) and red fox (Vulpes vulpes). Camera trapping revealed a high diversity of carnivores. In addition, spatial distribution patterns showed high site fidelity and an exclusive preference for waters and swamplands in raccoons, while red foxes showed a high level of intraspecific variance in habitat use and a pronounced level of migratory activity. Predator-prey spatial overlap assumes a high potential impact of raccoons on water-associated bird species, while their impact on grassland birds appears not as important. Grassland birds seem to experience highest predatory pressure by red foxes. Dietary analysis support these results and confirm species-specific spatial patterns. As one of the first studies in Europe, this study provides empirical evidence of raccoons’ strong indirect and direct predatory potential in particular on water-associated bird species. Besides, this study highlights the need for a differentiated view on the potential impact of carnivore species on ground-nesting birds and suggests, that the predatory potential of a carnivore species is linked with landscape diversity and thus with intensity of agricultural land use practices.

This dissertation presents a performance guide of two solos for early valved trumpet, as well as an appraisal of their historical significance. The first of these solos is F. G. A. Dauverné's Variations pour trompette à pistons avec accompagnement de Piano-forte, op. 3 (1833). The second solo examined is Amilcare Ponchielli's Concerto per Tromba e Banda, op. 123 (1866). Although Ponchielli's work dates from only the middle of the century, by time of its composition the valved trumpet had already been developed enough to have attained true artistic value. This dissertation provides evidence concerning the evolution of nineteenth solo literature for the Romantic trumpet by means of formal analysis in regard to form, harmony, and historical performance practice.

Cette étude des gravures et aquatintes publiées de la ville et des environs de Québec au cours de la période 1760-1833 soutient que la représentation picturale que les Britanniques se font de la colonie se constitue dans le contexte du projet impérial britannique et des débats qui secouent la Grande-Bretagne. Le phénomène fondamental de la représentation (visuelle, dans ce cas) est abordé principalement à partir de la notion d'intentionnalité qui accorde une grande importance aux conditions d'apparition des estampes. Le contexte culturel, social et géopolitique de la Grande-Bretagne à l'époque éclaire dès lors l'interprétation des séries d'images comprenant la ville de Québec réalisées d'après Hervey Smyth (1760-1761), Richard Short (1761), James Peachey (1786), George Bulteel Fisher (1796) et James Pattison Cockburn (1831-1833). Ces oeuvres traduisent une préoccupation durable pour la maîtrise des lieux, imputable à la volonté de contrôle d'un empire multi-ethnique. Elles révèlent parfois les perceptions des différents groupes sociaux qui composent la société britannique. D'abord animées par un patriotisme ravivé par la guerre contre la puissance catholique et française dont l'influence culturelle est perçue comme une menace pour la nation, les années 1760 président à des images conquérantes et fortes qui valorisent, du moins en Grande-Bretagne, des valeurs de liberté, d'héroïsme, d'anti-catholicisme et de masculinité. La période suivante, celle des années 1780-1800, voit paraître peu d'estampes de la ville de Québec sur le marché londonien. Les quelques images publiées incorporent cependant des "manières de voir et de vivre" qui favorisent également la mise à distance de l'objet urbain, une tendance qui se maintiendra ultérieurement. Vers 1830, au moment où la société bourgeoise britannique est bien implantée, l'image de la ville de Québec traduit les préoccupations contemporaines de loisir, de tourisme, d'ordre social et d'expérience esthétique. En tout temps, l'image de la ville de Québec se trouve prise dans les rets de la Grande-Bretagne dont elle symbolise à la fois les ambitions et les craintes sur le plan géographique.