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Observa-se, na atualidade, um expressivo aumento na quantidade de pessoas que sofre de obesidade. Embora sejam apontados os fatores psicológicos envolvidos nessa perturbação alimentar, a maioria das ações de tratamento é feita somente sobre o organismo, e na modelagem de comportamento, sem levar em conta a dinâmica psíquica que opera nesses casos. Nesse contexto, a presente pesquisa teve como objetivo geral examinar, a partir do referencial freudiano, como a obesidade se articula à busca por um corpo ideal e aos sintomas relacionados às patologias da alimentação. Dessa forma, espera-se contribuir para o estudo da metapsicologia da obesidade, no campo das psicopatologias contemporâneas relacionadas ao corpo, assim como obter subsídios para a clínica psicanalítica no contexto hospitalar. Nesse sentido, ao tematizar a articulação entre o corpo, do ponto de vista do referencial freudiano, e a noção de corpo no âmbito da Medicina, objetivou-se delinear instrumentos que auxiliassem no tratamento de pacientes obesos, obtendo-se elementos para se investigar a formação de novos sintomas após tratamentos mais invasivos como a cirurgia bariátrica, já que a redução de peso não impede sua formação. Para a realização dessa pesquisa, foram examinados textos freudianos e seus comentadores referenciados ao tema, e foi feita uma revisão da bibliografia existente. / It is observed nowadays a significant increase in the amount of people suffering from obesity. Although have been highlighted the psychological factors involved in this disturbance food, the majority of the procedures of treatment is done only on the body and the modeling of behavior, without regard the psychological dynamics that operates in such cases. In this context, the present study aimed to examine, from the Freudian referential, as obesity is articulated to the search for an ideal body and linked to the symptoms of food diseases. Thus, it is expected to contribute to the study of metapsychology of obesity, in the field of contemporary psychopathologies related to the body, as well as obtaining subsidies for the psychoanalytic clinic in hospitals. So, when you put in evidence the link between the body, in the view of the Freudian reference, and the notion of the body as part of Medicine, the aims was to shape up tools that helped in the treatment of obese patients, obtaining data to investigate the appearance of new symptoms after more invasive treatments such as bariatric surgery, because the reduction in weight does not prevent their formation. To carry out this search, Freudian texts were examined and its commentators referred to the issue, and then was made a review of the literature.

Orientador: Nina Virginia de Araujo Leite / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem / Made available in DSpace on 2018-08-04T08:10:34Z (GMT). No. of bitstreams: 1 Lima_JarbasCoutoe_D.pdf: 349768 bytes, checksum: 7626ab5304fb28f9e4dc7dfb89353098 (MD5) Previous issue date: 2005 / Resumo: Discute-se a passagem realizada por Sigmund Freud da anatomia clássica aos primórdios do pensamento psicanalítico, investigando suas rupturas com a neurologia. Investiga-se também a hipótese de que a explicação neurológica de corpo em representação é uma das pontes para uma explicação que envolve a concepção associativa com a qual Freud inicia essa refutação da neurologia. As marcas mais profundas dessa ruptura, entretanto, são encontradas na influência de Jackson sobre o fundador da psicanálise. Isso se dá, mais precisamente, pela introdução do funcionamento da linguagem como elemento fundamental para o surgimento do conceito de aparelho psíquico, o que envolve uma articulação original, propriamente freudiana, entre corpo e linguagem. A partir de então, se adota como objeto o estudo de Freud sobre as afasias e o malogro do modelo anatômico ante os sintomas do corpo na histeria. Supõe-se aí que Freud concebe pela primeira vez a linguagem, não como função natural, mas como elemento fundante na elucidação do aparelho psíquico e na constituição do corpo pulsional, assim como seus efeitos no corpo histérico. Argumenta-se que a função do imaginário proclamada na teoria lacaniana do estágio do espelho representa um dos pilares teóricos para uma explicação do domínio do corpo pela criança como efeito de linguagem. Ressalta-se a importância das oposições fonológicas no processo de juntura do registro do imaginário com o simbólico, no interior de uma investigação sobre o jogo do Fort/Da. Dessa forma, enfatiza-se o jogo de presença e ausência como a matriz de oposição significante capaz de introduzir o sujeito na linguagem e no domínio do próprio corpo. Considera-se uma aproximação entre Freud e Saussure pela via da constituição da alteridade externa e interna à linguagem. Por último, aponta-se, à guisa de conclusão, algumas conseqüências patológicas da ausência do discurso do Outro primordial na constituição do homem como um ser de linguagem / Abstract: It is dicussed the passage performed by Sigmund Freud of the classical anatomy to the origins of the psychoanalytical thought, investigating their ruptures with the neurology. As well it is investigated the hypothesis that the neurological explanation of body in representation is one of the bridges for an explanation that involves associative conception with which Freud begins this refutation of the neurology. The most profound marks of this rupture, however, are found in Jackson's Influence on the founder of the psychoanalysis. That gives, more precisely, by the introduction of the operation of the language as a fundamental element for the appearance of the concept of psychic aid, which it involves an original articulation, properly by Freud, among body and language. Frau this point on, it is adopted as an object Freud's Study on aphasia and the failure of the anatomical model before the symptoms of the body in the hysteria. It is supposed there that Freud conceives for the first time the language not as a natural function, but as fundamental element in the elucidation of the psychic aid and in the constitution of the body, as well as their effects in the hysterical body. It is argued that the function of the imaginary proclaimed in the Lacan¿s theory of the apprenticeship of the mirror represents one of the theoretical pillars for an explanation of the domain of the body by the child as language effect. It is stressed the importance of the phonological oppositions in the joint process of the registration of the imaginary with the symbolic, in the investigation of Fort/Da's Game.Thus it is emphasised that the game of presence and absence as the matrix of significant opposition which enables the introduction of the subject in the language and in the domain of the body. It is considered an approach between Freud and Saussure through of the constitution of external and internal alterity to the language. Finally, it is concluded that some pathological consequences are related to the absence of the speech from Other primordial in the man's constitution as a being of language / Doutorado / Linguistica / Doutor em Linguística

Many critics examine Shaw's plays in terms of the subjects they deal with, but they often ignore what aspects of these subjects Shaw draws on or how he uses them. One subject that appears in many of his works is war. This thesis examines Shaw's treatment of war in Arms and the Man and Heartbreak House, and attempts to discover a common element between them that reveals something not only about the plays themselves, but also about Shaw's drama in general. The chapter on Arms and the Man notes how Shaw makes war a highly visible element of the play, but avoids dealing with issues directly related to war. Shaw does not draw on war itself, but on its image. The sources for Catherine's and Bluntschli's impressions of both war and Sergius—Lady Butler's paintings, the military melodrama and extravaganza, Tennyson's "Charge of the Light Brigade," and accounts of the Battle of Balaklava—indicate that the play's focus is not on war, but on how one perceives the world. This idea is further reinforced by Shaw's own views about idealism, romanticism, and realism. Unlike Arms and the Man, war is an integral part of Heartbreak House. Shaw uses elements from the British homefront during the First World War—the wasted lives of England's youth, the lies of the government and the press, and the potential for violence both on the front and at home during the conflict—to help create the play's deep sense of crisis and impending doom. But as with Arms and the Man, Heartbreak House is not a play about war. Whereas war is highly visible in the former, its presence is negligible in the latter: there are no military characters or any clear indication that a war is in progress until the end of the play. Moreover, Shaw does not draw on sources related only to the war. Thus while Heartbreak House was born largely out of the despair of the First World War, its themes go beyond that conflict to deal with questions about the individual, the family, and the fabric of society itself. This thesis concludes by briefly examining Saint Joan, and notes that it combines the two approaches to war found in Arms and the Man and Heartbreak House, but distances its intended audience—the English—by using a historical conflict where Englishmen are the enemy. In comparing the three plays' treatment of war, one can conclude that the common element in Shaw's treatment of war is his distancing of an audience from the subject itself. Moreover, one discovers that this distancing is related to the nature of the subjects that Shaw uses for his plays. Only subjects that he believed were complex were suitable for creating his dramatic works. Therefore, it is fruitless for critics to examine Shaw's plays for his opinions about a subject; they should concentrate on how Shaw uses these subjects in his plays instead. / Arts, Faculty of / English, Department of / Graduate

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DANTAS, Elza Alves. As letras da lei x as leis das letras: exames de capacidade profissional e a instrução pública na Província do Ceará (1856-1888). 2010. 141 f. Dissertação (Mestrado em História) - Universidade Federal do Ceará, Departamento de História, Programa de Pós-Graduação em História Social, Fortaleza-CE, 2010. / Submitted by Raul Oliveira (raulcmo@hotmail.com) on 2012-06-25T12:51:35Z No. of bitstreams: 1 2010_Dis_EADantas.pdf: 2863582 bytes, checksum: c81c2fe2133095c0b7216b6cda64c0c6 (MD5) / Approved for entry into archive by Maria Josineide Góis(josineide@ufc.br) on 2012-06-25T16:29:22Z (GMT) No. of bitstreams: 1 2010_Dis_EADantas.pdf: 2863582 bytes, checksum: c81c2fe2133095c0b7216b6cda64c0c6 (MD5) / Made available in DSpace on 2012-06-25T16:29:22Z (GMT). No. of bitstreams: 1 2010_Dis_EADantas.pdf: 2863582 bytes, checksum: c81c2fe2133095c0b7216b6cda64c0c6 (MD5) Previous issue date: 2010 / This work investigates, through the exams of Professional Capacity, different subject matters relevant to primary teaching. It has been begun for understanding the primary teaching, the teachers and the ways of the process of selection of the public teaching. It has discussing the construction of the contents as the forms as the teachers expressed themselves in their exams. It has pointed the problems out of the writing of the History in the XIX century, the teaching in your relation with sphere of moral and religion, and the punishment of the school. / As letras da lei x a lei das letras: Exames de Capacidade Profissional e a Instrução Pública na Província do Ceará (1856-1888). Este trabalho investiga, a partir dos exames de Capacidade Profissional, diversas temáticas pertinentes ao ensino primário. Iniciando por compreender o próprio ensino primário, seus mestres bem como os meandros do processo de seleção do magistério público. Discutindo a construção dos conteúdos e as formas como os mestres se expressavam em seus exames. Ressaltando problemáticas da escrita da História no século XIX, o ensino em sua relação com as esferas da moral e religião, bem como os castigos no ambiente escolar.