After a series of reversals in its wars with European powers during the eighteenth century, the Ottoman Empire was forced to reevaluate its military technology and training. The realization that the West had outstripped the Muslim East in scientific and technological advancement led Ottoman reformers to introduce changes to the traditional educational system, especially to the curriculum. However, what the reformers soon realized was that the military superiority of Europe was only a symptom, and not the cause of, the West's advancement; this led to the introduction of more Western-style institutions in an effort to achieve its military goals. It was through these new institutions that Western ideas of equality, rationalism and liberalism were introduced into the Ottoman Empire. These imported ideas were bitterly resisted by the ulema, who continued to operate a traditional school system parallel to that developed by the reformers. In spite of their objections, however, the traditional Muslim educational system was forced to undergo a significant metamorphosis both prior to and during the Tanzimat period.

Thesis (M.A.)--University of Wisconsin--Madison, 1963. / Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 95-98).

Made available in DSpace on 2014-06-11T19:26:53Z (GMT). No. of bitstreams: 0 Previous issue date: 2013-01-23Bitstream added on 2014-06-13T20:15:57Z : No. of bitstreams: 1 prado_es_me_assis.pdf: 3192415 bytes, checksum: f370fc3dc063ec2872a8bc6860558099 (MD5) / Esta dissertação objetiva analisar o primeiro capítulo das duas edições não póstumas (1872 e 1884) do romance Inocência, do Visconde de Taunay (1843-1899), sob o ponto de vista filológico. Para tal foram utilizados os referenciais teóricos da filologia, da crítica textual, da crítica genética, da edótica e da estilística segundo os seguintes autores: César Nardelli Cambraia; Bárbara Spaggiari e Maurizio Perugi; Cecília Almeida Salles; Segismundo Spina; José Lemos Monteiro e Nilce Sant‟Anna Martins. Alfredo d‟Escragnolle Taunay atuou e escreveu sobre várias esferas do Brasil do século XIX, mas sua fama é atribuída a apenas duas de suas produções: La Retraite de Laguna (1871) e Inocência (1872). Pelo fato de o meio acadêmico ainda não ter ressaltado a necessidade da elaboração de uma análise aprofundada da recepção e das alterações pelas quais o romance campestre possa ter passado após tantas publicações, é que este estudo propõe a aplicação de dois procedimentos da crítica textual, recensio e collatio, por meio dos quais se revelarão, a partir de uma amostragem, as alterações às quais o texto foi submetido e a importância dessas escolhas em função de algumas coordenadas indicadas pela fortuna crítica. Este processo contribui para desmistificar o processo criativo das obras de arte (crítica genética) e também auxilia na criação de um conjunto de regras que constituem marcas de estilo do autor, presentes no processo de edição e reedição da obra / This dissertation aims to analyze the first chapter of the two not posthumous editions (1872 and 1884) of the novel Inocência, by Visconde de Taunay (1843-1899), using the philological approach. For this purpose, it was used the theoretical frame of references of philology, textual criticism, genetic criticism, ecdotics and stylistics according to the following authors: César Nardelli Cambraia; Bárbara Spaggiari e Maurizio Perugi; Cecília Almeida Salles; Segismundo Spina; José Lemos Monteiro e Nilce Sant‟Anna Martins. Alfredo d'Escragnolle Taunay acted and wrote about various spheres of nineteenth-century Brazil, but his fame is attributed to only two works of him: La Retraite de Laguna (1871) and Inocência (1872). Considering that academia has not emphasized the necessity of developing a thorough examination of the reception and the changes through which the country novel has spent after so many publications, this study proposes the application of two procedures of textual criticism, recensio and collatio, by means of which will show, from a sample, the changes to which the text was submitted and the importance of these choices on the basis of some coordinates indicated by critical fortune. This process helps to demystify the creative process of art works (genetic criticism) and also helps in creating a set of rules that constitute the author's style tags, present in the editing and re-editing process of the work

No description available.

The thesis deals with a visual concept for a feature film based on the novel „The Scarlet Plague“ by Jack London. It consists of two parts: a theoretical part and a practical part, which contains author’s own design for the film. The first, theoretical part describes the history of the genre, and analysis the visual concepts of a few post-apocalyptic films that are relevant to the concept chosen for „The Scarlet Plague“, particularly Rise of the Planet of the Apes (director Rupert Wyatt, 2011), Dawn of the Planet of the Apes (director Matt Reeves, 2014), Waterworld (director Kevin Reynolds, 1995), I am Legend (director Francis Lawrence, 2007), Mad Max: Fury Road (director Georges Miller, 2015). In the second, practical part, the approach to the concept of „The Scarlet Plague“ is described and accompanied with the visual execution of selected scenes.

ABRUNHOSA, Rafael David. Fundamentos politico-pedagogicos a partir do pensamento de Mikhail Bakunin. 2015. 103f. – Dissertação (Mestrado) – Universidade Federal do Ceará, Programa de Pós-graduação em Educação Brasileira, Fortaleza (CE), 2015. / Submitted by Márcia Araújo (marcia_m_bezerra@yahoo.com.br) on 2016-02-11T13:10:06Z No. of bitstreams: 1 2015_dis_rdabrunhosa.pdf: 478264 bytes, checksum: 1d4e50046fe51ab7c9e57c86810edb0a (MD5) / Approved for entry into archive by Márcia Araújo(marcia_m_bezerra@yahoo.com.br) on 2016-02-11T13:50:55Z (GMT) No. of bitstreams: 1 2015_dis_rdabrunhosa.pdf: 478264 bytes, checksum: 1d4e50046fe51ab7c9e57c86810edb0a (MD5) / Made available in DSpace on 2016-02-11T13:50:55Z (GMT). No. of bitstreams: 1 2015_dis_rdabrunhosa.pdf: 478264 bytes, checksum: 1d4e50046fe51ab7c9e57c86810edb0a (MD5) Previous issue date: 2015 / O objetivo do presente trabalho é apresentar a estrutura da teoria politica e pedagógica de pensador russo Mikhail Bakunin. Para tanto empreendemos uma análise exegética e interpretativa de suas principais obras tais como Federalismo, socialismo e antiteologismo (1988) e Estatismo e Anarquia (2003). Bakunin descreveu de modo articulado a interdependência dos principais elementos da modernidade ascendente na Europa do século XIX, a relação entre Estado-Nação, modo de produção capitalista e ideologia cientificista e império são elementos fundamentais em sua obra, bem como o processo de resistência coletiva desenvolvida pelos trabalhadores em defesa da emancipação do trabalho sobre o capital. A pespectiva da totalidade permeia a estrutura desse trabalho posto que no pensamento de Bakunin o desenvolvimento do sistema inter-estatal capitalista com a as suas formas epistemológicas de dominação devem ser superadas por formas igualmente integrais de emancipação, por meio do controle dos trabalhadores da vida econômica, politica e educacional da sociedade. A partir desse estudo também apresentamos uma proposta Pedagogica a partir do seu pensamento, denominamos esse complexo educativo, que se baseia sobretudo na compreensão do conhecimento como um constructo do trabalho e resistência coletiva, de Pedagogia sociopolítica.

This thesis deals with the history of the wind orchestra Koletova Hornická Hudba from Rtyně v Podkrkonoší, with the brass music festival Koletova Rtyně, and with the major figures connected with the orchestra. The orchestra has a rich history and in 2014 it is going to celebrate its 150-year-long existence. Since its foundation the orchestra has never stopped its activities and has come through all setbacks. The festival Koletova Rtyně is one of the oldest festivals of the big wind orchestras in the Czech Republic. Its origin dates back to the cooperative concert of the orchestras from Rtyně and Kolín in1960. The 50th year of the Festival is going to be held in 2014. Eminent personages who mainly influenced Koletova hornická hudba are above all Koletas brothers - the orchestra was named after them, and Zdeněk Tlučhoř who is running the orchestra nowadays.

Inequality is a social phenomenon that exists across all nations; it is a condition which means that not everyone enjoys the same access to resources of all kinds and to certain positions that society values. Despite its importance, in Peru, the analysis of different approaches to inequality was not taken up until the 20th century, since it was only then that data began to be prepared to enable its study. Because detailed analyses of inequality did not exist before the 20th century, the objective of this study is to estimate income inequality in Peru at the end of the 19th century on the basis of the 1876 census, the first population and housing census of the Republican era. This census is considered to be particularly important for its utilization of modern techniques to enumerate the inhabitants of the day. / La desigualdad es un fenómeno social que existe en todas las naciones, es una condición que implica que las personas no gocen del mismo acceso a los recursos de todo tipo y a ciertas posiciones que valora la sociedad. A pesar de la importancia, en el Perú, estimaciones sobre diferentes enfoques de la desigualdad fueron abordados a partir del siglo XX debido a que desde aquella época recién se elaboran datos que hicieron posible su estudio. Dado que no existen estimaciones detalladas sobre la desigualdad antes del siglo XX, el objetivo de este estudio es estimar la desigualdad de ingresos en el Perú a finales del siglo XIX tomando como base al censo de 1876, primer censo de población y vivienda de la Época Republicana. Se le considera el más importante por ser el que contó con técnicas modernas para el empadronamiento de los habitantes de aquella época.

Orientador: Eliane Moura da Silva / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas / Made available in DSpace on 2018-08-03T18:39:06Z (GMT). No. of bitstreams: 1 Pinheiro_AureadaPaz_D.pdf: 15091593 bytes, checksum: a19aa023c5778268917d9aaabffe4861 (MD5) Previous issue date: 2003 / Resumo: A tese tem a forma de uma biografia histórica como vem sendo pensada, de múltiplas e diferentes fonnas, por historiadores e sociólogos a partir dos anos oitenta do século xx. O objetivo geral do trabalho é narrar a vida e a obra de Abdias Neves (1876-1928): literato, político, maçom, anticlerical e livre-pensador piauiense. Compreender Abdias Neves imerso no meio social, junto com outros homens, perceber a sua interação com as demais pessoas de seu tempo, de seu território. Percorrer os espaços de sociabilidadesvividos pelo biografado: o mundo das academias, da literatura, dos jornais, das revistas e da vida político-partidária, a fim de aprofundar o estudo do anticlericalismo no Brasil e, em particular, no Piauí / Abstract: The thesis has the form of a historical biography as it has been thought of, in multiple and different forms, by historians and socilogists from the years eighty of the XX century . The general objective of this work is to narrate the life and work of Abdias Neves (1876- 1928): a literate man, politics, mason, anticlerical and a piauiense free thinker. It has the aim to comprehend Abdias Neves immersed in the social medium, together with other men, to perceive his interaction with all the other persons of his time, of his territory. To go through the spaces lived by the biographer: the world of academies, of literature, of journals, or magazines and of his political party life in order to deepen the study of anticlerism in Brazil and in particular in Piauí / Doutorado / Politica, Memoria e Cidade / Doutor em História

J.C. Chase was an 1820 settler who travelled to the Cape with Bailie's party. He was a man of some standing and education. There is evidence that he was a member of the Worshipful Company of Founders, whose arms were later adopted by Aliwal North, but he was reputedly a bookseller in London in 1819. Clearly the reading and writing of books were among his chief preoccupations at the Cape. He was particularly interested in travel and exploration and was one of the early white visitors to Griqualand. But his main objective at the Cape was probably to seek the security of a government appointment, and he held quite a succession of offices until he secured a permanent post in the administration. Even then he was moved from Graham's Town to Albert before he found his niche at Uitenhage, where he was Civil Commissioner and Resident Magistrate from 1849 to 1863. Intro., p.1.