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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
101

Paul V. McNutt, his role in the birth of Philippine independence

Mamot, Patricio R. 03 June 2011 (has links)
The purpose of this study was to make a portrayal of the role played by Paul V. McNutt, a Hoosier politician and diplomat, in the birth of Philippine independence on July 4, 1946.The research involved an in-depth study of the life and work of McNutt as the United States diplomat who was assigned to the Philippines upon three occasions: President Franklin D. Roosevelt appointed him as the United States High Commissioner to the island archipelago (1937-1939); President Harry S. Truman reappointed him to the same position (1945-1946); and after the Philippines received its independence on July 4, 1946, McNutt was appointed as the first United States Ambassador to the Republic of the Philippines.This study has attempted to discuss the following points: (1) some pertinent biographical information of the Hoosier statesman, which included his family background, early education, and his early legal and teaching career. Such information has helped in studying the profile of the would-be Hoosier diplomat, (2) the conceptual and political aspects of the American rule of the Philippines, which underscored the significance of the avowed "Manifest Destiny" in American involvement in the Philippines, initially through armed confrontations and later through "benevolent assimilation" of the Filipinos, (3) Philippine economy prior to Commonwealth government, which became an important factor in considering the feasibility and desirability of giving Filipinos full independence, (4) McNutt's first term as United States High Commissioner to the Islands. At first this assignment was viewed as a forced exile for the Hoosier political upstart, who in 1940 sought the presidency of the United States, (5) the launching of the McNutt-for-President campaigns in late 1939, after he resigned his Philippine position. I t was believed that McNutt's political popularity was enhanced by his good performance in the Philippines, and (6) the return of McNutt as the United States High Commissioner after World War II, a war that devastated the Philippines. This raised the important issue of rehabilitation and reconstruction of the Philippines shortly before declaration of Philippine sovereignty on July 4, 1946. This gave birth to a new Oriental republic out of a country which had been under the control of the United States during the previous five decades. The American policy in the Philippines served as a precedent for other possessions in the Pacific held by European powers.The Hoosier diplomat occupied a unique place in the history of Philippine-American relations. His assignments came at the time when Filipino nationalists and American leaders were in need of greater understanding in 3 the performance of their respective roles. In early 1937,McNutt arrived to see the flowering of the Philippine Commonwealth. The move to give Commonwealth status to a dependent territory by the United States in 1935 served as a structural and definitive evidence of America's desire to give the Filipinos their independence following a ten-year transition period. This significant decade, which began in 1936 and ended in 1946, gave both the Filipinos and the Americans a breathing period. McNutt's significant service in the Philippines was rendered during this crucial period.The search for acceptable preparatory arrangements toward full independence was long and difficult. Many attempts were made to shear off glaring inequities and other extraneous provisions in the bilateral agreement toward eventual Filipino independence. McNutt was instrumental in bringing about acts by the United States Congress, which would insure that Filipinos would not merely enjoy political independence but also would obtain economic freedom.McNutt had taken pains to caution all parties concerned that the road to independence would not be altogether smooth and easy. He pointed out that unless the United States was willing to help, the prospects for stability of the Philippine Republic would remain blurred due to economic difficulties. According to McNutt, the economic dependence of a free and independent Philippines on the United States would render its political sovereignty devoid of its real significance. To him a politically liberated nation without any sound fiscal foundation andof political as well as economic collapse. He believed that Philippine natural resources and wealth must be tapped and committed to the full development of an independent nation. McNutt shared the feeling that development of unhampered capability of the Filipino people to govern themselves in a most effective manner must remain the prime concern of the mother country, the United States.
102

A matter of masks: The confidence-man by Herman Melville compared and contrasted with the plays of Ben Jonson.

Paviour, Robert. January 1969 (has links)
No description available.
103

An analysis of the Judean chapters in M. Bulgakov's The master and Margarita /

Ėlʹbaum, Genrikh. January 1980 (has links)
No description available.
104

Antonio Gramsci's proposal for the political education of the proletariat

Smith, Robert W. G. January 1988 (has links)
No description available.
105

Three approaches to knowing : philosophical empiricism, relativism and personal knowledge, and their implications for the development of a science of politics

Poirier, Maben Walter January 1976 (has links)
No description available.
106

Sergei Prokofiev's Semyon Kotko as a representative example of socialist realism / Semyon Kotko

Morrison, Simon January 1992 (has links)
Shortly after returning to Moscow in 1936, Prokofiev composed his first Soviet opera, Semyon Kotko (Opus 81). The libretto was taken from Valentin Kataev's novel I am a Son of the Working People, a tale of revolution and war in a small Ukrainian village and one that adheres to the tenets of Socialist Realism. Kataev encouraged Prokofiev to set this text in a highly conservative song style. Prokofiev was also influenced in the project by Vsevolod Meyerhold, an innovative artist who advocated using continuous declamation as a means of achieving "dramatic truth" in music. / This essay examines the extent to which Semyon Kotko can be considered a conformist opera. Part One is a survey of Socialist Realism and its manifestation in Soviet literature and music during the 1930's; Parts Two and Three examine the text and music of Semyon Kotko as representative of the doctrine. Consideration is given throughout the study to the opposing influences of Kataev and Meyerhold on Prokofiev, and to the political events surrounding the opera's composition.
107

Surrealism and the early writings of Henry Miller

Strunk, Volker. January 1975 (has links)
No description available.
108

Tao Xingzhi, 1891-1946 : his educational theory and practice

Cheng, Pui-wan. January 1982 (has links)
No description available.
109

Myth in the novels of Herman Melville.

Maltz, Harold Paul. January 1984 (has links)
Myth in the Novels of Herman Melville: A Study of the Functions of the Myths of Eden, the Golden Age, and Hero and Dragon in Three Novels of Herman Melville--Typee, Moby-Dick, and Billy Budd, Sailor. In Typee, Melville evokes myths of Eden and the Golden Age to present a critique of civilization. This thesis focusses on the presence and function of contrasting elements of these myths--Eden and the Fallen World, the Golden Age and Age of Iron--in the novel. These myths facilitate assessment of civilization, and heighten the significance of Tom and Toby's escape from the Dolly and their longings for the island's delights. These myths also link the primitive Typees and the Dolly's sailors, and enhance the significance of the young sailors escape from Typee. In Moby-Dick, Melville again presents a critique of civilization, again exploiting contrasting elements of the Eden myth. This myth provides an interpretative framework for specific sets of contrasting symbols (some encountered in Typee), and for the contrasted fates of Ahab and Ishmael--fates made possible owing to Melville's conception of human nature, in Moby-Dick more complex than in Typee. Melville exploits further mythical material in investigating man's confrontation with evil. The prediction in Genesis of enmity between the "seed" of Eve and the Serpent serves several functions: it illuminates Ahab's sense of Moby Dick as Evil incarnate and Ahab's consequent adoption of a mythical role in hunting Moby Dick, while Christian interpretation of the prediction affords grounds for an ironic judgement of Ahab. Allusions to myths of Hero and Dragon encourage the reader to assess critically Ahab, Moby Dick, and the hunt. In Billy Budd, Sailor, the bipartite structure of the novel determines a use of myth in the first part different from that in the second. In the first part, Melville coalesces an element of the Eden myth--the confrontation of Adam and the Serpent--with the outcome of the confrontations in the myths of Hero and Dragon. In the second part, the expectations raised by the patterning of this composite myth are dashed, thereby exacerbating the poignancy of Billy's fate. The Eden myth also provides an interpretative framework for specific sets of contrasting symbols, thereby enabling Melville to present a critique of civilization--a study of man's condition in the Fallen World. / Thesis (Ph.D.)-University of Natal, Durban, 1984.
110

Beyond objectivism : an exploration in the epistemology and philosophy of science of Michael Polanyi and its relevance to truth claims in religion and ethics.

Den Hollander, Daan. January 2010 (has links)
No abstract available. / Thesis (M.A.)-University of KwaZulu-Natal, Durban, 2010.

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