Orientador: Maria Stella Martins Bresciani / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas / Made available in DSpace on 2018-08-03T17:50:28Z (GMT). No. of bitstreams: 1 Rezende_ElianaAlmeidadeSouza_D.pdf: 36854658 bytes, checksum: 2db33656bc000f300c72a8ead11da7ed (MD5) Previous issue date: 2002 / Resumo: o trabalho aqui desenvolvido parte da análise de três coleções de fotografias consideradas como conjuntos documentais que estão interseccionadas por temáticas que se interpenetram. A pesquisa apresentada não pretende ser nem a somatória das diferentes imagens e nem a segmentação das mesmas por agência produtora, mas antes de tudo, pretende ser um discurso sobre a cidade, onde cada imagem dialoga com as demais produzidas sobre o mesmo tema. O eixo de construção deste diálogo entre as diferentes imagens está no discurso sanitário e pretende contribuir, com um dos muitos olhares possíveis sobre a cidade / Abstract: This thesis starts with the analysis of three different photo collections considered as documentary sets linked by thematic connections. I doesn't intend to be the summation nor the segmentation of the different photos by the agency whith produced them but a dissertation about the city, where each photo dialogues with others produced on the same theme. The axis of this dialogue among imagesis the hygienic discourse seeks to contribute to one of the many ways of regarding the city / Doutorado / Doutor em História

Orientador: Ingedore Grunfeld Villaça Koch / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem / Made available in DSpace on 2018-07-25T01:57:10Z (GMT). No. of bitstreams: 1 Brito_Beteizabetede_D.pdf: 4152687 bytes, checksum: f85aeb90febd0fb2001254ac5b485c7e (MD5) Previous issue date: 1999 / Resumo: Neste trabalho, estudei a gênese dos poemas de «A Herança", de Zila Mamede, buscando compreender como se estabelece o processo escritural, através dos acréscimos, das supressões e das substituições contidos nos manuscritos autógrafos. Perseguindo os traços redacionais, tentei perceber o texto poético se inventando, se revelando, paradigmaticamente se compondo, até finalmente se fixar sob a forma estável, como texto definitivo, dado a público. Além dos vestígios pontuais de fixação do discurso interior, procurei encontrar nexos nas instâncias da escritura entre herói e autor e observar a linguagem se constituindo no processo criador. O suporte teórico para realização deste trabalho procede da Genética Textual, da Lingüística, bem como da Teoria Literária / Abstract: In this thesis I study the genesis ai the poems fiam " A Herança" by Zila Mamede, attempting to understand how the writing process is built through addings, suppressions and substitutions detected in manuscrips. In so doing I tried to perceive how the poetic text is reivented, revealing itself as a paradigm that is being built until it finally fits into a stable form, as a definite text given to the public. Besides the signs of the interior discourse, I attempted to find links between hero and author and the creative process of language. The theorethical basis I use comes from Textual Genetic, Linguistics and Literary Theory / Doutorado / Doutor em Linguística

Interpretations of the Nationalist Revolution in modern Chinese history, especially the so-called “Nanjing decade” (1927-1937) are dominated by theoretical notions which see the state as autonomous in its relationship to society. This autonomous state model, the dissertation argues, finds its roots in the voluntaristic ideas of Talcott Parsons. Arguments based on Parsons’s ideas view the Nationalist Revolution as abortive. The dissertation rejects these views and develops an alternative perspective based on the construction of a quasi-market model of social relations. The theoretical underpinnings, in contrast to Parsons’s ideas, are termed “de-voluntaristic.” These arguments suggest that individuals participate in, and have influence on, the operation of the state. The application of a quasi-market model suggests that there was a major transformation in Chinese society during the Nationalist period. The dissertation argues that the Nationalist Government after 1927 did not continue to achieve the initial objectives of the Nationalist Revolution which, it is suggested, aimed to build a quasi-market society. The revolution, however, was not abortive. It transformed the political system. In the Imperial tradition of government, local elites protected local communities against state encroachment through their involvement in property management. After 1927, the Nanjing Government adopted a “free market” approach to political affairs, and centralized the use of military and legal power to protect property against labour and the peasants. Peasant demands for rights to the land they tilled, a key element in Sun Yat-sen’s programme for the revolution, questioned the brokerage market economy, in which local elites acted as the intermediaries of contractual partners. Workers, in the context of industrialization, and with support from Communist organizers, attempted to improve working conditions. Peasants and workers contested the power of active elites that grew in the new political order established by. the Nationalist Government. The Nationalist State abandoned the traditional role of the Chinese state to protect the well-being of society. Deeply influenced by new elites, it protected capital accumulation and safeguarded the sanctity of contracts. The Nationalist Revolution ultimately failed as it was unable to resist the invasions of the Japanese, or the alternative social formulations of the Communist movement. / Arts, Faculty of / Anthropology, Department of / Graduate

The purpose of this thesis is to examine Thomas Hardy's treatment of nature in his major works. His interpretation of nature was sharply divergent from the traditional viewpoint regarding the natural world, and it was the direct antithesis of those interpretations of nature made by the writers who had preceded him.

Orientador: Carlos A. Lungarzo / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas / Made available in DSpace on 2018-07-20T09:15:40Z (GMT). No. of bitstreams: 1 Ferreira_ClaudiaUrbano_M.pdf: 2736293 bytes, checksum: 38315347d290f396b65b380ad3d6ebd3 (MD5) Previous issue date: 1995 / Resumo: Não informado / Abstract: Not informed. / Mestrado / Mestre em Filosofia

This paper investigates Ronald Stevenson's unique treatment of large-scaled structure in his Passacaglia on D S C H. This piece's unusual eighty-minute length, use of traditional forms and unusual piano techniques, musical references to other cultures and a massive triple-fugue over a ground bass will be examined as they relate to its overall form. The elements of rhythm, melody/mode, harmony, counterpoint, piano techniques, and tonality are also used as means of highlighting many unifying elements of the piece which contribute to its overall cohesiveness. Tributes to other composers, among them Dimitry Shostakovich to whom the piece is dedicated, are discussed in addition to many references to world cultures and events which support Stevenson's views on what he terms world music. Rarely is a piece written that encompasses such a wide range of musical elements that possess the ability to engage an audience for an uninterrupted length of eighty-minutes. As of yet, an in-depth scholarly investigation of Stevenson's treatment of formal unity in this landmark piano work has not been done. This analysis reveals Stevenson's approach to composing in such a large form, as well as illustrating his mastery of variation, counterpoint and unending ingenuity for innovative piano techniques. The composer's background and philosophies are discussed as well as the major impact made on his compositional style by both Percy Grainger and Ferruccio Busoni.

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