Orientador: Vera Hercilia (Vavy) Pacheco Borges / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas / Made available in DSpace on 2018-07-24T18:19:21Z (GMT). No. of bitstreams: 1 Freitas_ElianeMartinsde_M.pdf: 6068679 bytes, checksum: ad858c4974cdbc0a1de0ef043895d6ee (MD5) Previous issue date: 1999 / Resumo: Não informado. / Abstract: Not informed. / Mestrado / Mestre em História

This thesis focusses on the literary self-reflexivity of Birthday Letters, Ted Hughes's collection of poems addressed to his long-dead first wife, poet Sylvia Plath. By close attention to the language of select poems and a discussion of cross-referencing images and allusions across the volume, and intertextually, I argue that the collection is more self-consciously ordered and designed than the mainly biographical criticism the work has met with suggests. The thesis focusses on the poets' art rather than the biographical context of Birthday Letters, though it does not draw a neat distinction between their lives and their poetry - rather it demonstrates how Birthday Letters itself treats the relationship of art to life thematically. The introduction outlines the context of the volume's genesis and publication and the notions of poetry, myth and drama out of which Hughes works, and introduces the central metaphor of metamorphosis as figured in Ariel's song "Full Fathom Five" from The Tempest, as well as the importance of that play to Plath. Each of the chapters that follow focusses on a cluster of inter-related imagery through a discussion of four or five key poems. Chapter One examines Hughes's portrayal of himself as imprisoned by Plath's poetic portraits, and relates this to the recurring motifs of the snapshot and the Medusa myth. The poems discussed emphasize Hughes's consciousness of the metamorphic and "magical" relationship of art to life. The second chapter discusses Hughes's use of the myth of the labyrinth and the Minotaur, tracing it back to Plath's writings and reading, and pointing out its self-reflexivity: the labyrinth figures Hughes's own loss as well as the labyrinthine nature of writing. The third chapter considers the themes of possession and loss, and how they attach themselves to images of houses and jewels. Possession and loss tum, self-reflexively, upon issues of inheritance and remembrance, notably Hughes's inheritance of Plath's poetic legacy, and his remembrance of her and her poetry through his own poetry. The conclusion pursues connections between the observations made in the separate chapters, outlining the larger context out of which the poems emerge, and returning to the trope of metamorphosis as figured in "Full Fathom Five"

Orientador: Michael Hall / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas / Made available in DSpace on 2018-07-18T13:41:00Z (GMT). No. of bitstreams: 1 Barrancos_DoraBeatriz_D.pdf: 13459093 bytes, checksum: fd990644bd207bdbdb3e7c27549c002d (MD5) Previous issue date: 1993 / Resumo: Não informado / Abstract: Not informed / Doutorado / Doutor em História

Orientador: Jorge Coli / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas / Made available in DSpace on 2018-07-18T14:57:27Z (GMT). No. of bitstreams: 1 Dutra_MariaStellaTeixeiraFernandes_M.pdf: 18308452 bytes, checksum: f74851d310c807dc3d951877f83c4899 (MD5) Previous issue date: 1993 / Resumo: Não informado. / Abstract: Not informed. / Mestrado / Mestre em História

Orientador: Wilson Cano / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Economia / Made available in DSpace on 2018-07-18T22:38:28Z (GMT). No. of bitstreams: 1 Almeida_PedroFernandode_M.pdf: 7541016 bytes, checksum: 14d3aaf784e7098d638cd94ba57ae0aa (MD5) Previous issue date: 1993 / Resumo: Não informado / Abstract: Not informed. / Mestrado / Mestre em Economia

No description available.

La política tributaria es el manejo que el Estado hace de la estructura y administración impositiva de un país. Sus elementos son dos: el sistema y la administración. El sistema tributario es el conjunto de reglas; las cuales se articulan alrededor del régimen tributario (tributos aprobados) y del código tributario. La administración tributaria permite el funcionamiento del sistema; por lo que uno es el complemento del otro. Sus objetivos pueden ser generales o particulares. Dentro de los objetivos generales tenemos: lograr una suficiente recaudación para llevar a cabo los programas de gasto del Estado, estabilidad económica, mejora en la distribución del ingreso y uso adecuado de los recursos y promoción del desarrollo. A veces hay que optar por alguno de estos objetivos. Entre los objetivos particulares podría ser la mejora en la balanza de pagos.

nÃo hà / La rhÃtorique de lâarriÃration et de la crise ont largement dominà le discours de la politique du Cearà entre les anÃes de 1916 à 1930. Jusque-lÃ, depuis le milieu des anÃes 1870, ce qui prÃvalait Ãtaint la rhÃtorique du progrÃs et de la civilisation. Ce changement ne concerne pas seulement aux formes de sensibilità et de comprÃhension du monde, mais aussi des moyens dâexprimer les problÃmes actuels. Dans la mesure que la rhÃtorique est um appel a lâaction, constitue un instrument de pouvoir dans la lutte pour la domination de la parole et pour la signification du rÃel. Ce travail rÃsume les diffÃrentes stratÃgies rhÃtoriques deux secteurs politiques organisÃs em CearÃ. Em plus de comprendre de telles stratÃgies, il est important de les renvoyer aux structures sociales qui cela leur donne un sens. / As retÃricas do atraso e da crise dominaram amplamente o discurso da polÃtica cearense entre os anos de 1916 a 1930. Atà entÃo, desde meados da dÃcada de 1870, o que prevaleciam eram as retÃricas do progresso e da civilizaÃÃo. Esta mudanÃa nÃo diz somente respeito somente a formas de sensibilidade e de compreensÃo do mundo, mas tambÃm a formas retÃricas de expressÃo dos problemas correntes. Na medida em que a retÃrica à um chamamento à aÃÃo que procura arregimentar aliados e desmobilizar oponentes, se constitui como instrumento de poder na encarniÃada luta pelo domÃnio da palavra e da significaÃÃo do real. Este trabalho compendia as diversas estratÃgias retÃricas postas em prÃtica por vÃrios setores polÃticos organizados do Cearà no perÃodo. O que se quer à nÃo somente compreender a formaÃÃo de tais estratÃgias, mas tambÃm fazÃ-las retornar Ãs estruturas sociais que as significam

No description available.

No description available.