Made available in DSpace on 2017-06-01T18:24:48Z (GMT). No. of bitstreams: 1 raimundo_batista_almeida.pdf: 25820639 bytes, checksum: 5ac0563736b98383aca8bd7c55619141 (MD5) Previous issue date: 2013-03-21 / This study is an analysis of discursive framings of Chapters II, III, IV, V and VII of Volume I of the work Don Quixote of La Mancha by Miguel de Cervantes. The choice of this work was given as the most important Spanish literature, and moreover, an important book fiction literature. Therefore, We base ourselves on the work of several scholars Cervantes, among them Basanta, Rico and Riquer, being leaders of commemorative editions of 400 years of work in the study. The boldness of this work is to understand the work in question, under an optical Discourse Analysis of French theory and analysis device of the study. We emphasize that the theory was founded by Michel Pêcheus in France in the late sixties and developed in Brazil by Eni Orlandi and followers. Thus, the paper discusses some specific segments discursive chapters of Volume I of the work indicated above. Specifically, it aims to identify effects of interdiscursivity, discursive, ideological and imaginary made ​​the cutouts, as well as establishing a closer relationship between Don Quixote and Discourse Analysis. The analyzes indicate that the speech of knight Don Quixote creates the effect of combating social injustice and Cervantes worked with the novels of chivalry in the form of humor, aiming to pass without censure, by the Inquisition. We conclude the thesis stating that this work does not end here, should be deepened in future doctoral studies and scientific articles. Likewise, we hope to be a path for further research, involving Discourse Analysis and literature. / Este estudo trata de uma análise de recortes discursivos dos capítulos II, III, IV, V e VII do tomo I da obra Dom Quixote de La Mancha de Miguel de Cervantes. A escolha desta obra se deu por ser a mais importante da literatura espanhola, e ademais, um importante livro de ficção da literatura mundial. Para tanto, fundamentamo-nos em vários estudiosos da obra de Cervantes; entre eles, Basanta, Rico e Riquer, por serem dirigentes das edições comemorativas dos 400 anos da obra em estudo. A ousadia deste trabalho é compreender a obra em questão, sob uma ótica da Análise do Discurso de linha francesa, teoria e dispositivo de análise do estudo. Salientamos que a teoria foi fundada por Michel Pêcheus, na França, em fins dos anos sessenta e desenvolvida no Brasil por Eni Orlandi e seguidores. Dessa forma, o trabalho pretende analisar segmentos discursivos específicos de alguns capítulos do tomo I da obra indicada acima. Especificamente, visa a identificar efeitos da interdiscursividade, formações discursivas, ideológicas e imaginárias nos recortes constituídos, bem como estabelecer uma aproximação entre Dom Quixote e a Análise do Discurso. As análises realizadas indicam que o discurso do cavaleiro Dom Quixote gera o efeito de combater as injustiças sociais e Cervantes trabalhou com as novelas de cavalaria em forma de humor, visando a passar, sem censura, pela Inquisição. Concluímos a dissertação afirmando que este trabalho não finaliza por aqui, devendo ser aprofundado em futuros estudos de doutorado e em artigos científicos. Da mesma forma, esperamos que seja um caminho para novas pesquisas, que associem a Análise do Discurso e a literatura.

In this master's thesis I am researching the foreign policy of Edvard Beneš in 1938- 1945. Foreign policy of Czechoslovakia is closely linked to Beneš as he led it continuously since 1918 - first as a minister of foreign affairs and after 1935 as president. Beneš did reassess his foreign policy after the Munich Agreement and Czechoslovakia emerged from the World War II tightly connected to the Soviet Union without any western counterbalance. This shift in foreign policy subsequently led to transformation of Czechoslovakia into Soviet satellite which is frequent subject to criticism of Edvard Beneš. The goal of this thesis is to analyse the development of the second Czechoslovak President's foreign policy in 1938-1945 and to define the causes of the shift in the foreign policy of Czechoslovakia. I will be focusing mainly on the backgrounds of determining the foreign policy since Edvard Beneš' statements depended mainly on the audience. I want to accomplish that based on research of memoirs and many more documents. I will confront my interpretations of the primary sources with views from the secondary sources. One of the goals of this thesis is also to find out if it's possible to draw new and valuable conclusions by researching available primary sources.

Noch bis Ende August zeigt die SLUB die Ausstellung „Tschechische Avantgardebuchkunst. Die Sammlung Vloemans“. Mit ihr und sie begleitend werden verschiedene Sinne angesprochen: Man ist eingeladen zu betrachten und zu lesen, zu hören und anzufassen.

This work Edvard Beneš and the Slovak issue at the Second Czechoslovak resistance focuses on the explanation of selected issues in the history of Czechoslovakian politics during the Second Czechoslovak resistance in Paris, London and Moscow between 1938-1945. This interpretation will concentrate on changes in the resistance, especially with regard to the issues affecting Slovaks and Slovakia in the period from the autumn of 1938 to the spring of 1945. It attempts as much as possible to describe and analyze the transformations in the perception of the Slovak issue while Czechoslovakian government was in exile, paying particular attention to this in relation to President E. Beneš, his followers and Slovakian members of the resistance movement. This topic will be studied highlighting significant aspects of wartime events, staging of foreign action and the situation back home - in the Protectorate and in the Slovak State. Also the actions of opposition and its key leaders will be mentioned. The aim of this research is to show the development and progression of conceptions of the Slovak issue in chronological stages of foreign resistance. Another aim is to illustrate the influence of the international political circumstances, the foreign policy orientation of the Czechoslovak exile, and events in the...

1 Abstract The thesis "The image of a woman in the press at interwar Czechoslovakia" deals with the visual presentation of a woman who was an integral part of the First Republic press. The thesis attempts to provide an analysis of selected periodicals (magazines especially for women) in terms of the depiction of women. The thesis surveys the changes in society and lifestyle in this epoch of our history which complements the cultural-historical background of the time and familiarity with contemporary press. The thesis focuses primarily on issues of women's emancipation, which were at that time very current and projected also into all areas of the art. Emancipation influenced significantly the whole Czech artistic creation. We can find some evidence especially in the press, which also mediated the reflection of period. The thesis focuses only on the most important press at these times with regard to its scope. Eva revue was especially important for emancipatory efforts and is compared here with men's magazine Gentleman and avant-garde magazine ReD. The main part of the thesis focuses on the actual image of women, generally and in specific cases. The thesis deals with the image of a woman in selected sections of the interwar women's magazines - fashion, sport and motoring. The thesis compares some newspapers...

Call number: LD2668 .T4 1979 B77 / Master of Arts

D'Annunzio e Pirandello come uomini e come artisti si pongono agli antipodi della scena culturale del loro tempo, eppure e nel mito, inteso come categoria psichica oltre che artistica, che la loro antitetica opera trova un punto d'incontro. In questo studio si analizza, dunque, il mito nelle tre tragedie dannunziane in cui l'elemento mitico si manifesta nel modo piu palese (La citta morta, La figlia di Iorio e Fedra) e nella trilogia dei miti pirandelliana, summa e approdo finale di tutta la sua opera. Per entrambi la necessita di mito nasce dalla sofferta consapevolezza della crisi moderna: valori relativi, personalita atemporale scissa, e fuori nessun dello l'aspirazione alla totalita. sen so spazio di direzione. del mito e Nella ancora dimensione possibile La teoria junghiana degli archetipi dell'inconscio collettivo, di cui i miti sarebbero le manifestazioni culturali, si e rivelata un importante ausilio analitico che consente, tramite uno scavo in profondita oltre le scorze e le sovrastrutture culturali e storiche, di cogliere la sapiente orditura di immagini e motivi archetipici nelle opere, confermando l'idea dell'artista anche come uomo collettivo oltre che come individuo. In tale prospettiva il confronto tra le opere ha portato ad importanti conclusioni, che non solo chiariscono la loro opera di scrittori, ma anche la loro funzione all'interno della societa in cui sono vissuti e, per esteso, della nostra. Per entrambi recuperare il mito e ridargli una veste moderna, pur nei rispettivi distinti modi, significa essenzialmente cercare di superare il relativo, la frammentarieta e la mediocrita del mondo contemporaneo. Nel processo di recupero, tuttavia, il mito stesso viene modificato e, facendosi specchio della condizione psichica moderna, non solo ne interpreta le piu profonde istanze, ma giunge anche a precorrerne quelle future. La posizione centrale nelle opere dei due scrittori dell'inconscio, il grande rimosso dell'Io raziocinante moderno, emergente nella possente figura della Grande Madre primordiale, rivela la direzione della futura coscienza umana nella necessita di riaccedere alle fonti piu profonde della psiche da cui nasca l'incontro e la fusione degli opposti, inconscio e coscienza, l'elemento ctonio, fertile e generatore, e quello uranico, spirituale e trascendente. / D'Annunzio and Pirandello both as men and as artists can only be placed at the opposite ends of the cultural scene of their times. Yet, it is in myth that their antithetical works finally converge. This study, therefore, analyzes myth in three of D'Annunzio's tragedies where the mythical dimension is more apparent (The dead city, Iorio/s daughter and Fedra) and in the trilogy of myths by Pirandello, which brings his work to its ultimate expression. For both authors the need for myth is born of the painful awareness of modern man's crisis: relative values, a divided personality and no sense of direction. In the timeless and universal dimension of myth it is still possible to achieve totality. The Junghian theory of the archetypes of the collective unconscious, of which myths are cultural manifestations, has proved to be an analytical tool of great importance. By giving access to the deepest level of the texts beyond their cultural and historical layers, it brings to light the otherwise elusive meaning of archetypal images and motives, revealing the true nature of art to be not just the work of an individual but also of collective man. The works, different as they may be, when compared in this perspective have nevertheless yielded some important common conclusions, not only on D'Annunzio and Pirandello as writers but also on their role within the society they lived in and, by extension, our own. For both of them myth, even in a modern context, means essentially the overcoming of the fragmentation, the relativity and the mediocrity of contemporary life. However, in the process of recapturing this mythical dimension, myth itself is bound to be modified. Because it mirrors the modern psyche, it not only interprets its deepest present needs, but also points to its future ones. The central position occupied in their works by the subconscious, emerging from behind the powerful image of the primordial Great Mother, points the way to future psychological development and to the need to regain access to the deepest levels of the human psyche so that its opposing forces, subconscious and consciousness, can meet and be reconciled. / Classics & Modern European Languages / D. Litt. et Phil. (Italian)

This dissertation provides an analysis of Island Prelude based on a method of analysis prescribed by the composer. The method, Energy Line Analysis, is essential to an enlightened performance. The content of this dissertation includes: biographical information, compositional influences, Joan Tower style periods, her works involving the oboe in a major role, and an Energy Line Analysis chart of Island Prelude. Island Prelude represents Joan Tower's musical language, the understanding of which is essential in an interpretation of her music.

The elementary school library is still in the pioneer stage of development in the schools of Indiana. In truth, there are few elementary school libraries in the state in the correct definition of the words. Nevertheless some type of library service, although inadequate, is available to every school and pupil in the state. It is the purpose of this study to review the history of library service to children and to ascertain what the present types of library service to children are, and to give some information relative to the library programs that are followed by certain elementary schools in the state which employ a librarian or teacher librarian to administer the library.

The right of national independence, which came to be called the principle of self-determination, is, in general terms, the belief that each nation has a right to constitute an independent state and determine its own government. It will be the thesis of this paper to show that the Nazi regime under the rule of Adolph Hitler took this principle as its own insofar as its relations with other nations were concerned, but while they paid lip service to the principle, it was in fact being prostituted to the fullest degree in the case of Austria and the Anschluss of 1938.