Orientador: Eusebio Lobo da Silva / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes / Made available in DSpace on 2018-08-04T00:58:20Z (GMT). No. of bitstreams: 1 Tourinho_LigiaLosada_M.pdf: 414558 bytes, checksum: bf5cece53b4993791eb703fe94849dd6 (MD5) Previous issue date: 2004 / Resumo: Esta pesquisa apresenta um estudo sistemático sobre a construção da personagem nas Artes Cênicas, pelo prisma do movimento corporal, utilizando como principal suporte teórico e prático os estudos da Coreologia de Rudolf Von Laban e da Técnica de Stanislavski. Tomamos como base para a fundamentação teórica a idéia de o homem ser uma corporeidade, constituída pela Gestalt CORPO-MENTE-ESPÍRITO, presente nos estudos de Merleau-Ponty, nas consciências corporais e em todos aqueles que acreditam na indivisibilidade do ser humano. Levantamos a hipótese de que a relação de cada intérprete com seu corpo próprio interfere nas extensões de sua interpretação e da encenação em si. O desenvolvimento desta pesquisa se deu a partir da experimentação destes conceitos aplicados a dois tipos de propostas: um processo pedagógico de sistematização destas idéias e uma experimentação de construção de personagem, sob o ponto de vista do intérprete / Abstract: This research presents a study about the scenic construction of the character, based on body movement, and guided by the practical and theorical studies of Rudolf Von Laban choreology and Stanislavski tecnich. The foundation of this study was based on the idea of the man being an unit, as Gestalt BOBY-MIND-SPIRIT, which was present on Merleau-Ponty studies, in body consciousness and in the believe of the indivisibility of the human being. This project enquires the relation of each interpreter with his own body and how it interferes in the extension of his interpretation and in all the staging. The development of this research was based on these concepts, applied on two propositions: the pedagogic process of systematization of these ideas and the experimental on character construction, under the view of the performer / Mestrado / Artes / Mestre em Artes

Orientador: Edgar Salvadori De Decca / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas / Made available in DSpace on 2018-08-03T15:33:50Z (GMT). No. of bitstreams: 1 Clemente_MarcosEdilsondeAraujo_M.pdf: 9037315 bytes, checksum: f19aa8b40a62bc4371ab15b79ce2d2ab (MD5) Previous issue date: 2003 / Resumo: o autor procura compreender os processos de constituição da memória coletiva do cangaço. Constata que existe em diferentes localidades do sertão nordestino um compromisso com a recuperação da memória de Virgulino Ferreira da Silva, o cangaceiro conhecido por Lampião. O foco da análise é um grupo folclórico denominado cangaceiros de Lampião, localizado na cidade de Paulo Afonso, sertão da Bahia. O autor inscreve a pesquisa em uma perspectiva polissêmica no sentido de desvendar a luta simbólica em tomo da memória do cangaço e de Lampião e os diferentes sentidos em jogo. Duas noções foram particularmente úteis: a de representação, significando os processos de construção espontânea das memórias individual e coletiva; e a noção de Lugares de memória como sendo os lugares em que uma sociedade registra voluntariamente as suas recordações ou as reencontra como uma parte necessária da sua personalidade. O trabalho inicia com uma análise sobre a o surgimento de alguns lugares de memória do cangaço e de memoriais de Lampião em Serra Talhada e Triunfo, no Estado de Pemambuco; Mossoró, Rio Grande do Norte; Poço Redondo, Sergipe e Piranhas, em Alagoas. Aqui se trata de um movimento mais geral de disputas da memória de Lampião. Em seguida analisa os cangaceiros de Paulo Afonso. O autor tenta apreender a sincronia do grupo a partir das memórias individuais e coletivas de alguns fundadores. Da mesma forma, descreve o modo como Lampião é representado nas práticas sociais do grupo. Nesta parte do trabalho foi importante a recuperação dos relatos de vida dos entrevistados, apoiados em fontes da tradição oral. O autor retoma a análise sobre os cangaceiros de Paulo Afonso, no terceiro capítulo, e discute o sentido das práticas sociais do grupo, bem como as imagens que os mesmos produzem sobre o cangaço, particularmente sobre Lampião Parte-se do pressuposto de que os cangaceiros de Paulo Afonso não constituem um fenômeno isolado, mas, ao contrário, participam um movimento mais geral de constituição de uma memória coletiva do cangaço. O autor conclui que o cangaço permanece vivo no campo da memória, nas vivências de pessoas comuns, atualizado nas disputas do presente em tomo de questões atuais. Nesse contexto, a imagem de Lampião aparece fihrada dos aspectos negativos / Abstract: The writer look for understand the build processe in memory of the people of the cangaço. Spoke that there was in different place in the sertão nordestino a responsible with the Virguline Ferreira da Silva memoris the cangaceiro the was know for Lampião. The folkloric analytic of the teame folkloric colled cangaceiros de Lampião, lhat lived five in the city of Paulo Afonso at Bahia regin ofthe sertão. The writer, write your research ofthe form polissemic and showed the fight symbolic around the cangaço memory and Lampião that play with diferent position. Twuo nation was particulary importants: of to represent here your sign in the build processe personal and coletive memorys. The place has been very important for all society and to don't forgot yours thruth personality. The work beginning with analise about the growing ofthe some versions about cangaço ofthe Lampião in Serra Talhada and Triunfo, in the state ofthe Pemambuco; Mossoró, Rio Grande do Norte; Poço Redondo, Segipe andPiranhas in Alagoas state. Here I speak about the moveing general more that fight at Lampião memory. Afier goingo to analise about existence of groups ofthe cangaceiro ofthe Paulo Afonso. The Writer try understand the sincronic above single memory and coletive also and some oldworker Showed how Lampião is very represent in your practice of the group social. This part was very important to restaured over relacts of life of the interviews, resume tradicional oral fount. The writer back your analise of the cangaceiros of Paulo Afonso in your third past when spoke about your pratices society. Well how imegine yours problems in the cangaço particulately over Lampião toe and The cangaceiro de Paulo Afonso, don't is a fenoumene alone but agaist your movement in memory too. The writer end speaking of the four live and simple people actualizing in the fight of present oround actually questions the imegen ofLampião showed negative aspecters / Mestrado / Mestre em História

Orientador : Jorge Coli / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas / Made available in DSpace on 2018-07-18T11:38:35Z (GMT). No. of bitstreams: 1 Abdanur_ElizabethFranca_M.pdf: 3923659 bytes, checksum: 3a04233605fc2f6254ea4743c20456c4 (MD5) Previous issue date: 1993 / Resumo: Esta pesquisa trata da política cultural na cidade de São Paulo durante a administração do Prefeito Fábio Prado (1934-1938). Especificamente, trata da orientação do Departamento Municipal de Cultura e analisa as linhas gerais dos trabalhos realizados por este órgão durante a gestão de Mário de Andrade, seu primeiro diretor. / Abstract: Not informed / Mestrado

This thesis is based upon the perspective of the holiday law introduced in 1938. This law gave many Swedes the right to two weeks paid vacation, which previously not all had. The purpose of this essay is to investigate how the holiday was reflected in advertising during the 30-40s in connection with the introduction of the holiday act in a smaller daily newspaper. This daily newspaper is Jönköpings-Posten. By examining a ten-year period between 1938 and 1947 in the month of June, we can see how the advertising regarding holidays has been developed and produced. In connection with the introduction of the Holiday Act in 1938, advertisements for holidays increased dramatically during these ten years. In addition to an increase in the number of advertisements, we also see how society affects how these advertisements are presented. The holiday should be used in the best possible way and not be wasted. Recreation and learning would be combined and, in this way, optimize what the person would get out of their leisure time or holiday.

During the 1930s, the Republic of Czechoslovakia endeavored to construct a system of modern fortifications along its frontiers to protect the Republic from German and Hungarian aggression and from external Versailles revisionism. Czechoslovakia's fortifications have been greatly misrepresented through comparison with the Maginot Line. By utilizing extant German military reports, this thesis demonstrates that Czechoslovakia's fortifications were incomplete and were much weaker than the Maginot Line at the time of the Munich Crisis in 1938. The German threat of war against Czechoslovakia was very real in 1938 and Germany would have penetrated most of the fortifications and defeated Czechoslovakia quickly had a German-Czech war occurred in 1938.

Under andra världskriget förde Sverige neutralitetspolitik, något som landet fått kritik för, både ut- och inifrån. Det är lätt att i efterhand kritisera beslut som tagits då utkomster för dessa beslut redan är kända, men hur resonerade den dåvarande samtiden kring politiska beslut då dess utkomst inte kunde förutspås? Syftet med den här uppsatsen är att undersöka hur tre halländska tidningar resonerade kring den svenska utrikes- och försvarspolitiken under åren 1938-1939. Citat ur de tre tidningarna Hallandsposten, Halland och Hallands Folkblad, som valdes med bred partitillhörighet i åtanke, har plockats och analyserats i en argumentationsanalys och därefter kategoriserats utefter Klas Åmarks gruppering innehållandes sex linjer. Uppsatsen har inkluderat frågor rörande medlemskapet i NF, Åland, nordiskt samarbete, militär upprustning och tyskt inflytande över svensk press.

World War II is one of the largest historic events that we learn about in schools today. The war ended 75 years ago which means that we are left with stories, books and old news papers for information. Sweden was not an acting part in the war, it was declared neutral. Therefore, because of my interest in world war II and journalism, I want to investigate what certain news papers said about Hitlers actions a year before the invasion of Poland when world war II began. From earlier reserach I will discuss the paper Aftonbladet and in my own research I will investigate my local news paper Hallandsposten.

Informe de Seminario para optar al grado de Licenciado en Lengua y Literatura Hispánica

This study examined Stanislavski's system as it was explained in his three books, An Actor Prepares, Building A Character, and Creating A Character. The study then examined the applicability of the Stanislavski System to the theaters of Bertolt Brecht and Absurdist theatre as represented by Harold Pinter and Samuel Beckett.

The purpose of the study is to present a formal analysis of the musical style and performance issues of the original version, for four hands piano, of Gazebo Dances, composed by John Coriglaino (b. 1938), a major American contemporary composer. Corigliano and his compositions have been performed by many performers and scholars over the several years. Gazebo Dances for piano four hands was composed in 1972. Gazebo Dances consists of four movements and was dedicated to his close friends: a dancelike overture movement in a slightly rondo form which is dedicated to Rose Corigliano and Etta Feinberg, waltz movement in a combination of rondo and sonata-allegro form which is dedicated to John Ardoin, adagio movement in a miniature sonata form which is dedicated to Heida Hermanns, and a tarantella movement in a modified rondo form which is dedicated to Jack Romann and Christian Steiner.