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Thesis (Ph. D.)--University of Washington, 2004. / Vita. Includes bibliographical references (leaves 105-113).

Thesis (M.A.)--University of Wisconsin, 1971. / eContent provider-neutral record in process. Description based on print version record.

Thèse--Lausanne. / Includes bibliographical references.

Thesis (M.S.)--University of Wisconsin--Madison, 1962. / Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.

The aims of this thesis are to show that dialogue in Gide's correspondences is of primordial importance in helping Gide to establish and develop his artistic position and to provide adequate proof of the fact that artistic discussion in the correspondences hears fruit in Gide's literary work. Before undertaking this task, certain preliminary steps are taken in my Introduction and in Chapter One. The former contains a definition of dialogue which stresses the fact that, for Gide, it is essentially artistically orientated and most useful when it entails opposition. My choice of Gide's correspondences with Paul Valéry, Francis Jammes, Paul Claudel and Roger Martin du Gard is explained and justified. These correspondences are representative of Gide's development as a "being of dialogue" and cover Gide's literary career chronologically. In Chapter One, Gide's attitude to correspondence is explored in order to prove that the correspondences deserve closer study since they held an important and specific place in Gide's life, being intended for publication. The possible reasons for this are investigated and the conclusion is drawn that Gide wanted his public to participate in the moral and artistic dialogue which takes place in the most important of his correspondences. The purpose of such a study was to show that my decision to deal only with dialogue upon art was not an arbitrary one. Chapters Two, Three and Four concern the course of dialogue in the chosen correspondences. Chapter Two snows now dialogue with Valery helps Gide to build the foundations of his artistic position, Chapter Three now dialogue with Jammes and Claudel encourages Gide to establish and strengthen it, while Chapter Pour is witness to the fact that dialogue with Martin du Gard is Gide's insurance against artistic complacency. Chapter Five studies the relationship between Gide's correspondences and certain of his works ( Le Traité du Narcisse, Le Retour de l'Enfant prodigue and Les Faux- Monnayeurs ). Images and artistic preoccupations which appear in the correspondences studied are given parallel expression in Gide's literature. In addition, the nature of Gide's dialogue with his correspondents is also apparent in the manner in which he presents ideas in his literature. Chapter Five is intended as proof of my conclusion not only that dialogue in Gide's correspondences is, as much as his Journal, a bridge to his work but also that, for a fuller understanding of the artistic reflection which is the fundamental basis of Gide's work, his correspondences are essential reading.

Dissertação (mestrado)—Universidade de Brasília, Instituto de Humanidades, Departamento de Filosofia, Programa de Pós-Gradução, 2008. / Submitted by Danyelle Mayara Silva (danielemaiara@gmail.com) on 2009-09-09T20:33:05Z No. of bitstreams: 1 2008_LaurenioLeiteSombra.pdf: 427063 bytes, checksum: d22dd01f204f7818114cedb73dfd31f3 (MD5) / Approved for entry into archive by Guimaraes Jacqueline(jacqueline.guimaraes@bce.unb.br) on 2009-12-12T11:52:27Z (GMT) No. of bitstreams: 1 2008_LaurenioLeiteSombra.pdf: 427063 bytes, checksum: d22dd01f204f7818114cedb73dfd31f3 (MD5) / Made available in DSpace on 2009-12-12T11:52:27Z (GMT). No. of bitstreams: 1 2008_LaurenioLeiteSombra.pdf: 427063 bytes, checksum: d22dd01f204f7818114cedb73dfd31f3 (MD5) Previous issue date: 2008-10 / Este trabalho visa compreender o pensamento do Wittgenstein tardio, a partir de um diálogo com duas correntes da filosofia: o pragmatismo americano e a hermenêutica filosófica alemã. A partir de uma reflexão fronteiriça, busca aspectos dessas correntes de pensamento que permitam revelar um pouco mais da obra do filósofo austríaco, particularmente da sua fase tardia, especialmente representada pelas Investigações Filosóficas e o Da Certeza. Esse método de reflexão foi especialmente inspirado no livro Margens das Filosofias da Linguagem, de Julio Cabrera, em que diversas contraposições, especialmente em torno de Wittgenstein, são realizadas. No diálogo com o pragmatismo, representado por John Dewey e Richard Rorty, é explicitada uma aproximação do Wittgenstein que reconhece a importância do uso da linguagem para sua atribuição de significado, com a corrente americana. Também é aspecto importante certa conseqüência dessa visão, que de ambos os lados rejeita as tradicionais leituras dualistas da filosofia. Por outro lado, é analisada a grande distância que há entre a visão otimista de futuro e de progresso nos pragmatistas com a filosofia de Wittgenstein, que parece rejeitar essa perspectiva. Com a hermenêutica filosófica, representada por Heidegger e Gadamer, também há importantes aproximações, em certa leitura “holística” do significado, e, para usar terminologias de Charles Taylor, na assunção de uma dimensão constitutiva da linguagem e de uma linguagem “engajada” entre os autores comparados. Por outro lado, este trabalho avalia, ao contrário de Charles Taylor, que a noção de background os separa, em função de um Wittgenstein que, a partir da impossibilidade de dizer além da própria linguagem, se recusa a “dizer” o background. É objetivo desse trabalho, além de investigar um pouco mais sobre o Wittgenstein, a partir desse diálogo, provocar reflexões indiretas sobre o próprio diálogo e sobre a própria noção de filosofia. ___________________________________________________________________________________ ABSTRACT / This paper seeks to understand the late Wittgenstein, departing from a dialog with two important philosophical streams: American pragmatism and German hermeneutic philosophy. Dialoging with “borders”, it looks for aspects from each one that can reveal the very work from Wittgenstein, especially Philosophical Investigations and On Certainty. This method was inspired by the book Margens das Filosofias da Linguagem, from Julio Cabrera, which has undertook manifold confrontations, always using Wittgenstein’s works. In dialog with pragmatism, in particular with John Dewey and Richard Rorty, it is exhibited a similarity with the Austrian philosopher, because both recognize the importance of use to ascribe significance in language. Other similarity is the rejection to traditional dualisms in philosophy. Nevertheless, there is a great distance between the optimistic confidence of pragmatists and Wittgenstein, who rejects this kind of perspective. We also can see important similarities with hermeneutics, represented by Heidegger and Gadamer. There is a kind of “holistic” reading of meanings, and using Charles Taylor’s terms, we assume that there is a constitutive dimension from an “engaged” language among the compared authors. Though, this paper concludes differing from Taylor, that the background notion separates them, because Wittgenstein refuses to “say” the background. Finally we aim to obliquely reflect about dialog itself and the very notion of philosophy, besides investigating the late Wittgenstein.

Made available in DSpace on 2010-04-20T20:17:29Z (GMT). No. of bitstreams: 0 Previous issue date: 1991-12-03T00:00:00Z / Analisa a experiência histórica do Japão ao término da Segunda Guerra Mundial quanto a inflação e políticas econômicas de estabilização no período entre 1945 e 1951. Aborda as origens e causas do aumento do nível de preços, as políticas econômicas - reforma monetária e fiscal, reconstrução econômica, realinhamento e tabelamento de preços, equilíbrio do orçamento público, ingresso de divisas estrangeiras, reformas estruturais - e suas consequências quanto a estabilização dos preços.

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