MONTE, José Cleyton Vasconcelos. Os caminhos do poder no Ceará: a política de alianças nos governos Cid Gomes (2007-2014). 2016. 260f. – Tese (Doutorado) – Universidade Federal do Ceará, Programa de Pós-Graduação em Sociologia, Fortaleza (CE), 2016. / Submitted by Gustavo Daher (gdaherufc@hotmail.com) on 2017-03-06T15:50:15Z No. of bitstreams: 1 2016_tese_ jcvmonte.pdf: 2250534 bytes, checksum: a30b3330e173c1e7e61ec29597b66ae0 (MD5) / Rejected by Márcia Araújo (marcia_m_bezerra@yahoo.com.br), reason: on 2017-03-07T15:17:08Z (GMT) / Submitted by Gustavo Daher (gdaherufc@hotmail.com) on 2017-03-09T16:37:06Z No. of bitstreams: 1 2016_tese_jcvmonte.pdf: 11393993 bytes, checksum: e9af4cad4db642f4aa27ff9a1742d21f (MD5) / Approved for entry into archive by Márcia Araújo (marcia_m_bezerra@yahoo.com.br) on 2017-03-10T16:47:51Z (GMT) No. of bitstreams: 1 2016_tese_jcvmonte.pdf: 11393993 bytes, checksum: e9af4cad4db642f4aa27ff9a1742d21f (MD5) / Made available in DSpace on 2017-03-10T16:47:51Z (GMT). No. of bitstreams: 1 2016_tese_jcvmonte.pdf: 11393993 bytes, checksum: e9af4cad4db642f4aa27ff9a1742d21f (MD5) Previous issue date: 2016 / The research aims to understand contemporary Ceará politics, emphasizing the strategies triggered by governor Cid Ferreira Gomes and his group to build and maintain political alliances in the state of Ceará from 2007 to 2014. The thesis is divided into three parts. Initially, part I highlights the practices of the Ferreira Gomes group and their strategies in the 2006, 2010 and 2014 elections, constituting a new and controversial political cycle. Speaking with the thesis of "coalition presidentialism", part II analyzes the construction of the allied base in the Cid Gomes governments in the Legislative Assembly of the State of Ceará, addressing: the leaders and indicators of the coalition, the budget process and the articulations of the opposition. In part III, the administrative actions of the governments of Cid Gomes, drawing parallels with the political grammars of the Age of Changes and lulism, are discussed: the decision-making nucleus, the government marks, the scandals and the relation with civil society. The group in question gained strength and autonomy during the governments of Cid Gomes, won the support of a broad and heterogeneous allied base, allied with important political leaders, linking to the phenomenon of lulism. This range of alliances began with the articulations for the 2006 elections, gained strength by sharing spaces with allies and bringing new names to the composition of the government, strengthened in 2010 and began to fragment in the 2014 election, signaling the wear and tear of this political cycle. Despite the outbreak of several political scandals, it did not suffer significant pressure from the Legislature and put into action a large and controversial investment program. The methodological course of the research involves the use of conjuncture analysis, interviews, documentary analysis and systematic observation of the Ceará political scenario. It is believed that in following the paths of the power of a political group, the paths and impasses of representative democracy are in fact discussed. / A pesquisa tem como objetivo compreender a política cearense contemporânea, enfatizando as estratégias acionadas pelo governador Cid Ferreira Gomes e seu grupo para construir e manter alianças políticas no estado do Ceará, de 2007 a 2014. A tese divide-se em três partes. Inicialmente, na parte I, destacam-se as práticas do grupo dos Ferreira Gomes e suas estratégias nas eleições de 2006, 2010 e 2014, constituindo um novo e controverso ciclo político. Dialogando com a tese do “presidencialismo de coalizão”, na parte II, analisa-se a construção da base aliada dos governos Cid Gomes na Assembleia Legislativa do Estado do Ceará, abordando: os líderes e indicadores da coalizão, o processo orçamentário e as articulações da oposição. Na parte III, são discutidas as ações administrativas dos governos Cid Gomes, traçando paralelos com as gramáticas políticas da Era das Mudanças e do lulismo e apresentando o núcleo decisório, as marcas de governo, os escândalos e a relação com a sociedade civil. O grupo em questão ganhou força e autonomia durante os governos de Cid Gomes, conquistou o apoio de uma ampla e heterogênea base aliada, aliou-se a importantes lideranças políticas, ligando-se ao fenômeno do lulismo. Esse leque de alianças teve início com as articulações para as eleições de 2006, ganhou força ao compartilhar espaços com os aliados e trazer novos nomes para a composição do governo, fortaleceu-se em 2010 e começou a se fragmentar no pleito de 2014, sinalizando o desgaste desse ciclo político. Apesar da eclosão de vários escândalos políticos, não sofreu pressões significativas por parte do Legislativo e colocou em ação um grande e polêmico programa de investimentos. O percurso metodológico da pesquisa envolve a utilização da análise de conjuntura, entrevistas, análise documental e observação sistemática do cenário político cearense. Acredita-se que, ao seguir os caminhos do poder de um grupo político, discute-se, na verdade, os percursos e impasses da democracia representativa.

The dissertation shows one of the possible portraits of the history of the Roman Catholic Church in Czechoslovakia between the years 1927-1963. On the example of Václav Boštík (1897-1963), the dean in Ústí nad Orlicí between the years 1934-1942 and 1945-1961, the thesis focuses on continuities and discontinuities in the history of the local Roman Catholic parish. The presented analysis combines the socio-historical, microhistorical and biographical approach, by means of which it shows pastoral and other strategies of dean Václav Boštík - an ecclesiastical administrator and statutory representative - in various situations during the first two-thirds of the twentieth century. Local events are interconnected with the context of Czech ecclesiastical history at the statewide and diocesan level as well as with a broker context of Church history. Key words 20th century, the Roman Catholic Church, Czechoslowakia, communism, Ústí nad Orlicí, Václav Boštík (1897-1963)

The focus of this study will be the impact of Neue Sachlichkeit on Zeitoper, specifically its influence upon Hindemith's operatic output. The purpose of this paper is not to.subject these works to detailed musical analysis, but rather to place Hindemith's Zeitopern in historical perspective, examining how they were influenced by and mirrored the aesthetic atmosphere of the Weimar Republic.

In this dissertation, I study the corpse as a material in Latin American art at the end of the 20th century and the beginning of the 21st. On the one hand, I show that this is a social analyzer of the terrible consequences of dictatorships, neoliberal policies, and criminal violence on the continent. On the other hand, applying the theory of new materialism and focusing on the presence of the dead body -human or non-human- in the work of artists such as Nicola Costantino, José Antonio Hernández Díez, Teresa Margolles, María Fernanda Cardoso, Arturo Duclos, or Nicolás Lamas, among others, I develop what I call corpse art. As I argue, the impact of this art consists in challenging the limits of the body and its traditional binomials (surface-depth, organic-inorganic, living-dead) using the material capacities of skin, flesh, and bones. The material deployment of the corpse, as well as the re-appropriation of scientific and commercial techniques, put artistic media, their specificities, and their autonomies in crisis. But in addition, this corpse art allows also us to reflect on the manipulation of bodies and power ties that produce objects and merchandise of desire in the Latin American context.

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This thesis attempts to construct a complete study of John F. Kennedy's senatorial years. The study uncovers relevant material pertinent to Kennedy's senatorial involvement. By examining a vast amount of material, it was possible to construct an overview of Kennedy's career in the United States Senate. This thesis accurately indicates John F. Kennedy's ideology, record, and role within the Senate.John F. Kennedy is depicted as the political man. The pressures that influenced his decisions are discussed. Decisions are not made without consequences and, therefore, the consequences of his decisions are included. He was a man motivated by power, and power became one of his major ambitions. Kennedy's career was evolutionary, and as the years passed, he became a well-known senator. As his career broadened, so did his perspective. This paper develops a picture of Kennedy's aspirations as opposed to his political successes.

Tesis para optar al grado de Magíster en Literatura / En la presente investigación se estudian diversas obras literarias producidas por el escritor francés Jean Cocteau (1889-1963) con el fin de dilucidar una determinada poética que se realiza plenamente en dos formas artísticas primordiales: el drama y el teatro. Para ello distingo una serie estadios creativos que van modelando el proceso escritural del autor y que dan cuenta de la densidad de su proyecto dentro de un contexto cultural específico. El desarrollo de la investigación se divide en tres capítulos que visibilizan este proceso y la construcción de una poética: el primero de ellos, dedicado a enmarcar las primeras producciones del autor, a establecer su relación con los movimientos de vanguardia y a sentar las bases de un proyecto artístico que concibe el texto dramático y su representación como partes fundamentales de su elaboración. En los capítulos segundo y tercero se postulan, respectivamente, dos líneas de abordaje: una de carácter filosófica-estética, en la que problematizo el concepto de verdad asociado a la realidad, y otra dramática-teatral, en la que sostengo que la poética de Cocteau se consolida en la naturaleza artística y reflexiva de la pieza Les Chevaliers de la Table ronde (1937). Finalmente, propongo que la pieza exhibe una reflexión artística y ontológica que descubre su complejidad a través de distintas estrategias reflexivas (niveles de ficción dentro de la obra, la autoconciencia y el juego de rol en el personaje, la autorreferencialidad y la teatralización), generando así múltiples perspectivas para mirar la realidad, tanto al interior del mundo representado como desde nuestra propia experiencia de lectores o espectadores. / Proyecto FONDECYT 11130269

El diseñador teatral y el lenguaje audiovisual. Cada día se hacen más películas en nuestro país y en este medio, donde hace algunos años la existencia del diseñador teatral era un misterio, hoy se requiere cada vez más de su participación en las diversas áreas relacionadas con la visualidad de las producciones nacionales. No existen otros profesionales tan capacitados como el diseñador teatral para enfrentarse a la Dirección de Arte y las sub-áreas que la componen. Éste logra abarcar la conceptualización de un mundo ficcional global, tiene las herramientas para concretarlo y esta capacidad de comprender y plasmar el sentido dramático de las situaciones y los personajes, incluso sin tener conocimiento específico del medio cinematográfico, formándose, la mayoría de las veces, en la práctica.