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Informe de Seminario para optar al grado de Licenciado en Historia / Seminario de Grado: Arte y cultura en la Asia Oriental / Mí objetivo principal en esta investigación será reconstruir y analizar la visión que tuvo el periodismo escrito chileno de la época sobre los sucesos que dieron forma a la llamada “Revolución Cultural China” entre los años 1966 a 1976.

O Cabanon é uma obra do arquiteto Le Corbusier localizada em Cap Martin na região conhecida como Côte d´Azur, no sul da França. Esboçada pela primeira vez no final de 1951, teve sua execução finalizada em agosto de 1952. A cabana é um episódio distinto dentro da arquitetura de Le Corbusier. O Cabanon foi a síntese da obra do arquiteto; nesta obra Le Corbusier pôde retornar ao primitivismo, algo tão admirado por ele, através de uma cabana com uma aparência um tanto quanto primitiva – a rusticidade exterior presenta na textura da madeira – e dos seus hábitos um tanto peculiares – gostava de pintar seus murais, nu. Na cabana, colocou em prática o seu estudo sobre as medidas, utilizando o Modulor como ferramenta de projeto; além disso usou das formas da natureza para gerar a planta: o movimento helicoidal da concha e a sua espiral decomposta criaram a forma com que o mobiliário seria disposto e como a circulação ocorreria dentro do recinto. A habitação mínima, uma releitura das celas monásticas de Cartuxa d´Emma, foi um dos temas abordados também nessa pequena casa, assim como o desejo de criar uma célula reproduzível. Os temas abordados no Cabanon podem ser o resumo da história arquitetônica do mestre modernista, que encontrou em Cap Martin o local para exercitar a mente, o corpo, a alma e o espírito. / The Cabanon is a work of the architect Le Corbusier located in Cap Martin in the region known as Côte d'Azur, in the south of France. Sketched for the first time at the end of 1951, its execution was completed in August 1952. The hut is a distinct episode within the architecture of Le Corbusier. The Cabanon was the synthesis of the architect's work; in this work Le Corbusier was able to return to primitivism, something so admired by him, through a hut with a rather primitive appearance - the exterior rusticity presents in the texture of wood - and his somewhat peculiar habits - liked to paint his murals, naked. In the hut, he put into practice his study on the measurements, using Modulor as a design tool; besides that he used the forms of nature to generate the plan: the helical movement of the shell and its decomposed spiral created the way the furniture would be arranged and how the circulation would take place inside the enclosure. The minimal habitation, a re-reading of the monastic cells of Cartuxa d'Emma, was one of the topics addressed in this small house, as well as the desire to create a reproducible cell. The topics covered in the Cabanon may be the summary of the architectural history of the modernist master, who found in Cap Martin the place to exercise mind, body, soul and spirit.

Para o arquiteto Le Corbusier (1887‐1965), a habitação foi mais que um mero edifício: fez parte de um conceito tipológico abrangente, que diz respeito às inovações tecnológicas e sociais, e a todas as demais transformações ocasionadas pela vida moderna na era da máquina. A estratégia de configuração espacial que Le Corbusier inicia com a estrutura Dom‐Ino e Citrohan influenciou toda a produção arquitetônica a partir da década de 1920. Este trabalho se propõe a analisar o tema residencial tendo como viés os projetos e publicações corbusianos, que refletem seus ideais para a formação do conceito de Máquina de Habitar. Partindo‐se do princípio que Le Corbusier cria seus próprios tipos compositivos, trabalha sobre os mesmos, se reinterpreta e se aperfeiçoa são analisadas duas obras consideradas ícones dentro da produção do arquiteto: a Villa Savoye (1928, Poissy) e a Casa Curutchet (1948, La Plata). A Villa Savoye como uma situação ideal, por se tratar da manifestação concreta dos “Cinco Pontos da Nova Arquitetura” publicados em 1927, um refúgio construído em um lote de grandes dimensões e paisagem bucólica A Casa Curutchet como uma situação real, por se manifestar como uma revisão dos Cinco Pontos, os quais se tornam dez quando somados às novas pesquisas do período pós‐guerra, demonstrando a maturidade corbusiana e possibilitando sua inserção em um lote de dimensões reduzidas inserido em um tecido urbano já consolidado. A abordagem ocorre a partir de uma matriz de análise composta por dois eixos estruturadores: um eixo horizontal e um eixo vertical. O primeiro corresponde à análise da narrativa corbusiana considerando os aspectos cronológicos de sua obra arquitetônica e textual, destacando o contexto histórico no qual se inserem as duas obras selecionadas para esta investigação; o segundo eixo corresponde a uma análise da sintaxe corbusiana e conceitos tipológicos e compositivos presentes nos dois exemplares destacados. / To the architect Le Corbusier (1887‐1965), the habitation was more than a mere building: it was part of a comprehensive typological concept which concerns technological and social innovations, and all the other transformations caused by life in the machine age. The special configuration strategy that Le Corbusier started with the structure Dom‐ Ino and Citrohan structures influenced all the architectural production starting from the 1920s. This work proposes to analyze the residential theme taking as bias the corbusian projects and publications, which reflect his ideals for the formation of the concept of the Machine for Living. Taking as principle that Le Corbusier creates his own compositional types, works on them, reinterprets and perfects, we analyze two works which are considered icons within the architect's production: Villa Savoye (1928, Poissy) and Curutchet House (1948 , La Plata). The Villa Savoye as an ideal situation, for being the concrete manifestation of the “Five Points of New Architecture” published in 1927, a refuge built on a large lot of bucolic landscape Curutchet House as a real situation, for manifesting as a revision of the Five Points, which become ten when added to the new researches from the post‐war period, demonstrating the corbusian maturity and allowing its insertion in a smaller lot in an already consolidated urban fabric. The approach occurs from an analysis matrix composed of two structuring axes: a horizontal axis and a vertical axis. The first corresponds to the analysis of the corbusian speech considering the chronological aspects of its architectural and textual work, highlighting the historical contexts in which are inserted the two works selected for this investigation; the second axis corresponds to an analysis of the corbusian syntax along with the typological and compositional concepts presented in both selected samples.

李駿康. / "2004年6月". / 論文(哲學碩士)--香港中文大學, 2004. / 參考文獻 (p. 158-170) / 附中英文摘要. / "2004 nian 6 yue". / Li Junkang. / Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2004. / Can kao wen xian (p. 158-170) / Fu Zhong Ying wen zhai yao. / Chapter 第一章： --- 導言 --- p.1 / Chapter 第二章： --- ：蒂利希宗教社會主義思想的背景 --- p.5 / Chapter I) --- 引言 --- p.5 / Chapter II) --- 社會及生平背景 --- p.6 / Chapter (a) --- 1914 以前 --- p.6 / Chapter (b) --- 1914-1918 --- p.9 / Chapter (c) --- 1919-1925 --- p.12 / Chapter (d) --- 1925-1933 --- p.15 / Chapter III) --- 小結 --- p.20 / Chapter IV) --- 思想源頭 --- p.21 / Chapter (a) --- 「凱邏斯圈」 --- p.21 / Chapter (b) --- 特洛爾奇與韋伯 --- p.23 / Chapter (c) --- 法蘭克福學派 --- p.28 / Chapter V) --- 總結 --- p.31 / Chapter 第三章： --- 1933年前蒂利希的宗教社會主義 --- p.32 / Chapter I) --- 引言 --- p.32 / Chapter II) --- 文化神學 --- p.32 / Chapter III) --- 宗教社會主義 --- p.42 / Chapter (A) --- 社會主_克思主義共產主義 --- p.43 / Chapter (B) --- 對資本主義的批判 --- p.46 / Chapter (C) --- 「凱邏斯」 --- p.49 / Chapter (D) --- 神律 --- p.54 / Chapter (E) --- 魔魅 --- p.58 / Chapter (F) --- 宗教社會主義原則 --- p.61 / Chapter (G) --- 社會主義的抉擇 --- p.67 / Chapter IV) --- 宗教社會主義的分析和轉向 --- p.72 / Chapter V) --- 總結 --- p.80 / Chapter 第四章： --- 1933年後蒂利希的宗教社會主義 --- p.81 / Chapter I) --- 引言 --- p.81 / Chapter II) --- 1933年後的行動與論著 --- p.82 / Chapter III) --- 文化神學與宗教社會主義 --- p.92 / Chapter IV) --- 後期思想與宗教社會主義 --- p.96 / Chapter (A) --- 愛、力量與公義 --- p.97 / Chapter (B) --- 意識形態與偶像崇拜 --- p.100 / Chapter (C) --- 教會觀 --- p.104 / Chapter (D) --- 上帝國 --- p.109 / Chapter V) --- 總結 --- p.116 / Chapter 第五章： --- 蒂利希的宗教社會主義與現代處境 --- p.117 / Chapter I) --- 引言 --- p.117 / Chapter II) --- 全球的處境 --- p.118 / Chapter III) --- 中國處境 --- p.131 / Chapter IV) --- 香港處境 --- p.144 / Chapter V) --- 結論 --- p.156 / Chapter 第六章： --- 總結 --- p.157 / Chapter 第七章： --- 參考書目 --- p.158 / Chapter I) --- 蒂利希的著作 --- p.158 / Chapter II) --- 硏究蒂利希的著作 --- p.162 / Chapter III) --- 其他參考文獻 --- p.165 / Chapter IV) --- 報刊 --- p.170

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Paediatrics became a viable medical specialty in Australia and New South Wales between 1945 and 1965. Paediatricians took possession of occupational spaces previously claimed by other medical groups and created their own new spaces. They argued that children were still growing and differed physically and emotionally from adults. Their special needs warranted the formation of a new division in medicine. Paediatricians adopted the new knowledge, technology and therapeutics that became available in the post-war period and demonstrated that they were capable of following the scientific medicine paradigm, the prevailing standard in internal medicine. Access to the children's hospital was essential for paediatricians as a workshop for their professional development, to treat their seriously ill patients, to support their claims for occupational space and for their authority and status as specialists in medicine.. Scientific medicine demanded more of the time of the paediatricians and in RAHC they elected to continue working in an honorary capacity. In another children's hospital, RCH in Melbourne, paediatricians were employed in a version of the full-time system. The different approaches to staffing illustrate the conflicts of interest found in specialty development in Australia and the pervasive influence of medico-political issues. As members of a privileged autonomous profession paediatricians in RAHC owed a duty to the people of NSW, and in their honorary positions, to the hospital. They had responsibilities to their patients, both private and public. They were committed to their own professional development and they had to make a living in private practice. By retaining the honorary system paediatricians in RAHC were obliged to give priority to their interests outside the hospital so that scientific medicine expanded only slowly. In RCH service development and research were enhanced because the conflicts of interest were reduced and paediatricians could devote more of their time to the hospital without compromising their other roles. The development of a new specialty required the acquisition by members of professional power, authority and status. This process was assisted by the formation of a professional association, but paediatricians had difficulty in creating an independent body that they controlled. For professional authority and status paediatricians in RAHC were strongly dependent on maintaining their dominant position in the hierarchy of the hospital. Although children were central to the development of paediatrics, their place at the bottom of the institutional hierarchy meant they were disempowered and unable to influence the development of the specialty. / PhD Doctorate

Zugl.: Münster (Westfalen), Univ., Staatsexamensarbeit, 2007/08

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