Thèse--Lettres--Paris I, 1973. / Contient en annexe diverses statistiques relatives à la population et à la vie économique de Caen au XVIIIe siècle. Bibliogr. pp. 1403-1501. Index.

Dissertação (mestrado) - Universidade de São Paulo. Faculdade de Economia e Administração, Departamento de Economia / Made available in DSpace on 2012-10-15T20:22:32Z (GMT). No. of bitstreams: 0

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Submitted by Estagiário SPT BMHS (spt@fgv.br) on 2011-11-22T10:26:49Z No. of bitstreams: 1 000003725.pdf: 4063877 bytes, checksum: 89f2bb753e6c9cc30084abc2e525cc59 (MD5) / Approved for entry into archive by Estagiário SPT BMHS (spt@fgv.br) on 2011-11-22T10:27:02Z (GMT) No. of bitstreams: 1 000003725.pdf: 4063877 bytes, checksum: 89f2bb753e6c9cc30084abc2e525cc59 (MD5) / Approved for entry into archive by Estagiário SPT BMHS (spt@fgv.br) on 2011-11-22T10:27:17Z (GMT) No. of bitstreams: 1 000003725.pdf: 4063877 bytes, checksum: 89f2bb753e6c9cc30084abc2e525cc59 (MD5) / Made available in DSpace on 2011-11-22T10:28:57Z (GMT). No. of bitstreams: 1 000003725.pdf: 4063877 bytes, checksum: 89f2bb753e6c9cc30084abc2e525cc59 (MD5) Previous issue date: 1978 / O planejamento do setor agrícola tem como objetivo básico a integração da agricultura com os demais setores, de modo a permitir uma visão global da economia, facilitar a sele ção de alternativas de prioridades e maximizar a rentabilidade sócio-econômica dos recursos à disposição do setor. A conscientização, cada vez mais crescente, da ne cessidade de adoção do planejamento como técnica que auxilia o atingimento dos objetivos de desenvolvimento nacional é enfoca do no Capítulo I. A partir de 1939; ocorrem várias tentativas de institucionalização do planejamento global no Brasil. Três fa ses são caracterizadas: a do planejamento 'Ocasional', a do 'Empírico' e a do 'Científico'. Estas tentativas sao analisa das no Capítulo 11. Os aspectos de conceituação e de princípios do planejamento setorial, num sentido amplo, e des do planejamento setorial agrícola, inclusive guras e etapas são abordados no Capítulo 111. as peculiarid~ os níveis, fi No Capítulo IV são tratados os aspectos de insti tucionalização do planejamento agrícola a nível federal, no p~ ríodo de 1960 a 1974, em três fases distintas: a 'ComissionaI' (1960/66), a 'Escritorial'(1967/70) e a 'Secretarial' (1971/74). No Capítulo V são abordadas as políticas públicas comumente ad~ tadas, enfatizando-se com maior detalhe a política de preços mínimos, por ser a mais contínua do período. Finalmente, no Capítulo VI, são apresentadas as conclus6es, onde se mostra que alguns resultados positivos têm sido alcançados, embora existam, ainda,pontos débeis a serem atacados, tendo em vista a consolidação de uma forte organização para o planejqmento.

Informe de Seminario para optar al grado de Licenciado en Historia

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Dissertação (mestrado)—Universidade Brasília, Instituto de Ciências Sociais, 2012. / Submitted by Gabriela Botelho (gabrielabotelho@bce.unb.br) on 2012-07-11T17:25:25Z No. of bitstreams: 1 2012_MarianaYokoyaSimoni.pdf: 18375682 bytes, checksum: e0cd633559dd5caf4bba7ce04e46ea58 (MD5) / Approved for entry into archive by Jaqueline Ferreira de Souza(jaquefs.braz@gmail.com) on 2012-07-13T11:50:42Z (GMT) No. of bitstreams: 1 2012_MarianaYokoyaSimoni.pdf: 18375682 bytes, checksum: e0cd633559dd5caf4bba7ce04e46ea58 (MD5) / Made available in DSpace on 2012-07-13T11:50:42Z (GMT). No. of bitstreams: 1 2012_MarianaYokoyaSimoni.pdf: 18375682 bytes, checksum: e0cd633559dd5caf4bba7ce04e46ea58 (MD5) / A anistia política brasileira de 1979 e os programas de reparação referentes às violações de direitos humanos no período entre 1946 e 1988 são duas temáticas controversas no seio da academia e da sociedade brasileira. O presente estudo enfoca-se nos processos de anistia política de militantes que participaram da chamada “Guerrilha do Araguaia” para buscar melhor compreender a memória e os sentidos de anistia política e de reparação que permeiam esses documentos. Com base em 50 processos de anistia, concluídos entre 2001 e 2011, no âmbito da Comissão de Anistia do Ministério da Justiça, desenvolve-se uma análise sobre a memória da guerrilha do Araguaia e sobre as mudanças de significado da anistia política de 1979. Essas discussões são de grande importância para se compreender o processo reparatório brasileiro e as múltiplas dimensões nele implicadas, como a reparação econômica, a moral e a histórica. O estudo conclui que houve transformações no sentido de anistia política e de reparação ao longo da transição política brasileira. Essas transformações ocorreram no sentido de incorporar conceitos do campo de estudo da “justiça de transição” e dos direitos humanos, que passaram a conviver com os referenciais clássicos de anistia política no Brasil. Essa aproximação entre campos conceituais diferentes permitiu não somente complementar noções pretéritas, mas também colocar novos desafios na agenda de transição brasileira. _________________________________________________________________________ ABSTRACT / Brazilian political amnesty of 1979 and the reparation programs concerned human rights’ violations between the years of 1946 and 1988 are two controversial topics in the academy and in the Brazilian society. This study focuses on the political amnesty of militants that participated in the so-called “Guerrilha do Araguaia” (1966-1975). The objective is to understand the memory and the meanings of political amnesty and reparations that underlies these documents. Based on 50 processes of amnesty, finished between 2001 and 2011, in the Brazilian Amnesty Commission, the study develops an analysis on the memory of the “Guerrilha do Araguaia” and on the changes of meaning of the 1979’s political amnesty. These discussions are of great importance in order to understand the Brazilian reparatory process and the various dimensions involved in it – such as economic, moral and historic reparation. The study concludes that there have being some transformations in the meaning of political amnesty and reparation in the course of Brazilian political transition. These transformations are signaling to the incorporation of concepts from the field of “transitional justice” and human rights. Such concepts are coexisting with traditional references of political amnesty in Brazil. This approximation between two different conceptual fields allowed not only to complement past notions, but also to put new challenges in the Brazilian transitional agenda.

Tese (doutorado)—Universidade de Brasília, Faculdade de Ciência da Informação, Programa de Pós-Graduação em Ciência da Informação, 2012. / Submitted by Alaíde Gonçalves dos Santos (alaide@unb.br) on 2013-10-01T14:15:00Z No. of bitstreams: 1 2012_ShirleydoPradoCarvalhedo.pdf: 3298937 bytes, checksum: 3692290b403ef81d84983f4493d70cd0 (MD5) / Approved for entry into archive by Guimaraes Jacqueline(jacqueline.guimaraes@bce.unb.br) on 2013-10-14T16:44:51Z (GMT) No. of bitstreams: 1 2012_ShirleydoPradoCarvalhedo.pdf: 3298937 bytes, checksum: 3692290b403ef81d84983f4493d70cd0 (MD5) / Made available in DSpace on 2013-10-14T16:44:51Z (GMT). No. of bitstreams: 1 2012_ShirleydoPradoCarvalhedo.pdf: 3298937 bytes, checksum: 3692290b403ef81d84983f4493d70cd0 (MD5) / A partir de 2004, a imprensa brasileira intensificou a produção de reportagens a respeito da possível existência de documentos arquivísticos relacionados à guerri-lha do Araguaia (1972-1975), movimento armado promovido pelo Partido Comu-nista do Brasil contra o Regime Militar (1964-1985), contrariando o discurso oficial então esposado, segundo o qual todos os documentos teriam sido destruídos há tempos: trata-se da tese da destruição total. No presente trabalho, essa tese será examinada à luz de princípios e noções arquivísticas, especialmente os de fundo e de proveniência. O exame da questão, com base nesses princípios e noções, revelou a existência de noção arquivística, “a ramificação”, definição preliminar que será proposta ao longo deste trabalho. Na perspectiva referencial de Muller, Feith e Fruin; Jenkinson; Casanova; Schellenberg; Duchein; Lodolini; Nesmith; Cook e Duranti, as seguintes indagações foram postuladas para nortear a presen-te pesquisa: Os conceitos de fundo e de proveniência contribuiriam para o enten-dimento do fluxo, logo para o mapeamento, dos documentos de arquivo relaciona-dos à Guerrilha do Araguaia? A tese da destruição total dos documentos arquivís-ticos relacionados a determinado evento histórico é sustentável? Se a resposta for negativa, por que é insustentável? A noção arquivística de ramificação dos docu-mentos de arquivo poderia explicar a insustentabilidade de tal tese? A pesquisa realizada foi qualitativa, descritiva e explicativa. Os procedimentos metodológicos adotados foram o levantamento bibliográfico e o documental. Foi verificado o conteúdo dos documentos arquivísticos localizados nos fundos das instituições vi-sitadas e dos questionários respondidos por seus funcionários. A identificação de bibliografias, cujos temas centrais focalizavam a Guerrilha do Araguaia, possibi-litou o mapeamento das instituições participantes da eliminação daquele movi-mento. Foram aí incluídas muitas daquelas tradicionalmente consideradas alheias ao universo das instituições de repressão, conjunto esse ampliado a partir das re-flexões do Grupo de Trabalho da Unesco sobre os arquivos de regimes repressi-vos. Esse mapeamento contribuiu para desvelar a complexa teia de relações inter e transinstitucionais desenvolvidas sob a tutela de missão única e abrangente: o desmantelamento da Guerrilha do Araguaia. Atrelados a essa missão, os fundos das instituições de Estado passavam a comunicar-se entre si (embora não se misturassem), estabelecendo um elo entre eles aqui denominado de ramificação. Essa noção de ramificação serviu de apoio para demonstrar a impossibilidade de destruição, de maneira completa e absoluta, de todos os documentos arquivís-ticos relacionados a um evento histórico – neste caso, os documentos arquivís-ticos da Guerrilha do Araguaia. Os resultados ora apresentados, portanto, contra-riam as afirmações de que inexistem, nos dias de hoje, documentos arquivísticos relacionados àquele evento histórico. A pesquisa realizada aponta, igualmente, para a necessidade de redefinir o próprio conceito de arquivos de repressão e de realizar mudanças na legislação de acesso às informações a fim de regular as persistentes práticas de sigilo, bem como rever a tradição de opacidade informacional do Estado brasileiro. _______________________________________________________________________________________ ABSTRACT / Starting in 2004, the press in Brazil intensified its coverage about the archival documents related to the Araguaia Guerrilla (1972-1975), an armed movement promoted by the Communist Party of Brazil against the Military Regime (1964-1985), and the possibility that some of these documents did still exist. These press reports went counter to the official discourse then espoused, according to which all the documents had been destroyed long ago: this may be defined as "the total destruction hypothesis". In the present work, this hypothesis was examined in light of archival concepts, especially those of fonds and provenance. The examination revealed the existence of the archival notion of “ramification”, a definition of which was here presented. Taking into account the theoretical references of Muller, Feith e Fruin; Jenkinson; Casanova; Schellenberg; Duchein; Lodolini; Nesmith; and Cook and Duranti, the following questions were postulated in order to guide the research: Do the concepts of fonds and provenance contribute to the understanding of the processing flow of the Araguaia Guerrilla archival documents? Is the total destruction of archival documents relating to a determined historical event sustainable as a hypothesis? If not, why is it unsustainable? Could the notion of “ramification” of archival documents explain the unsustainability of such a hypothesis? The research performed was qualitative, descriptive and explicative in nature. The methodological procedures included bibliographical and documental surveys. The content of the archival documents located at the institutions visited as well as of the questionnaires filled out by their respective employees was analysed. Through the consultation of literary and academic works whose main theme focused on the Araguaia Guerrilla it was possible to map the institutions which participated in the elimination of that movement. Some of these were not traditionally considered part of the “institutions of repression”, a label which began to encompass many other institutions after taking into account Plathe's (1998) considerations. This mapping helped reveal a complex network of inter- and trans-institutional relations which grew under the aegis of a single and overarching mission: the dismantling of the Araguaia Guerrilla. Undergirded by this mission, the fonds of State institutions began to communicate with each other (although they did not intermingle), thus establishing a unifying link between themselves here defined as “ramification”. This theoretical instrument was used as support in order to demonstrate the impossibility of the complete and absolute destruction of all the archival documents related to a historical event – in this case, the Araguaia Guerrilla. The results of this research, therefore, contradict the affirmations according to which archival documents related to that historical event no longer exist. The research also points to the need for redefining the concept of “archives of repression” and for making changes in laws regarding information, so as to attenuate both the persistant practice of confidentiality and the tradition of informational opacity of the Brazilian State.

Doctorat en sciences sociales, politiques et économiques / info:eu-repo/semantics/nonPublished

The name of Arthur Honegger is immediately recognized as that of the most distinguished twentieth century Swiss composer. Another Swiss composer, however, whose depth of creative musical thought is consistently being acclaimed in ever-widening circles of influence is that of Frank Martin. Part of the reason for Martin's delayed recognition can be attributed to the slow evolution of what can be termed his mature style. Among choral musicians Frank Martin's music is unexplored for several other reasons. First, except for Mass for double chorus written in 1926, his works are of such a large compass that they require the forces of soloists, large choruses, frequently double choruses, and an orchestra of no small means. This automatically relegates the performances of his works to a symphony orchestra and chorus or to the combined efforts of musical organizations on a college campus. A second reason for Martin's low profile in the choral world is the relative inaccessibility of scores. Attempts to familiarize oneself with the choral works of Martin and thus to ascertain their musical worth is met with continual delays in the request for examination copies, the necessity of returning them soon once they finally do arrive or of paying a substantial monthly rental for examination privileges. Such time-consuming activities and expenses definitely serve as a deterrent to research. The choral director is also led to conclude that if the obtaining of examination copies requires such an effort and time-lapse, the decision to schedule a performance would carry with it the unpredictability of obtaining multiple scores. It is unfortunate that the business procedures within the American company that is distributing the scores for the European-based publishing company create such barriers to the promulgation of Martin's choral music. A third factor contributing to Martin's relative obscurity in the United States is the realization by choral directors, even before they begin their hopeless flirtation with the publishing and distributing companies, that the works are in French. The performance of large-scale works in a foreign language by a relatively unknown composer and the necessity of imported scores creates a risk and expense that leads to the shelving of works of genuine musical worth. A final reason for the indifference to Martin's choral works could be the review given various area-premiere performances, causing conductors attempting to keep abreast with the inundation of new works to dismiss any tendency to examine them. Requiem (1972) represents a period of eight years since Pilaté (1964) and one of thirteen years since the last major oratorio, Le Mystère de la Nativité (1959). Regardless of the fact that it became Martin's last choral work, it deserves an extended analysis because of its proximity to the culmination of the career of a significant twentieth century Swiss composer. This document represents an attempt to fulfill the need for a careful consideration of the compositional traits revealed in Requiem as well as an examination of the earlier major choral works. It will also examine the feasibility of presenting the French works in English by demonstrating that choruses, recitatives and arioso solos do translate well within the rhythmic framework of each phrase. Whenever a translation is used within the document, it can be compared with the original version that is in the Appendices. The bibliography of the document will include entries of the scant literature in which Martin's works are discussed. Except for one dissertation in which selected works are analyzed (Tupper, 1960), no significant scholarly attempt has been made to analyze Martin's choral works, and Tupper's paper concentrated on the instrumental compositions except for Le vin herbe which is an early secular choral work. Most of the literature is of a superficial nature and represents the music critics' reviews of premiere performances. Since this is a document rather than a dissertation, it does not fulfill the need either for a major consideration of Martin's choral music, but it does begin to scratch the surface of his stylistic traits and perhaps open up vistas for some later in -depth study of this composer.