This thesis is concerned with the making and workings of the rhetoric of the body in architectural sculpture. An abundance of expressive examples remains from the period that can be considered as the most dynamic in the history of western sculpture. Their communicative power derives from the conceptual modes of rhetoric, adapted by the carvers into the sculpted contexts. Pathos, ethos and logos (the underlying verbal authority of scripture and commentary) are in sculpture conveyed via bodily scale and proportion, spatial dynamics, physiognomies, gestures, and expressions. The analysis of those building blocks of sculpted rhetoric allows us to understand the formal dynamics within the structure of the sculpted performance and provides an insight into the source of its success. Chapter one aims to immerse the reader in the materiality of the sculpted body. The analysis considers the influence of the material and the processes of its manipulation on the form and rhetoric of the sculpted body, its communicative potential and general viewing experience. Chapter two looks at the aesthetic means of communication between the sculpted body and the beholder, as embedded in a network of physiognomic signs. This chapter shows the range of ways in which sculpted figures engaged with the viewer through the shapes and surfaces of their bodies. Chapter three discusses the use of the body language of the Fall, highlighting the range of invented expressions occurring at the various stages of the story, but particularly at the postlapsarian stage. These emotionally-laden depictions of events of crucial impact on the human condition related directly to every believer, implicating the audience alongside the protagonists. Chapter four deals with sculpted depictions of Job. The complexity of Job’s story fed into the ambitions of the artists who embarked on an exploration of the physiognomic and pathognomic language of their figures. While the attendants offer a range of pathognomic reactions, the body of Job became a field for experimentation with bodily form, surface and movement. The thesis aims to clarify how the language of the sculpted body is formed, and how it works to reach the audiences. Contrasting attitudes to the sculpted body not only demonstrate the breadth of its potential as a communicative tool, but offer a primary insight into the genesis of the principles of corporeal rhetoric used to establish a link between the sculpture and its viewer. The thesis challenges the idea of a single trajectory of development of the physiognomic and pathognomic features in architectural sculpture. The refinement of physical mimesis was not intrinsically paired with the rhetorical sophistication of forms. The ubiquitous but complex artistic dialogues, evidenced in the petrified legacy of constant mediation, responding, updating and calibrating, testify to the volatile trajectories of the conception of the form and rhetoric of medieval bodies and medieval sculpture as a whole.

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Die Dissertation stellt erstmals die episkopale Memoria in England von 1200 bis 1550 im Zusammenhang dar. Das christliche, rituelle Totengedenken, das in der heutigen Forschung mit den Begriffen des Memorial- und Stiftungswesens beschrieben wird, sorgte in diesem Zeitraum für gesellschaftliche Dynamik. In England war die soziale Gruppe der Bischöfe einer der bedeutendsten Träger jener Gedächtniskultur, die auf der Vorstellung beruhte, dass die Toten und ihre im Fegefeuer leidenden Seelen in der Welt gegenwärtig blieben. In einem System gegenseitiger Hilfestellungen hofften die Lebenden und die Toten bis zum Jüngsten Gericht das Seelenheil zu erlangen. Dabei sollten ihr gesellschaftlicher Status und ihre eingenommenen, sozialen Rollen im Tod beibehalten werden. Religiöse Gründe und Repräsentationsstreben bestimmten alle Formen episkopalen Totengedenkens. Die Variabilität bischöflicher Memoria, die sich in Gegenständen und Ritualen äußerte, ist so anhand der englischen Beispiele vorher nicht behandelt worden. Jeder Aspekt wird als Baustein für das erst in seiner Gesamtheit voll wirksame Totengedächtnis verstanden. Fehlende Bausteine oder isolierende Betrachtungen führen zu verzerrter Wahrnehmung. Von zentraler Bedeutung sind hier dennoch die Grabmäler und ihre Typologie. Sie werden vor dem Hintergrund von Auftraggeberanforderungen, funktionalen Aspekten sowie künstlerischen, orts- und zeitspezifischen Optionen der Handwerker behandelt. Formen und Funktionen der Grabmäler, Liturgien, außerliturgischen Rituale, Bau- und Kunstwerke bedingten und durchdrangen sich gegenseitig. Aus dem Anspruch auf ein angemessenes Totengedenken ergaben sich weitreichende soziale Folgen und ein reiches Erbe an Objekten und Bauwerken. Die vorliegende Arbeit verschafft Einsichten in die Phänomene episkopaler Memoria in England, indem sie gegenseitige Kommentierungen und Wechselwirkungen aufzeigt und sich dafür kunst-, glaubens- und sozialgeschichtlich relevanter Quellen bedient. / The dissertation is presenting a unique as well as coherent treatment of the topic of episcopal memorialization in England from 1200 to 1550. The English episcopacy was of substantial importance for furthering the promotion of what is now called the medieval system of foundation and commemoration. During the period concerned, it was believed that the dead and their suffering souls would stay alive in purgatory and were thought to be still present and spiritually connected to the living. By providing mutual support, people hoped to gain salvation on Last Judgement. Social status and role gained in life were to be retained after death and also had to be visually represented in tombs and rituals. Religious reasons and criteria of representation dominated all kinds of episcopal commemoration. Variability of memorialization, expressed in objects and rituals, was yet to be documented with English episcopal monuments and features. The commemoration of one single bishop consisted of many individual aspects. Hence, missing aspects and isolated interpretations are causing misunderstandings and distorted views. Forms and functions of tombs, liturgies, non-liturgical rituals, buildings and artworks influenced each other and were substantially linked. The typology of bishop’s tombs explains which options craftsmen and clients had in certain ages and under certain conditions. Patrons made demands for the look of the monuments. On the other hand, craftsmen created a personal portfolio of what they could offer to potential customers. Bishop’s tombs were also orchestrated with theatrical effects. Aspiration of appropriate commemoration led to wide-ranging social implications and a rich inheritance of objects and building constructions. This dissertation provides annotations and interrelations within the phenomenon of memorialization by considering various areas of history, like the history of art, faith and society.

Isaiah 7 and 8 are set against the Syro-Ephraimite war and the looming threat of an Assyrian invasion. The historical and social circumstances are laced with tension of despair and hope in the pending crisis. These two chapters are also the starting point of Isaiah prophetic utterances directed at King Ahaz and the people of Judah. From the outset of chapter 7, notions of tension between Isaiah and King Ahaz can be detected. In chapter 8, these notions of tension become further more evident in the oracles of Isaiah. Chapter 7 and 8 also contains oracles that give prominence to the three children with the symbolic names of Shear-jashub, Immanuel and Maher-shalal-hash-baz. The messages of the children’s oracles are the same that is to trust Yahweh and not to despair in their faith. This study investigates the tension between despair and hope in Isaiah 7 and 8 from a perspective of trauma and posttraumatic growth. To understand trauma within a theological discourse, more precisely, with regards to chapters 7 and 8, this study will provide an overview on trauma and trauma tendencies. This research endeavour also addresses biblical trauma and trauma in prophesy to gain an understanding how to read Isaiah 7 and 8 through a trauma lens. The expositional study of chapters 7 and 8 forms the foundation of the study to identify the notions of despair and hope within the text. A notable theme in Isaiah 7 and 8 is the tension triangle between Ahaz, Isaiah and Yahweh, and the research explores the significance thereof in the pending crisis. Isaiah 7 and 8 reports the metaphorical action behind the names of Isaiah’s children and this study attempts to address the trauma and posttraumatic growth implications of these names. These names construe a prophetic message of despair and judgment but similarly also a message of hope and future expectations. / Old Testament and Ancient Near Eastern Studies / D. Th. (Old Testament)

Un niveau élevé de protection de la santé humaine est assuré dans la définition et la mise en oeuvre de toutes les politiques et actions de l’Union européenne. L’une des politiques les plus importantes, conformément aux enjeux de santé et au développement économique, est celle des médicaments. Leur sécurité est garantie par un cadre juridique donné par une législation pharmaceutique d’envergure présidant à l’octroi de l’autorisation de mise sur le marché et au suivi post-autorisation. Ce cadre juridique est supporté par un dispositif institutionnel d’exception, caractérisé par une interaction étroite entre l’Agence européenne des médicaments, la Commission européenne et les autorités nationales compétentes. Il a récemment été réformé à travers la nouvelle législation de pharmacovigilance. Le concept de sécurité sanitaire est ainsi devenu le principe directeur de la gestion du risque pharmaceutique. Toutefois, lorsque le risque inhérent à tout produit pharmaceutique se manifeste, le dommage médicamenteux se produit ainsi que la demande de réparation. Face à la nécessité d’indemniser les victimes de tels accidents, les réponses nationales des systèmes juridiques français et italien, par les biais de la responsabilité civile de droit commun et de la responsabilité du fait des produits défectueux issue de la directive 85/374/CEE, se révèlent inefficaces, car peu respectueuses de la spécificité du médicament. Ce constat conduit à plaider en faveur d’une dissociation entre responsabilité et indemnisation, en garantissant cette dernière à travers la création d’un fonds d’indemnisation général pour les dommages médicamenteux à participation mixte public-privé. Cette solution garantit une socialisation des risques justifiée par le caractère social du risque thérapeutique. Cela constitue le contrepoids aux dangers inhérents aux innovations de la science, tout en faisant profiter les malades des bénéfices thérapeutiques de demain. En prônant une approche holistique de la politique du médicament, la proposition de ce fonds constitue un instrument d’une politique de santé publique qui ne voit dans l’indemnisation des risques médicamenteux qu’un complément et un prolongement de la garantie de sécurité à la base de la législation pharmaceutique européenne. / The definition and implementation of the European Union’s policies and activities guarantee a very high level of human health protection. One of its most important policies, in accordance with the relative health and economic development issues, is that on medicinal products. Drug safety is guaranteed by a legal framework, constructed on the pharmaceutical legislation laying down rules and procedures for obtaining marketing authorisation and for post authorisation monitoring. This legal framework is supported by a special institutional system,which in particular ensures close interaction between the European Medicines Agency, the European Commission and the national competent authorities. This legal framework has recently been revised as a result of the new pharmacovigilance legislation. As such, health safety has become a key directive in managing pharmaceutical risk. Yet, whenever a risk relating directly to a particular pharmaceutical product becomes apparent, medical damages and compensation claims arise. The response of the national French and Italian legal systems to the application for compensation of the victims of such accidents, by way of the ordinary rules of civil liability and the liability for defective products as defined in Council Directive85/374/EEC, has proven ineffective: they fail to take into account the specific nature ofpharmaceutical products. Based on this observation, there is a sound case for separating liability from compensation: the latter can be guaranteed by setting up a general compensationfund for medical damages, with both public and private sector participation. This solutionwould guarantee a socialisation of risks that is justified by the social nature of therapeutic risk. It would provide a counterbalance to the dangers inherent in scientific innovation, whilst simultaneously allowing patients to benefit from future therapeutic developments. By advocating a holistic approach to drug policy, this proposed compensation fund would act as apublic health policy instrument, in the context of which compensation for medical risks would only be considered an addition to, and extension of, the security guarantee that constitutes the cornerstone of the European pharmaceutical legislation.