Abstract not available. / Thesis (M.A.) - University of Durban-Westville, 2001.

This study will focus on norms and value systems as portrayed by two female Xhosa writers. The aim of this study is to show how normative value systems are represented by two female Xhosa female writers. It also aims to show the effects of these systems on women. The method of research will be based on survey of Xhosa literature focusing on the following two books, Inzol ‘enkundleni, by V. Magadla and UMandisa by V.N.M. Swaartbooi.

Submitted in fulfillment for the Degree Master of Arts in the Department of African Languages at the University of Zululand, South Africa, 2006. / Lolu lucwaningo lolumayelana nekulahleka kwemasiko nemihambo yemaSwati. Luhleleke ngetehluko. Lolucwaningo lugcile kakhulu emaSwatini aseNingizimu Afrika luye luyewuphelela kaNgwane eSwatini. Sehluko I, sichaza lucwaningo kutsi lumayelana nekulahleka kwemasiko esiveni semaSwati, Sivete kubaluleka kwemasiko esiveni. Siveta tinhloso telucwaningo, tindlela telucwaningo, kubaluleka kwelucwaningo, nemkhawulo lucwaningo, sigcine ngekuvuselelwa kwesimilo. Sehluko 2, sichaza imphilo yemaSwati ngembi kwekufika kwebadzeshi. Siveta umlandvo wemaSwati aseNtalasifali, simonhlalo nekudla kWemaSwati. Siphindze sivete, umuti, kufa kwemnumzane ekhaya nemisimeto lechutjwako nakufiwe. Kubuywe kwachazwa imisebenti yemaSwati ngebulili nangekwehlukana kwetigaba . Sehluko 3, Sichaza ngekubaluleka kwemphilo nemikhosi lemikhulu yesive. Siveta kubaluleka kwekutimbandzakanya nalemikhosi, kanye nemvunulo yemaSwati. Sehluko 4, Sibuka tinkholelo temaSwati nalokunye lokubukeka kuligugu esiveni semaSwati. Sehluko 5, Siveta sikhatsi semphucuko esiveni semaSwati. Sitsintsa tintfo letehlukene letiyinkhomba yekulahleka kwemasiko nemihambo yesintfu. Sehluko 6, Sibutselandzawonye konkhe lokntsintfwe lucwaningo. Siphindze sivete nalokntfolakele ngesikhatsi selucwaningo kanye netincomo.

Thesis (MA)--Stellenbosch University, 2001. / ENGLISH ABSTRACT: In this qualitative study the significance of the everyday eating rituals of female farm workers of color in the Western Cape is explored. Eating and its associated activities are understood as embodied, social practices that are meaningful and meaning-making. It aims to address the gap left by mainstream psychology's scant attention to the subject matter. Furthermore, it is an endeavor to steer away from the dualistic path trailed by mainstream psychology's following of traditional western philosophical thought. Assuming a social constructionist approach, six transcribed interviews were analyzed using the grounded theory method. Three main themes are extracted from these texts: knowing, agency and community. The ritual of preparing food involves embodied knowing, which enhances the women's impressions of their capacities as transformative agents. This sense of agency is performed through other acts of eating within relational contexts. The link between eating rituals and notions of community is thus introduced, which opens the space to revisit the positions of women in the sites of the family and society. / AFRIKAANSE OPSOMMING: In hierdie kwalitatiewe studie word die sinvolheid van die alledaagse eetritLiele van vroue-plaaswerkers van kleur in die Wes-Kaap verken. Eet en gepaardgaande aktiwiteite word beskou as beliggaamde sosiale praktyke wat betekenisvol en betekenisgewend is. Dit poog om hoofstroom sielkunde se gebrekkige hantering van die onderwerp aan te spreek. Ook is dit 'n poging om weg te stuur van die dualistiese trajek wat hoofstroom sielkunde navolg in die handhawing van die westerse filosofiese tradisie. Ses getranskribeerde onderhoude is ontleed vanuit In sosiaal-konstruksionistiese perspektief. Die analise maak gebruik van die "grounded theory" metode. Drie sleuteltemas is ge'identifiseer: om te weet, agentskap en gemeenskap. Die ritueel van kosmaak behels In beliggaamde vorm van weet wat bydra tot die vroue se gevoel van hul kapasiteit as transformatiewe agente. Die gevoel van agentskap word uitgevoer deur ander eethandelinge binne die konteks van verhoudings. Die skakel tussen eetrituele en idees oor gemeenskap word dus aangevoer, wat die ruimte skep om die posisies van vroue binne gesin en samelewing te herbesin.

Thesis (DPhil (Drama)--University of Stellenbosch, 2007. / This study aims to describe the puppet, mask and actor as icons or mediums in performance in Africa. The types of performances that will be discussed are religious performances, as well as liminal and hybrid performances. It is in the cases where the mask and puppet are used in religious performances, such as rituals, that the iconic characteristics or values are added to the mediumship of the object. In such cases, these objects do not represent concepts/thoughts/persons/spirits; they are these things in the space of the ritual. Matters pertaining to representation and acting are discussed, since iconic representation does not allow for acting from the performer. The actor can function with, or independently, as an icon, while all these performance elements can function as mediums in a performance using acting or role-play. These different concepts are then applied by discussing the term performance. The different elements of a performance and its characteristics – such as the use of time, space, objects, productivity and rule of a performance – are explained. The creation of a performance through the use of restored behaviour as well as the possible results of a performance in the sense of transportation and transformation as temporary or permanent changes in the performers or audience members is then addressed in the discussion. Different performance genres such as rituals and social drama will be used to describe the function of the mask, puppet and actor in liminal and liminoid performances, and to show how these different performance objects function as icons and/or mediums in these genres. Hybrid forms of performance that cannot be classified as purely liminal or liminoid performances are also studied, since these types of performances are often found in contemporary performances in Africa. The production Tall Horse is used to apply performance theory to see how the different performance objects function in changed context in a hybrid performance.

Thesis (PhD) -- Stellenbosch University, 1971. / INLEIDING: Teen die einde van die agtiende eeu het die Kaapkolonie se bevolking uit tussen 60 000 en 70 000 siele bestaan. Hiervan was ongeveer 22 000 Christene (van wie ongeveer 20 000 Blankes was), 25 000 slawe en 14 000 Hottentotte. ) Daarbenewens het ook onbekende getalle Boesmans en Bantoes hulle in die noordelike en oostelike dele van die kolonie onderskeidelik bevind. Teen 1795 was daar nog geen noordgrens vir die kolonie vasgestel nie.

A thesis submitted in fulfilment of the requirements for the degree of Master of Arts by Coursework and Research Report Faculty of Humanities University of the Witwatersrand, 2017 / This research project was designed with the aim of understanding how tailoring a particular township experience known as “loxion management” in a Gauteng township of Tembisa could insert more knowledge and re-envision literature on precarity. This project hopes to not only re-envision “loxion management” as a possible intersection between the labour market and township life but to also unpack the intricacies within this idiom. With attempting to unpack this idiom, most participants and external conversations to this research project revealed an assortment of terms used in the township which have the possibility to obscure an understanding of what “loxion management” really encapsulates. Therefore, this research project highlights that a misinterpretation of the terms glosses over the significant undertones permeating experiences of this idiom. Thus, it argues that “loxion management” is an idiom which has been loosely defined in the township, which not only serves as a circuitous network contributing to social cohesion amongst men but also as a site where employment information, even of a precarious nature circulates. Key words: loxion management, precarity, Post-apartheid township life, unemployment, labour market, masculinity, “conduits”, circuitous network, social ties. / GR2018

A PhD Thesis to the Anthropology Department, Faculty of Humanities: University of the Witwatersrand. / This study will argue that; (i) that the evolution of hip-hop arises out of the need by young people to give expression and meaning to their day-to-day socio-political and economic struggles and the harsh realities of urban life, and (ii) that hip-hop has become the audible and dominant voice of reason and a platform that allows youth to address their plight, as active citizens, and (iii) that, as a music expression, the hip-hop narrative can be used as an unsolicited yet resourceful civic perception survey to gauge the temperature and the mood of society at a point in time. My research question is premised on the argument that the youth looks at society and their immediate surroundings through the lens of rap music and the hip-hop culture. It presupposes that it is this hip-hop lens that has become the projector through which the youth views and analyses society and then invites the world to peep through, to confirm and be witnesses to what they see. It is not the purpose of this research to argue how much influence hip-hop has on young people, but instead to look at how youth is using hip-hop to express their discontent and what the various sites are where their relentless desire for a better life is being crafted and articulated. In my investigation, I have argued that it is at these social sites that open or discreet creative expressions are produced/created by the hip-hop generation as the subordinate group and directed to those perceived to be the gatekeepers to their aspirations and their rites of passage. In my investigation I have explored how, out of indignation and desire, the hip-hop generation has employed creative ways to highlight and vent their frustration at a system that seems to derail their aspirations. This is the story of hip-hop where Watkins (2005) argues that the youth have crafted "a vision of their world that is insightful, optimistic and tenaciously critical of the institutions and circumstances that restrict their ability to impact on the world around them" (p. 81) With regard to hip-hop in South Africa critical questions and a central thesis to this paper begin to emerge as to whether hip-hop, as an artistic expression and a seemingly dominant youth culture, has found long-hidden voices through which young people now engage with this art form to address and reflect on their socio-economic and political conditions as active citizens in search of a meaningful social contract. By investigating the triangular relationship between commerce, politics and hip-hop, this study looks at how creative, adaptive people with unrealised potential, who find themselves trapped by illusion and exploitation (realistic or perceived), always try to find a meaning to make sense of their worlds. / AC2018

Research on masculinity has become an area of increasing interest internationally and in South Africa. Research in South Africa focussing on masculinity and its impact on violence, sexuality and HIV/Aids has begun to escalate. Researchers and social scientists have come to the realisation of the need to investigate how men feel about being men in a society in which they have been dubbed sexist, violent and rapists. This thesis is an attempt to study the linkages between a culture-of-honour and violence. It does so by conceptualising culture as 'a set of affordances and constraints that channel the expression of coercive means of social control by self and others' (Bond, 2004, p. 62). By examining the subjective experiences of South African men in relation to concepts of masculinity and pride, it is hoped to determine whether honour norms generate hypersensitivity to insults and threats to the reputation of men which encourage men to respond with violence in order to reclaim or save 'face'. This aggression may be directed at other males as well as result in heightened tensions in heterosexual relationships that lead to violence (Cohen & Nisbett, 1994; Cohen & Vandello, 2003). A qualitative methodology was adopted for this investigation and semi-structured interviews were conducted with eight young men from comparable educational backgrounds and differing cultures. These interviews were audiotaped and transcribed. The notion of honour in men's construction of masculinity was evident and reveals commonalities as well as difference in the salience of honour constructs. Future studies are proposed to explore in more detail the relationship between honour and masculinities as well as the role of women in perpetuating honour norms in society. / Thesis (M.Sc.)-University of KwaZulu-Natal, Pietermaritzburg, 2006.

South Africa is going through a difficult time due to HIV/AIDS pandemic (amongst other things) which has caused countless deaths leading to major concern about municipal burial sites since such land is limited. There is currently a shortage of burial sites enough in to accommodate the vast numbers to deaths. It has been announced that some graveyards in KwaZulu-Natal, Alexandra and Soweto are full. Consequently, municipalities have been seriously considering campaigns to encourage people to opt for cremation as a way of disposing of their deceased loved ones (Daily News, 2010:1). Cremation is an act of disposing of a deceased person by burning their body remains. It has recently featured in the national newspapers in keeping with efforts on the part of the Government to familiarise people within eThekwini and elsewhere in the country with the practice of cremation. Cremation is, however a widely unpopular practice throughout African culture, especially among the Zulu people. Some of them think of cremation as a curse and something that contradicts their culture. In the Zulu culture there is a belief that death is not the end: a person who dies enters into the afterlife and becomes a provider for the family. Such a person is referred to as idlozi (an ancestor). The aim of this study was to explore the perceptions of the Zulu people on cremation as an alternative to the traditional practice of burial. In this study the population from which a sample was drawn were the Zulu people living in uMlazi and Zwelibomvu, a semi-urban area and a rural area respectively. As a researcher I believed that this study was necessary and important because it was hoping to help educate people so that they will be able to make an informed judgement around the issue of cremation. / Thesis (M.Dev.Studies)-University of KwaZulu-Natal, Durban, 2011.