Spelling suggestions: "subject:"africanamerican theater"" "subject:"africanamericans theater""
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Plowshares Theatre Company the first twenty yearsCurenton, Myron Wade. January 2008 (has links)
Thesis (M.A.)--Michigan State University. Dept. of Theatre, 2008. / "The objective of this study is to discuss the history and origin of the Plowshares Theatre Company based upon an interview with the current artistic director, Gary Anderson, and his assistant, Dr. Addell [Austin] Anderson"-- vFrom the abstract. Title from PDF t.p. (viewed on Aug. 4, 2009) Also issued in print.
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African-American dramatic theory as subject of cultural studies : an historical overview and analysis /Pinkney, Michael L. January 1999 (has links)
No description available.
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Spiraling towards success an Africana artist's exploration of the creative process of writing and performing a monodrama /Domingue, Nina. January 1900 (has links)
Thesis (M.F.A.)--West Virginia University, 2002. / Title from document title page. Document formatted into pages; contains ix, 76 p. : ill. (some col.). Includes video files in the mpg format. Vita. Includes abstract. Includes bibliographical references (p. 79).
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Resistance, parody, and double consciousness in African American theatre, 1895-1910 /Krasner, David. January 1996 (has links)
Thesis (Ph.D.)--Tufts University, 1996. / Adviser: William Sun. Submitted to the Dept. of Drama. Includes bibliographical references (leaves 315-341). Access restricted to members of the Tufts University community. Also available via the World Wide Web;
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Figures of sacrifice Africa in the transnational imaginary /Rapoo, Connie, January 2008 (has links)
Thesis (Ph. D.)--UCLA, 2008. / Vita. Includes bibliographical references (leaves 211-219).
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The struggle for administrative and artistic control of the Federal Theatre Negro units /Redd, Tina. January 1996 (has links)
Thesis (Ph. D.)--University of Washington, 1996. / Vita. Includes bibliographical references (leaves [291]-299).
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Genuine spectacle sliding positionality in the works of Pauline E. Hopkins, Zora Neale Hurston, Langston Hughes, and Spike Lee /Metzler, Jessica. Lhamon, W. T. January 2006 (has links)
Thesis (M. A.)--Florida State University, 2006. / Advisor: W.T. Lhamon, Florida State University, College of Arts and Sciences, Dept. of English. Title and description from dissertation home page (viewed June 9, 2006). Document formatted into pages; contains vii, 67 pages. Includes bibliographical references.
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The color of Hollywood the cultural politics controlling the production of African American original screenplays, stage plays and novels adapted into films from 1980 to 2000 /Ndounou, Monica White. January 2007 (has links)
Thesis (Ph. D.)--Ohio State University, 2007. / Full text release at OhioLINK's ETD Center delayed at author's request
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A Raisin in the sun by Lorraine Hansberry: challenges and trends presented by an african-american play / A Raisin in the sun by Lorraine Hansberry: challenges and trends presented by an african-american playMarcela Iochem Valente 04 August 2009 (has links)
A presente dissertação tem como objetivo mostrar que o teatro é uma eficiente forma
de auto-representação assim como uma poderosa arma para a subversão de valores impostos
pela sociedade hegemônica. Quando consideramos o teatro Contemporâneo, principalmente
aquele produzido pelos então chamados grupos de minorias, podemos encontrar vários
autores que fazem de suas obras um protesto contra a opressão, a violência e a discriminação
impostas pelo excludente discurso colonial. Um exemplo disso é a obra A Raisin in the Sun da
autora afro-americana Lorraine Hansberry. A autora nos mostra que o teatro pode representar
uma possibilidade para que os grupos historicamente excluídos tragam a público a situação de
opressão vivenciada, protestando contra ela e subvertendo o discurso hegemônico que tende a
valorizar apenas obras pertencentes ao cânone. Podemos perceber que na contemporaneidade
muitas histórias tidas por muito tempo como marginais ou ainda ex-cêntricas, como a dos
afro-americanos, por exemplo, passaram a ser conhecidas através de produções transgressoras
e subversivas que surgiram na tentativa de expressão do self e vieram a dar voz a grupos que
até então eram excluídos, ou como Hutcheon os denominou, marginalizados, vindo então a reescrever
suas histórias. Após considerações iniciais relacionadas à teoria do teatro,
pretendemos ressaltar através da peça A Raisin in the Sun alguns desafios que o Outro
encontra na busca por sua identidade e por melhores oportunidades prometidas pelo Sonho
Americano. Pretendemos também ressaltar alguns desafios apresentados por tal obra ao longo
de um possível processo de tradução visto que esta possui muitas marcas culturais. Por fim,
discutiremos alguns desses desafios a serem encarados pela Tradução Intercultural na peça A
Raisin in the Sun / The aim of this dissertation is to show that theater is an effective way of selfrepresentation
as well as a powerful weapon used in order to subvert hegemonic values. When
considering contemporary drama, mainly the one produced by the so-called minority
groups, it is possible to find several authors who made of their works site for protest against
oppression, violence and discrimination imposed by the excluding colonial discourse. One
clear example of such a work is the play A Raisin in the Sun written by the African-American
writer Lorraine Hansberry. The author shows that theater can represent a possibility for the
historically excluded groups to bring into public awareness the situation of oppression lived
by their community, protesting against it and subverting the hegemonic discourse which tends
to value just canonical works and stories. In contemporary times, many stories/histories taken
for a long time as marginal or ex-centric, such as the African-Americans for example,
became known through transgressive and subverting productions that came out as an attempt
to express the self, giving voice to groups so far excluded - or as Hutcheon referred to them,
marginalized - rewriting their stories/histories. After some initial considerations related to
the theory of drama, we intend to highlight some of the challenges that the Other faces
while searching for his/her identity and better opportunities promised by the American Dream
in the play A Raisin in the Sun. We also intend to present some of the challenges presented by
such work during the translation process due to its strong cultural peculiarities. Besides, we
intend to discuss some of these challenges to be faced by Intercultural Translation in A Raisin
in the Sun
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A Raisin in the sun by Lorraine Hansberry: challenges and trends presented by an african-american play / A Raisin in the sun by Lorraine Hansberry: challenges and trends presented by an african-american playMarcela Iochem Valente 04 August 2009 (has links)
A presente dissertação tem como objetivo mostrar que o teatro é uma eficiente forma
de auto-representação assim como uma poderosa arma para a subversão de valores impostos
pela sociedade hegemônica. Quando consideramos o teatro Contemporâneo, principalmente
aquele produzido pelos então chamados grupos de minorias, podemos encontrar vários
autores que fazem de suas obras um protesto contra a opressão, a violência e a discriminação
impostas pelo excludente discurso colonial. Um exemplo disso é a obra A Raisin in the Sun da
autora afro-americana Lorraine Hansberry. A autora nos mostra que o teatro pode representar
uma possibilidade para que os grupos historicamente excluídos tragam a público a situação de
opressão vivenciada, protestando contra ela e subvertendo o discurso hegemônico que tende a
valorizar apenas obras pertencentes ao cânone. Podemos perceber que na contemporaneidade
muitas histórias tidas por muito tempo como marginais ou ainda ex-cêntricas, como a dos
afro-americanos, por exemplo, passaram a ser conhecidas através de produções transgressoras
e subversivas que surgiram na tentativa de expressão do self e vieram a dar voz a grupos que
até então eram excluídos, ou como Hutcheon os denominou, marginalizados, vindo então a reescrever
suas histórias. Após considerações iniciais relacionadas à teoria do teatro,
pretendemos ressaltar através da peça A Raisin in the Sun alguns desafios que o Outro
encontra na busca por sua identidade e por melhores oportunidades prometidas pelo Sonho
Americano. Pretendemos também ressaltar alguns desafios apresentados por tal obra ao longo
de um possível processo de tradução visto que esta possui muitas marcas culturais. Por fim,
discutiremos alguns desses desafios a serem encarados pela Tradução Intercultural na peça A
Raisin in the Sun / The aim of this dissertation is to show that theater is an effective way of selfrepresentation
as well as a powerful weapon used in order to subvert hegemonic values. When
considering contemporary drama, mainly the one produced by the so-called minority
groups, it is possible to find several authors who made of their works site for protest against
oppression, violence and discrimination imposed by the excluding colonial discourse. One
clear example of such a work is the play A Raisin in the Sun written by the African-American
writer Lorraine Hansberry. The author shows that theater can represent a possibility for the
historically excluded groups to bring into public awareness the situation of oppression lived
by their community, protesting against it and subverting the hegemonic discourse which tends
to value just canonical works and stories. In contemporary times, many stories/histories taken
for a long time as marginal or ex-centric, such as the African-Americans for example,
became known through transgressive and subverting productions that came out as an attempt
to express the self, giving voice to groups so far excluded - or as Hutcheon referred to them,
marginalized - rewriting their stories/histories. After some initial considerations related to
the theory of drama, we intend to highlight some of the challenges that the Other faces
while searching for his/her identity and better opportunities promised by the American Dream
in the play A Raisin in the Sun. We also intend to present some of the challenges presented by
such work during the translation process due to its strong cultural peculiarities. Besides, we
intend to discuss some of these challenges to be faced by Intercultural Translation in A Raisin
in the Sun
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